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N
ew Proficiency
Mark Harrison
MACMILLAN
Testbuilder
Macmillan Education
Between Towns Road, Oxford OX4 3PP
A division of Macmillan Publishers Limited
Companies and representatives throughout the world
ani! RCI1lity
by Arthur Ma rwick, Harpc-Collm-, Publishers Ltd (p114); TIll'
Random House Group for Extract from
Cfll::'s
by Jilly Cooper, published by'
Methuen. Used by permission of The Random House Croup Ltd
(p
llfi):
News International Syndication for all extract from 'Cl'tting the bird' by A.
1\.
Gill in
The
Sunday Tinic-,
15 June 1997, A. A. Cill/TinlL's Newspapers
Limited (1997) (p13l); The Random House Croup for all e-xtract from
Swillg
i lamnter Sioing'
by Jeff Torrington, published by Martin Seckel' & \Varhurg.
Reprinted by permission of The Random House
Croup
Ltd (pI31);
Penguin
Books (UK) for an extract from
X-Ray
by Ray Davies (Viking, 1994) Copyright
Ray Davies, 1994 (p133) and for an extract from
Fl1it/~filll
by Marianne
Faithful! with David Dalton, Michael Joseph (1994) Copyright (', Mananne
Faithfull, 1994 (p134); The Random House Croup for an extract
from
TIlc
l-?ailway Mall
by Eric Lomax, published by Jonathan Cape. Reprinted
by
permission of The Random House Group Ltd (pBS); Ncw-, International
Syndication for an extract from 'Rainmaker with his head in the clouds' by
Anjana Ahuja in
The Times,
16 February 1998, Times Xcwspepcr-, Limited
(1998) (p136); The Random House Croup for an extract from
OI:'IT
l!It'
Limit
by
Bob
Monkhouse,
published by Century. Reprinted by
permission
of The
Random I louse Group Ltd (p13S); Dyson Appliances Ltd for an extract from
'The slow arrival of the wheel' by James Dyson,
1171111'~ [)YS(1I1'.~ }!i.~ltJnl
of
Creal
Illllcn!iolls,
Part 1, 2000 in
Telegraph maga:ine
(pl
St},
Telegraph
Croup Ltd for
an extract from 'Frantic Semantics: Bogus' by' John Morrish in
Tdcsrapl1
IIll1gl1:ilJc,
4 March 200n (p1S2); Thames
&
Hudson Ltd for an extract from
L)c~ig!l
Since
1945 by' Peter Dormer (]993) (pJS7).
ISIl~
0
III
9549H X
o
III
95497 I
(with key)
(without key)
Tl'xt Mark Harrison 2002
Design and iliustr.uion
Macmillan Publishers Limited 2002
First published 200:?
All righh reserved: no
p.u-t
of this publication may be reproduced, stored in a
n-trioval svstl'll1, t-an-nutted ill anv form, or bv anv means, electronic,
ml'chdllic.~l,
photocopying, recordtng, or otherwise. without the prior wri tten
permission of the publisher-;
Dl'sig[ll'd by
Xcn Mcdi.,
Ltd
COH'r dt'sign bv Xcn Me-dia l.td
lhv author would like ttl thank Lena Hauberg. Denise Coufalova. Anja Ferstl,
ChdJ'lotk Hnnstrorn. Andrca 7s Toth. Eva Orieskova and Luisc Kloss for
providing the-
-cun
ph-
,1Ils\\'CLS
for Papers 2 and 3.
!'Ill'
pul-Ie.hor-, would like to thank the staff and students of East Finchley
School or English for their 11l'1p, and Mike Cutteridge and Lynn Gold for their
input.
