Anderson, Charles D - Outlaws of the Old West.txt

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                          Outlaws of the Old West

                      Compiled by Charles D. Anderson

 ELECTRONIC VERSION 1.0 (Apr 04 00). If you find and correct errors in the
      text, please update the version number by 0.1 and redistribute.

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INTRODUCTION

By Charles D. Anderson Editor, Mankind Books

Throughout history there have been men--and women too, for that matter--who
have placed themselves above and outside the laws that govern ordinary men.
Call them outlaws or criminals, their actions have been motivated by
personal gain, vengeance, rebellion and so forth... reasons very
justifiable to them. And those people are still with us, as a glance at the
front page of any newspaper will show.

The outlaws of the Old West weren't really that colorful, although some
were ingeniously enterprising and ruthless. And by today's standards their
crimes weren't that terrible. We are undoubtedly more appalled by reports
of senseless mass slayings today than the average person in Abilene was at
the news of a stage holdup. And while citizens walking the streets of Dodge
City might have been startled to find themselves in the midst of a
spontaneous gunfight, we sometimes find ourselves wondering whether it's
even safe to venture out onto the streets at all.

This is not intended to underrate the crimes of the Old West, because taken
on a relative basis they could be extremely serious to the victims. The
Frontier was isolated and desolate. Limited transportation and the
precarious trip itself had required men and women who had made the
phenomenal journey from the East to leave behind many prized belongings.
Consequently, private property was highly valued and would often be
defended to the death. Whatever possessions existed, whether for practical
or sentimental purpose, were essentially one of a kind items that could not
be simply replaced. They were belongings that represented hardship and
deprivation, and their loss through robberies and lootings could be a
heartbreaking catastrophe.

What really gives the outlaws of the Old West a unique quality--apart from
the romantic lore that has grown up around them--is the stage on which they
performed. And therefore, to fully understand their presence in the West
and their quick-draw motivations with the six-shooter, we have to
understand something of the times and temperament that was the American
West.

In many respects the Old West is like the ante-bellum South. It is a
civilization gone with the wind. There was no equivalent of the American
Frontier anyplace else in the world It was a land of backbreaking
challenges where survival itself was constantly jeopardized by awesome
obstacles. And it existed in a time when the United States was "a house
divided," with brother turned against brother under the glorious blue-gray
patriotism that was the Civil War.

The American Frontier represented the hope for a new start, for new lands
to conquer, and the entire westward expansion was the ultimate challenge to
the individualistic spirit that had first caused the colonists to break
away from the domination of England. The Frontier was and still is a truly
American institution, as John F. Kennedy reminded us in his inaugural
address when he spoke of the challenges that face us at the New Frontier.

The noted historian Frederick Jackson Turner theorized that the development
of the American way of life as we know it could be traced back to the
Frontier. It was a land of rebirth--a promised land that beckoned pioneers
who were strong in mind, heart and body. And in that rebirth, as
institutions were reformed and rethought, man became shaped by his
environment.

Also, according to Turner, it was a land that served as a "safety valve,"
utilizing the "wide open spaces" to minimize or remove the pressures that
had been building up within the cities of the East.

It seems as if the culture and technology of each era in American history
contributes toward the breeding of outlaws and criminals indigenous to that
period. A good example of this is the airline hijacker. And so it was that
the stage was set for the outlaws of the Old West--not only for those bred
in the Frontier spirit, but also for those who sought to escape the dutches
of eastern police. The openness of the land, and the majestic mountains and
deep canyons made the West a very attractive hiding place.

The very nature of the Frontier experience was also highly conducive to
outlawry. In the first place, honest money was very hard to come by. As the
article on Sam Bass points out, it would have taken a cowboy more than 33
years to earn the $10,000 that Bass picked up in one robbery. And that
cowboy would have worked in the dust and open air all month, from sunrise
until late into the night, and maybe have taken home $30.

While need inspired some outlaws, greed spurred others. Many a rustler
justified his thievery as he thought of the carte blanche that had
contributed to the success of the land, mine and railroad barons.

