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Using the Canon EOS Rebel/1000* cameras - an unofficial manual.
Copyright © 2001-2004 NK Guy
The information here, an unofficial user manual, applies to 14 different Canon EOS camera
models that are basically variants of the same design.
These models are the EOS 1000, EOS 1000F, EOS 1000F QD, EOS Rebel, EOS Rebel S, EOS
Rebel S Quartz Date, EOS 1000 QD, EOS 1000N, EOS 1000FN, EOS 1000FN QD, EOS Rebel
II, EOS Rebel S II, EOS 1000S QD and EOS 1000S QDP.
Since it s pretty cumbersome to list all these different models over and over I ll just refer to
them as the Rebel/1000* series of cameras. However, this information does not apply to
any of the later Canon low-end cameras, such as the EOS Rebel X, Rebel XS, Kiss, New
Kiss, Kiss III, Kiss III L, Rebel 2000, Rebel G, EOS 500, EOS 3000, EOS 3000N and so on.
There are many similiarities between these models, but many of the specifics are different.
Table of Contents:
About the EOS Rebel/1000* cameras
Differences between the various models
Total Beginner Guide to the EOS Rebel/1000*
Shutter release button
Loading and unloading film
Installing/removing a lens
Manual focussing
Main dial
Command (mode) dial
Lock mode (L)
Image zone (PIC) modes
Full auto.
Portrait mode.
Landscape mode.
Close-up mode.
Sports mode.
Winding, focussing and metering modes
Single-frame wind
Continuous wind
One-shot AF (autofocus)
AI ( artificial intelligence ) servo mode
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Evaluative metering
Partial metering
Centre-weighted average metering
Creative zone modes
Program AE (auto-exposure) mode
Adjusting program AE (program shift, exposure compensation)
Shutter priority AE mode (Tv)
Aperture priority AE mode (Av)
Metered Manual mode (M)
Depth of field AE mode (DEP)
ISO
Self-timer
Self-timer tunes
Tripod socket
Soft-focus
Main dial shift
Partial metering button
Flash
Multiple exposure
Mid-roll rewind
Film prewind
Batteries
Date back
The EOS Rebel/1000* and high-speed infrared film
Attaching manual-focus lenses or telescopes (stop-down metering)
Some limitations of the EOS Rebel/1000* cameras
Accessories and whatnot
About the EOS Rebel/1000* cameras.
These cameras were a line of very popular low-end consumer SLR cameras sold by Canon in
the early 1990s. They were marketed under the manly, tough and virile tradename Rebel
in the US and Canada, and under the series name EOS 1000 in the rest of the world.
They all featured extremely lightweight curved black all-plastic body construction, fully
computerized automation and a reduced feature set aimed at beginners. They were the low-
end of Canon s SLR lineup and were also the last consumer EOS cameras to use
pentaprisms - the next generation used cheaper, lighter and dimmer hollow mirrors instead.
These are Canon s official Canon Museum pages on the cameras:
Differences between the various models.
Although this document was written originally for the Rebel S II camera most of the
information here also applies to the other models as well. Here are the differences between
them.
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EOS 1000
Introduced in 1990 and the first of the new low-cost line. This was the worldwide name,
used everywhere except North America and Japan. No built-in flash.
EOS 1000F
The EOS 1000 with a built-in flash.
EOS 1000F QD
The EOS 1000 with both a flash and a quartz date-printing back.
EOS Rebel
The version of the EOS 1000 sold in Canada and the USA. No built-in flash.
EOS Rebel S
The EOS Rebel with a built-in flash. (presumably Canon USA used the S designation to
mean equipped with a built-in strobe instead of the more logical F for flash )
EOS Rebel S Quartz Date
The EOS Rebel with both a flash and a quartz date-printing back.
EOS 1000 QD
The EOS 1000 sold in Japan, which featured both built-in flash and a quartz date-printing
back.
EOS 1000N
A largely improved version of the EOS 1000, introduced in 1992. This was the worldwide
name, used everywhere except North America and Japan. No built-in flash.
It was basically identical to the original EOS 1000 except that it featured a slightly higher
top shutter speed (1/2000 sec versus 1/1000), faster autofocus, a soft focus function, tune-
playing during self-timer mode, the ability to turn off the in-focus beep and supposedly a
slightly quieter film transport mechanism.
There was one area in which the earlier model was superior, however. The Rebel/1000
featured a digital match-needle for metered manual mode, whereas the later Rebel
II/1000N cameras featured simplistic +/- metering symbols.
EOS 1000FN
The EOS 1000N with a built-in flash. In addition to the added features of the 1000N, the
1000FN also had a red-eye reduction lamp and an improved guide number - 14 versus 12
for the 1000F.
EOS 1000FN QD
The EOS 1000N with both flash and a quartz date-printing back.
EOS Rebel II
The version of the EOS 1000 sold in Canada and the USA. No built-in flash.
EOS Rebel S II
The Rebel II with a built-in flash, and the version I owned - hence the name of this
document. I don t know if a quartz date version was ever sold in North America. Like the
1000FN, the Rebel S II had red-eye reduction and a guide number of 14 compared to 12 for
the Rebel S.
EOS 1000S QD
The EOS 1000N with built-in flash and quartz date-printing back, sold only in Japan.
EOS 1000S QDP
The EOS 1000N with built-in flash, quartz date-printing back and user-settable panorama
mask, and sold only in Japan. (a mode that fakes a panorama view by masking out the top
and bottom of the negative)
Total Beginner Guide to the EOS Rebel/1000*.