The author and publishers would like to thank till' Unin'fsity ot C<lmbridge
Local Examinations Syndicate for the assessment cr'itct-ia and :-',llllpk answer
sheets.
llic author .md publisher-; would like to thank the following for permission
ttl n-prodtm- their material:
f
ialifu x pic for an extract from 'No place like
hom..." hv Christine Webb in
1
[(lIlIC:;
nnd 517Z'illg::;,
Summer 1995 (pH); Telegraph
Croup l.td toran e-xtract
fromtIurrung
Points Number 19, Pennsylvania
St.ruon.
Ncvv York by Cites v'lorsley in
The 017ily Telegraph Art:;
C7'
Hooks, 8
Mav ItNt), It'll'graph Croup Limited (1999) (14); PFD for an extract from
1"111'
Stqr~ (l(
tlit'
SUI/
by
Caroline I iarvcv reprinted by permission of PFD on
behalf of [l),mlld Trullope. Caroline Harvey, 1983 (p14); the Harvill Press for
excerpts from
5(ltt CitI/
i(')
jonathan Raban, '1974. Reproduced by permission of
the I t.irvill l'rcs-, (ppl;, D2); 1\111 Macmillan for an extract from
The Dead
(:f
laidl(l
bv Colin
Dt-x
te-r, Sidg\vick &]dckson, Macmillan, London, UK (pIS);
David llighdlll Associates nil behalf of the author for extracts from
IlJspector
TlII/llt'l
()/lIl1il'/lS
bv Dorothy Simpson, Warner Hooks (1994) (pI6); Pearson
Education Ltd for l'xtr,-lCts from
1"I1t'
Pt'l/gllill
1Ii:;
tory
(:f
the United
St17tes
(if"
Alllcrini
uv Illlgh Brog.m. Penguin (1090), Pearson Education Limited 19H5,
1999,
reprinte-d bv
pr-nuis-.ion
of Pearson Education Limited (ppl S, 88); News
lnte-rnation.tl Svndicanon for an extract from 'Why advertising matters' by
Stephen Armstrong ill
lhc Sunday Tinu'<
Art ..;
Supplelllent,
3D April 2000, C0
Stl"plwil ArlllstronglTillll'S Nl'\vspapers Limited, 2000 (p25);
TlIe
I
leI/dOl/and
llllcfT/l'.l!
flrt's:,
for
,1Il
l'x!r,lC! from 'Tube inspired a book',
Die Pre:,::>
27 April
21100 (p2S); Abner Stein on behalf of the author for an extract from the
Forl'\vord bv Dr Anthon!'
Cl<:lrl~
to Vim
17lld Your Adolescellt
by
L<:lUrl'nCe
~tl'inbl'rg ,1I~d
An11 Ll'villl', Ebury Prpss (1992) (p31); rvlic Cheetham Literary
on iwhalf of the <1uthor for an extract from
It'cllnger ..;
-
J\ Fa1l1ily
Cuid,'
hI' Lauric Crah<1I11, Chatto
&
Windus (1992) (p32); Pan
MilClllill,1I) for
.11)
l'xtract from
Spt'IICtT
Tracy
by Bill Davidson, Sidgwick &
Jackson, r-d,lClllilL1I), London, UK (p50); Penguin Books (UK) for an extract
fnm1
Jlt'crlt' .
..;~
rIot:'
Est]lL'r Freud
(I
lam ish Hamilton, 1993) Copyright
(l)
Esther Freud, Il)l)J lane Furnival for an extract from 'The most
!ilwr,lting gddgl't C\'l'r?' in
Vv'('ckelld
Tdegrapll,
S September 1998; News
Intl'rnatitHl,ll Syndicltioll for an extract (rom 'Game for a laugh' by Simon
BiH1WS
in
'1"111' Tllllt'''; /v1/\1 S/lPfJlt'lIl1'llt,
9 October 1999, ({) Simon Barnes/Times
:'\V\VSp,lper.... Limi!l'd (Il)Yt)) (p52); Little, Brown and Company (UK) for an
l'\.tLlCt frnnl
...;/Ii.lliliS U/J
by Rick Gekoski, (1998) (pS2); Mainstream Publishing
Cll.
