Bloodlines_the_legendary.pdf

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By Wood Ingham, Christopher Kobar, Mur Lafferty,

Dean Shomshak, Travis Stout and Chuck Wendig

Vampire created by Mark Rein•Hagen

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Credits

Authors: Wood Ingham (Melissidae), Christopher

Kobar (The Carnival, Gulikan), Mur Lafferty (Kuu-

fukuji), Dean Shomshak (Children of Judas, Players),

Travis Stout (Bron) and Chuck Wendig (Galloi, Ma-

cellarius)

Vampire and the World of Darkness created by

Mark ReinHagen

Developers: Justin Achilli and Will Hindmarch

Editor: Scribendi.com

Art Director: Pauline Benney

Layout & Typesetting: Pauline Benney

Interior Art: Shane Coppage, Marko Djurdjevic, Alex-

ander Dunnigan, Tomasz Jedruszek, Klaus Scherwinski

and Cathy Wilkins

Front Cover Art: Jean-Sebastien Rossbach

Front & Back Cover Design: Pauline Benney

© 2006 White Wolf Publishing, Inc. All rights reserved. Repro-

duction without the written permission of the publisher is expressly

forbidden, except for the purposes of reviews, and for blank charac-

ter sheets, which may be reproduced for personal use only. White

Wolf, Vampire and World of Darkness are registered trademarks of

White Wolf Publishing, Inc. All rights reserved. Vampire the Re-

quiem, Werewolf the Forsaken, Storytelling System and Bloodlines

the Legendary are trademarks of White Wolf Publishing, Inc. All

rights reserved. All characters, names, places and text herein are

copyrighted by White Wolf Publishing, Inc.

The mention of or reference to any company or product in these pages is not a challenge to the trade-

mark or copyright concerned.

This book uses the supernatural for settings, characters and themes. All mystical and supernatural

elements are ction and intended for entertainment purposes only. This book contains mature content.

Reader discretion is advised.

For a free White Wolf catalog, call 1-800-454-WOLF.

Check out White Wolf online at

http://www.white-wolf.com/

PRINTED IN CHINA.

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Table of Contents

Introduction

8

Bron

10

The Carnival

23

Children of Judas

38

Galloi

51

Gulikan

64

Kuufukuji

78

Macellarius

90

Melissidae

103

Players

116

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B READ AND C IRCUSES

Carlo was scared enough to piss blood. He’d

heard the stories, yet here he was, in the belly of

the whale.

He looked across the table, the polished mahogany

catching the icker of re from the burning sconces.

Sitting opposite of him was Gould, the motherfucker,

that cold bastard with his dark eyes and little mouth

and his hands folded tightly beneath his underarms.

All around them was opulence: cherrywood book-

shelves stacked with rare texts, an original Otto

Dix (the one with that awful

trench warfare, with the

blasted wasteland

and

by Chuck Wendig

all the corpses) hanging above the mantle, and red

satin pillows in every corner. At the far end of the

room, a dog rested its head on a nest of those pillows.

It was a skinny hound that obviously had to ght

for every morsel in this godforsaken household. It

stared at him with those hollow eyes. Quietly, Carlo

said a little prayer to himself.

“Uncomfortable?” Gould asked.

“Maybe,” he said, trying to contain his spite. It

was easier if he just didn’t look at the sonofabitch.

“We’ve both heard the stories.”

Gould shrugged. “Could be just that. Stories.

Legends.”

“Hope so. They can’t really eat people. They just

can’t.”

“As I said, probably just a story. Besides, at the very

least they certainly have good taste.” He gestured

toward the gilded tray that sat between them.

Upon the tray were three clay bowls, each lled

with a different draught of blood. Earlier, one

of the fat monsters in a double-breasted suit

came and brought out the tray, and explained

that the rst dish was a homeless woman’s,

the second was from some corporate tycoon,

and the third was squeezed from a young

boy. “I’ve always heard they had

re ned palates.”

P ROLOGUE :

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