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CONTENTS
Pictorial KOREA is a monthly magazine, published by
the Korean Overseas Information Service that introdu-
ces Korean art, culture, industry, lifestyles and nature to
readers the world over.
Korean Overseas Information Service
82 - 1, Sejongno, Jongno-gu, Seoul
Republic of Korea
Tel: 82 - 2 - 398 - 1910 ~ 9 Fax: 82 - 2 - 398 - 1882
http://www.korea.net
Editorial Director
Kim Young-mann
Promenade - Korean Folk Village
An Outdoor Museum Filled with the Spirit and Traditions of the
People
Produced by
Min Byeong-hoon
English Editors
Suzanne Crowder Han,
Cho Yoon-jung, Na Su-ho
Art Director
Oh Jung-eun
Senior Designers
Lee Tae-eun
Hong Min-hee
Editorial Advisers
Joo Hae-joong, Moon Mi-hwa, Park Sun-hee
Focus - Opening of the High-speed Railway
Putting the Whole Country within a Half-day's Journey
Museum - Railroad Museum
Where a Century of Korean Railroad History is Preserved
Photo Director
Park Sung-bae
Photographers
Hwang Min-kyu, Chung Han-young
Festival - First Full Moon Field Fire Festival
A Feast of Light Born of a Jejudo Folk Tradition
Printing
Samsung Moonhwa Printing Co.
Cho Young-seung, President
E-mail: smpc@korea.com
Tel: 82 - 2 - 468 - 0361/5
Edited & Designed by
Designwill Co. Ltd
47-6, Supyo-dong, Jung-gu, Seoul, Korea.
Tel: 82 - 2 - 2269 - 9300 Fax: 82 - 2 - 2269 - 9104
E-mail: young@designwill.co.kr
Island - Geojedo Island
A Treasury of Beautiful Nature and History
Cover
Mother-of-pearl lacquerware is a native craft that has long
been admired for its delicacy and mystery. These works dis-
play the beauty of delicate patterns in brilliantly colored
mother-of-pearl against the jet-black lacquer, and are pro-
duced using such materials as natural wood, abalone and
conch shells, and feldspar in a repetitive and detailed craft-
ing process, followed by a complex lacquer process.
Here - The Dong-myeon Jade Mine
The World's Only White Jade Producing Mine
Arts - Korean Buddhist Painting
Korean Buddhist Art-Development in Union with Indigenous
Beliefs
Leisure - Skiing and Snowboarding
The Happiness and Invigorating Feeling of Swooshing Over
the Snow
Mother-of-Pearl Lacquerware
Mysterious Brilliance Brought Forth
by Delicate Devotion
Tradition - Jangseung and Beoksu
The Warm Face of Koreans behind the Gruff Mask
March 2004
Craft
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Promenade
Folk Village
An Outdoor Museum Filled with the Spirit
and Traditions of the People
The Korean Folk Village (www.koreanfolk.co.kr) is an
outdoor museum that collects and preserves folk
cultural materials, offers a place of on-the-spot
learning for children, and draws foreign tourists.
About 1.8 million visitors, both foreign and domestic,
come to the Korean Folk Village each year,
highlighting it as a world-class tourist attraction.
Text by Lee Eun-jung / Photographs by Park Yul
Text by Lee Eun-jung / Photographs by Park Yul
Korean
Korean
Folk Village
An Outdoor Museum Filled with the Spirit
and Traditions of the People
The Korean Folk Village (www.koreanfolk.co.kr) is an
outdoor museum that collects and preserves folk
cultural materials, offers a place of on-the-spot
learning for children, and draws foreign tourists.
About 1.8 million visitors, both foreign and domestic,
come to the Korean Folk Village each year,
highlighting it as a world-class tourist attraction.
107242833.007.png
he traditional way of life of the Ko-
rean people, which has been handed
down for over 5,000 years, experienced
drastic changes during the Gabo Reform of
1894, forced occupation by Japan (1910-
1945), the Korean War (1950-1953) and the
Saemaeul Movement of the 1970s.