Ltd {or .111 l'),Jr<ld trnm
Till'
l\cd
and the Black
by Michael Aylwin with Matt
SlIlgcr
(19l)1)j
(~)SJ);
\1,lCmillan for anl'xtract frorn
All the
Rage
by
Ian
\1d.dgl'n,
~';id)--',\\'ick
& J,lckson, Macmillan Ltd, London (p,57); HlJke
rricdlll.lnil litcrdfV on behalf of the author and The Random House
Croup for
dn
l':\.tr.;ct
ttl
Trade
by Michael Ridpath, published by
\Villi,lm Ileilll'm<lI1n. Rl>printed by permission of The Random House Croup
Ltd (p:;9); C'pventrv
((l/'l/iJlX
Tcll'Xnlpll
for an l'xtract from 'King of the
w.ltchmtlkcrs' b-,,' Mdrk
Forstt.~r,
12 Fd,ruary 2000 (p67); International
ThoJllson Publishing Sen'icl's Ltd (or an extract from
Lbllta:,talldillg
Popular
CII/tllft'
by
John FiskL', U'Hvin Hy'man (19H9) (p72); News International
S\'ndic,ltioll lor
,1Il
l'xtrdct fmm 'Tlw I-Iorse's Tale' by Rachel Campbell-
Il'lhnstol1 in
TlI1' Tilllc." /'v1aXII:i!lC,
21 June 1997, Times Newspapers Ltd (p86);
l'l'nguin nooks (UK) fur illll'xtrcKt fmm
G()..;~ipfrolll
Thrush
Green
by Miss
HC,ld (Michael Joseph, 198]) 19tn by Miss Read (p87); The Orion
Puhlishing Croup Ltd for .ln l'xtract from
KClllleth vVilliallls
by Michael
Frl'edland, VV'L'idcnldd & Nicoboll (1990) (pH8); Transworld Publishers,
Kate Atkinson. t:xtr<:lctcd from
filillWI!
Croqllet,
published by Black Swan,
.1
division o( Trans\\'orld Publishers. All rights reserved (p89); TIll' Orion
Publishing (;roup Ltd for .1n extr<:Kt from 'The Pawn King' by Dominic
L.l\vsun in /v1(1n'
Tllal/
iI
CII/llt',
CQ
Oil
SpOft
ed. Philip Watson, The Orion
Publishing Croup Ltd (pl)7); Tclcgt\lph Croup Ltd (or an extract from
'Celebrity crosSOVt'r' by Tim Dm,vling in
Telegraph nwgazine,
26 February lOOO,
ft.'legr,lph Croup Limited (p107); Atlantic Syndication for an extract from
'Hero sunk by .1 lust tl)r stardom' by Roger Deakin in
Mail
01/
Slfllday RI'vic'lv,
2,; June 2000 (pIOS);
f
LlfperCollitb Publisht'rs for an extract from
Cla%:
[mage
The author and publishers would like to thank thl" follovving fur permission to
reproduce their material
Oil
cassette: Telegraph Croup Ltd fur l'xtrdcts from
the following: 'It's a dirty job, but if he didn't do it.. ' by Ionnv Bc.u'dsall in
TclcSTl1ph
'0/c('kclld,
5 June 1099 (p7S); 'H<lPPY hero or the silent
era
by
Mark
Monahan in
The
Daily Telegraph,
29 March 1999 (p76), ]l'IL'graph Croup
Limited (999); 'Are you a maven or a connector?'
by
Damian Thompson in
The
Daily Telegraph Arts
S
Roob,
6 May 2000, Telegraph Croup Limited
(2000) (p38); David Higham Associates on behalf of the author for an extract
from 'C'mon man - get a grip' by Geoffrey Wall in
lVI't'k1'l1l1,26
September 1908 (p38); Kogan Page for an extract (rom
III
Hotel
/utmini-tr.nionond
lv1mlllgcIIlcllt
by Russell Joseph, Russl'll Joseph,
Kogan Page Limited (p43) and for an extract from
Clln'{'r~
ill Hdl/ililiX
by
Loulou Brown, l.oulou Hrown, 1997, Kogan Pagl> Limited (p45); Abner Stein
on behalf of the authors and The Random House Croup for an extract from
Getting
to
Yc.s by Roger Fisher and William Ury published by Hutchinson.