And then there were those who were either unwilling or unable to face up to
the demands of the West. Earning a living, when jobs were available, was a
back-breaking consideration. And as one author points out, in the case of
raising crops it could also be bitterly frustrating.

The days following the Civil War were free-wheeling and generally lawless.
Outlaws like John Wesley Hardin got their start because they were filled
with resentment at what they saw going on around them. Men who had faced
danger and death on the battlefield considered the West a land of
opportunity for anyone proficient and daring enough with a gun. And
initially there was hardly anyone to give them an argument. For a long time
the law was carried around in each man's holster, and he dealt that law
with a heavy hand, depending on which side of the fence he stood on such
cut and dried matters as cowboy vs. farmer and cattle vs. sheep. And
whoever had the more men and guns on his side obviously had a greater share
of the law.

There was hardly any taxation to speak of, and consequently some areas
simply didn't have the money to pay a sheriff. Squabbles amongst the
neighbors couldn't be settled by a quick call to the police, nor were the
courts available to make a judgment on a lawsuit.

Another factor that contributed to outlawry was the great surge of
boomtowns. As towns like Dodge, Tombstone, Abilene and Virginia City
mushroomed, their rapid, boisterous growth didn't seem to leave much room
for effective law enforcement. And the outlaws, quick to sniff out a good
thing, followed the boom.

But in the same way that factors inherent to the westward expansion
contributed to unbridled outlawry, the progress and the innovative spirit
that was the Frontier tradition helped to put it down. By 1869 the railroad
had already spanned the United States, and desperados who had escaped the
eastern police by vanishing into the painted expanse of the West were now
being relentlessly pursued. The coming of the telegraph speeded
descriptions of the outlaws from town to town, and the pony express
conveyed that well-known western publication, the Wanted poster.

Time was rapidly running out for the gunslingers and stage robbers, not to
mention the rustlers who were being severely frustrated by that new-fangled
stuff, barbed wire.

After a while some of the outlaws began to consider going straight. Both
the Wells Fargo stage line and the Union Pacific railroad hired former
outlaws to ride guard. Others tried to hold out until the end, and the end
usually meant a sheriffs bullet. In most cases they died relatively young,
which really isn't so surprising considering the life they had chosen for
themselves.

The Frontier spirit of the Old West seemed to inspire the outlaws toward a
code of honor all their own. And because of this some western outlaws have
been treated in motion pictures and on television as more hero than
criminal. Films like Butch Cassidy and the Sundance Kid, and even the
heavily documented How The West Was Won, show the grueling hardships, but
the end result is one of glamorization, of romanticizing the facts... not
unlike the treatment of those two other great American outlaws, Bonnie and
Clyde.

It's been said that being a hero is just a matter of being in the right
place at the right time. Perhaps the same is true of the outlaw. And for
men outside the law there has seldom been a time in this country's history
that has presented more opportunities than during the period that we have
come to know as the Old West.

RINGO : CHAMPION OF THE OUTLAWS

by Clayton Matthews

John Ringo strode the legendary streets of Tombstone, Arizona, in the
1880's like a brooding Hamlet among outlaws--introspective, darkly
handsome, absolutely fearless. Altogether a romantic but tragic figure.

In 1880 Tombstone was at the peak of boom times. It evolved from nothing to
a town of some six thousand people after Ed Schieffielin discovered silver
in the Tombstone hills in 1878, and started the Lucky Cuss mine. Tombstone
then sprang up out of the desert overnight. Before that it was an area of
brown, treeless hills, a land of cacti, greasewood, and hostile Apaches.

Unlike many other western boomtowns, Tombstone had some law and order--too
much law, some said. However, there were those people who said the lawmen
themselves were little better than crooks and killers. In 1881, Tombstone
even elected a mayor. But the two factions in town were feuding with each
other--Sheriff Johnny Behan and Marshal Wyatt Earp. Earp had the guns and
the power on his side: his three brothers and Doc Holliday, the ex-dentist,
who was as coldblooded a killer as any the West ever knew.

The feud between the two fac...
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