Bolstered by the efforts of cultural activists
to hand down and develop Korean traditional
culture during the 1960s, and by the govern-
ment's tourism promotion policies that sought
to draw foreign tourists to Korea during the
1970s, an advisory committee concerning the
foundation of the Korean Folk Village was
formed on January 15, 1972. On August 5 of
the following year, construction was begun on
a folk village of approximately 30 buildings on
a lot of 660,600 square meters at 107 Bora-ri,
Giheung-eup, Yongin, Gyeonggi-do province.
Initial construction was completed on October
3, 1974, and the village was opened to the
public.
From November 1976, expansion and sup-
plementation of the Korean Folk Village site
and facilities was carried out on a number of
occasions, and by March 1999 the site mea-
sured 726,962 square meters and contained
282 buildings and accompanying facilities. It
has developed into a world-class outdoor mu-
seum, employing 330 staff members, and as a
tourist attraction known around the world.
The Korean Folk Village sits at the base of a
hill that surrounds it like a windscreen. A small
stream flows through the center of the village,
and around it spread out cultivated fields. In
this way, the village follows the traditional Feng
Shui dictum that a city or town should be built
with a mountain at its back and water in front.
The village is divided into a number of areas:
the folk reenactment area, where folk materials
and the folk cultural heritage of the Korean
people are collected, re-created, restored, dis-
played, performed, preserved, and taught; the
museum area, where the Korean cultural iden-
tity is researched and studied and where edu-
cation and exchange concerning national cul-
tural heritage and folk materials takes place;
the family park, where the whole family can
enjoy various amusements and rides; and the
marketplace and convenience area, where visi-
tors can eat traditional foods and buy crafts
and souvenirs.
In the folk reenactment area, 168 houses
from the late Joseon period, each displaying
March 2004
5
T
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12
the characteristics of a particular region, have
been moved and restored to allow visitors a
comprehensive look at the traditional way
of life of the Korean people on the Korean
Peninsula. There are also about 30,000 house-
hold items that have been gathered from each
region and arranged here, each in their proper
place. These have been restored, re-created and
displayed to allow visitors a glimpse into tradi-
tional clothing, food and housing culture of
each season, as well as occupational skills, re-
ligious ceremonies and folk pastimes. There
are private houses from the northern region,
central region, southern region, Jejudo Island,
and Ulleungdo Island, along with traditional
houses for each class and occupation. There
are also a government office, temple, Confu-
cian school, shrine, foot mill hut, water mill,
monuments, various gates and bridges, work-
shops, dry and wet cultivated fields, and a per-
forming arena.
There are about 20 artisans that work in the
workshops and in the marketplace, producing
a wide variety of articles and goods, including
pottery, wicker cases, baskets, wooden spoons,
dishes, clogs, straw shoes, mulberry paper ( han-
ji ), brassware, masks, embroidery, ornamen-
tal knots, musical instruments, folding fans,
agricultural implements, and furniture. Visitors
can see these artisans at work, observing the
processes and materials used to make the var-
ious products. The marketplace also has a large
number of food stalls that sell a variety of tra-
ditional foods, including soups, stews, noo-
dle dishes, rice cakes, and traditional liquors.
Visitors can also browse through local pro-
ducts and souvenirs from each region of the
country.
Farmer's music performances are held twi-
ce every day (at 11 a.m. and 3 p.m.) in the
performing arena, a traditional wedding is
recreated twice a day at House No. 22, the
southern regional mansion (at noon and 4
p.m.) during spring and autumn, and on
certain holidays seasonal customs, religious
ceremonies and folk pastimes are enactted at
houses here and there around the village.
The convenience area has various facilities
that may be needed by visitors, such as a tea-
house, local products and souvenir shops, a
pottery exhibition hall and shop, a photo stu-
dio, a place to rent strollers or wheelchairs,
lockers for valuables, a police station, a post
office, telephone booths, and ATMs. This area
also has restaurants that offer popular Korean
foods. At the teahouse, visitors can enjoy a
variety of Korean teas, such as insam tea, ging-
ko tea, jujube tea, and Asian plum tea, as well
as porridges and a shaved ice dessert.
Folk materials that are difficult to re-create,
1 q 2. A variety of
folk pastimes,
seasonal customs,
and religious rituals
are carried out at
the performing
arena and some of
the traditional
houses. Pictured
here are represen-
tative folk pastimes:
farmer's music (left)
and rope walking
(right)
6
Pictorial Korea
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