Used by permission of TIll' Random House Croup Limited (pp72-1); Anna
fox and Roger Highfield for an extract from "Seeing is be!in'ing .- any
moment now. 'in
TIlL'
Daily 'ldcgnlplJ,
Zti April 200n (p76); Michael O'MarJ
Books Ltd on behalf of the author for extracts from}
}(Ji('
I}oll.':;e!/(Jld Nmllcs
Rcgl1l1
(1997) (pp77, 1(2); Atlantic Syndicdtion for an extr,lCt from
'\'\'1..'
lived
\vithout TV for a year - and lovl'd it' by Miranda Ingram ill
Daily
;,\'1/1il,
17
August 2000 (pHO); F&W Publications, Inc., excerpted
fwm 5I1ul's....fill
Scriptwritins
copyright 1991 by Jurgan VVolft and Kerry Cox. Used \vith
permission of Writer's Digest Books, and imprint of F&V\' Publicatiolls, Inc.
All rights reserved (pHI); Atlantic Syndication for extr,lcts from 'Cheer up, life
can only get
worse~'
by Quentin Letts in
Daily ;,\117il,
21 June 2000, '\\'hat's
cooking?' by Rosie Shepherd in
t"'-r
Day,
18 June 200{) (pll9) and 'More
than
<:l
game' by Stephen ferns in
Stal1dard
25 February
loon (pI20); Dyson Appliances Ltd for an extract from we need a nevI"
patl'nt law' by James Dyson,
1111Ilt':;
Dy:;(lll ':,
Part 3,
Introduction, 2000 in
1L'lcgraph
lIIagazinc
(p120); Burt for <In extract from
'( wouldn't Paddy Burt the mumps' in
ldegraph
20 April 2000,
from
R.OOlII
Enigma (2000), Paddy Burt (pI22); Sheldoll Press for an
extract from
How to
llllpnmc
YOllr
CO!~fidt'Il(t'
by Dr Kenneth Ilambly (]Y87)
(p160); Telegraph Croup Ltd (or extracts from 'C<lricature is packed \vith triple
explosives' by Nicholas Carland in
The Dail!! TdcXraph,
R June
200n
(p160), 'I
think 1 have a way with pain' by Will Cuhu in
The
Dail.l!
ldl'grapll /1rts
&
Hook:;,
6 MilY 2000 (pI6l), Tl'lcgrilph Croup Limited (2000), and 'Rhythm 'n' roilds'
by Mick Brown in
'ldcgmph
Thrucl, 20 Novl"mber
191.)9
(pI61), (:"'1elegr<lph
Croup Limited (l999),
V'lhilst every effort has been madc to tracL' mvncrs of copyright matl'rial in
this book, there may have been somc cases v','hell thl' publi..;her..; have been
unable to contact the o\tvners. V'le should be gratPt"ul to
lW<:H
from anvone \\'ho
recognises copyright material and \vho is unacknowledgl'd. V'll' ..;hall be
pleased to make the necessary amendments in futurl' editiOlb {If thl' book.
The authors and publishers \vould like to thank tIll' fo]]o\ving for permission
to reproduce their photographic material:
Mary Evans Picture Library pl76 (c); The Hulton Archive' pp176
(d,
b); Image
Bilnk pl71 (d); Pietor pi 72 (b); Superstoek ppl71
(c),
172 la, e); Stone pl71 (a),
174 (a), 175 (d, e); Telegraph Colour Library pl71 (b, d), 17.1
(e),
174 (b,
c).
Printed and bound in Spain
by Edelvives
2006 2005
10 9 8 7 6 5
CONTENTS
INTRODUCTION 4
TEST ONE
TESTTHREE
PAPER 1
8
PAPER 1
86
Further Practice Paper
1
Part One
10
Further Practice Paper
1
Part Three
92
PAPER 2
20
PAPER 2
99
Further Practice Paper
2
article
21
Further Practice Paper
2
proposal
100
PAPER 3
25
Further Practice Paper
2
letter
104
Further Practice Paper
3
Part One
26
PAPER 3
107
Further Practice Paper
3
Part Five
33
Further Practice Paper
3
Part Three
110
PAPER 4
38
Further Practice Paper
3
Part Five
116
Further Practice Paper
4
Part One
40
PAPER 4
119
PAPER 5
46
Further Practice Paper
4
Part Three
123
Further Practice Paper 5
48
PAPER 5
127
TEST TWO
Further Practice Paper
5
Parts Two
and Three
129
PAPER 1
50
Further Practice Paper
1
Part Two
54
TEST FOUR
PAPER 2
61
PAPER 1
131
Further Practice Paper
2
review
63
Further Practice Paper
1
Part Four
140
PAPER 3
66
PAPER 2
143
Further Practice Paper
3
Part Two
68
Further Practice Paper
2
essay
144
Further Practice Paper
3
Part Five
74
Further Practice Paper
2
report
148
PAPER 4
75
Further Practice Paper
4
Part Two
78
PAPER 3
151
Further Practice Paper
3
Part Four
155
PAPER 5
82
Further Practice Paper
3
Part Five
159
Further Practice Paper
5
Parts Two
and Three
84
PAPER 4
160
Further Practice Paper
4
Part Four
165
PAPER 5
167
Further Practice Paper 5
169
KEY AND EXPLANATION
177
LISTENING SCRIPTS
255
Sample answer sheets
267
Assessment criteria - Papers 2, 3 and 5
270
4
INTRODUCTION
THE NEW PROFICIENCY TESTBUILDER
The New Proficiency Testbuilder is much more than a book of Practice Tests. A completely new version
for the Revised Proficiency exam in operation from December 2002, it is designed not only to enable
students to do tests of exactly the kind they will encounter in the exam itself, but also to provide them
with valuable further practice, guidance and explanation. This will enable them to prepare thoroughly for
the exam and increase their ability to perform well in it.
The New Proficiency Testbuilder contains:
Four complete Practice Tests for the Cambridge Certificate of Proficiency
in English
These tests reflect exactly the level and types of question to be found in the exam.
Further Practice and Guidance pages
These are included for each part of each paper and they come immediately after the part of the exam
they relate to (see Contents). For each part of each paper, they include
What's Tested
sections, which
provide detailed explanations of the precise focus of each part of the exam, and
Tips
sections, which
provide advice on the best approaches to answering the questions. Throughout these pages, students
are encouraged to draw their own conclusions as to what the correct answers to the questions in the test
are, and the step-by-step approach taken enables students to develop and apply the right processes
when answering the questions in the exam.
For PAPER 1 READING, the Further Practice and Guidance pages contain exercises and questions
directly related to the questions in the test.
For PAPER 2 WRITING, the Further Practice and Guidance pages provide outlines enabling students to
plan their answers. They also contain
samples
of each kind of writing that may be included in the exam
(article, report, etc) for students to assess.
For PAPER 3 USE OF ENGLISH, the Further Practice and Guidance pages contain exercises and
questions directly related to the questions in the test. They also contain exercises for planning the
summary tasks and
samples
of summaries for students to assess.
For PAPER 4 LISTENING, the Further Practice and Guidance pages contain exercises directly related to
the questions in the test.
For PAPER 5 SPEAKING, the Further Practice and Guidance pages provide exercises on vocabulary
likely to be useful in general terms, exercises on vocabulary relating to the themes for discussion in the
tests and practice in talking about pictures.
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