To start, here s a total beginner s guide to the cameras.
1. Turn the camera off, if it was on, by turning the left-hand dial (looking from the
back of the camera) to the red square marked L for lock.
2. Make sure the camera has a working battery installed. The battery cover is on the
bottom, and the battery goes into the camera terminal-end (metal contacts) first.
3. Open the camera back. The release catch to the camera back is on the left side of
the camera when viewed from the back.
4. Take a fresh roll of 35mm film and slot it into the space on the left. The exposed bit
of film should protrude out to the right and the plastic cylindrical end should be at
the bottom.
5. Pull the film tongue out as far as the orange mark on the right side of the camera. Be
extremely careful not to poke the fragile shutter with your finger. (the shutter is the
black rectangle with the sort of Venetian-blind panels in the middle of the camera)
6. Close the camera back. The camera will whir and wind for a half minute or so.
7. When the camera has finished prewinding, the film icon and the total number
of shots available on the film will be displayed on the top screen, meaning
everything s ready to go. If the flashing circle icon appears on the panel on
the top then the film did not load correctly and you ll probably have to open the
camera back and line up the film with the orange mark.
8. Turn the left-hand dial to the green rectangle. This is the beginner mode.
9. Make sure the AF/MF switch on the lens is set to AF , for autofocus. Remove the lens
cap if necessary.
10. Look in the viewfinder and push the shutter release button halfway down. Whatever
is in the very centre of the viewfinder should snap into focus.
11. If a green dot in the viewfinder blinks it means your subject is not in focus. Try
refocusing again. You may need to find an object with a vertical line to focus on.
12. If the lightning bolt icon blinks in the viewfinder it means there isn t enough
light, so lift up the flash at the top of the camera (if your camera comes with
built-in flash) to turn it on.
13. Push the shutter all the way to take the picture.
14. Have fun!
More in-depth information.
The rest of this page contains more detailed information on how to use this camera. Note
that this document is not meant to be a general-purpose photography manual. I m going to
assume you know the basics of how cameras work and what standard terms (aperture
priority, etc.) mean.
If you want to learn more about this sort of beginner information please consult my Canon
EOS Beginner FAQ , which is full of frequently asked questions that photography novices
actually ask. And don t forget that I have a complete online photographic dictionary
available as well which can provide you with definitions of most of if not all the common
technical terms you ll find in this document.
Loading and unloading film.
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The camera uses standard 35mm film (sometimes referred to as 135 film). Any 35mm film
canister will work in this camera. Colour, black and white, slide, print, 24 shots per roll, 36
shots per roll... whatever you like. The only limitation involves certain types of infrared film .
Naturally other film formats, such as APS, 110, Polaroid instant, medium format, etc.,
cannot be used with this camera, just as you can t play an LP in a CD player.
Loading film.
Check the film window in the camera back to ensure that no film is already installed. Then slide
the camera back lock release lever (located on the left side of the body) in the direction indicated.
The camera back will pop open.
Take the film canister and turn it upside-down so that the plastic cylindrical end is at the bottom.
Slot it into the film chamber on the left side of the camera.
Once the film is snugly seated pull the protruding film tongue out until the end is lined up with the
orange mark on the right side of the film chamber.
Do this very carefully and avoid touching the shutter (the venetian blind-like section in the middle
of the camera) since it s a very delicate mechanism. If you poke your fingers through the shutter
the camera will be useless.
Make sure that the film is lying reasonably flat (it ll want to curl, so you won t be able to get it
totally flat) and then close the camera back.
The camera should make faint whirring sounds for a half minute or so as it prewinds the film.
When it s finished the total number of shots available on the roll will be displayed in the top deck
LCD panel. Occasionally film manufacturers will make a roll slightly longer than they re rated for,
so don t be surprised if you get 25 shots out of a 24 exposure roll, say.
If the camera whirs for a few seconds and then stops and a film icon blinks in the top deck LCD it
means that the film did not load correctly, probably because you didn t pull the film out of the
canister far enough. Open the camera back and make sure the end of the film tongue is aligned to
the orange mark.
Note that although the camera uses a safety prewind system to minimize the risk of film being
wrecked by opening the camera back prematurely, there is no interlock mechanism in the camera
back. In other words, there is nothing to stop you from opening the camera back in the middle of
a shoot and ruining some of the photos you ve just taken. So be careful when opening the camera
back, and never open it if shots remaining are displayed on the top-deck LCD panel. Press the
midroll rewind button first.
Unloading film.
When you ve used up all the exposures on a roll the camera will wind the remaining film back into
the canister and display a blinking film icon on the top deck LCD. It is now safe to open the
camera back and remove the film without risk of wrecking any shots.
If you want to rewind the film midroll see the midroll film rewind section .
Remember the warning in the loading section - there is nothing to prevent you from opening the
camera back before all the shots are safely used up and wound into the film canister. So double-
check before opening up the camera.
Slide the camera back lock release lever and open the camera back. Take out the film.
Shutter release button.
The button under your right index finger when you hold the camera is, of course, the
shutter release. Pushing it halfway will turn metering on, will lock AE and also start
autofocus if your lens isn t set to M or MF mode. The round in-focus dot lights up in the
viewfinder when automatic focus is achieved or, in manual focus mode, when the camera
thinks you re focussed correctly. (note: the in-focus dot will not illuminate if you re using a
lens that doesn t contain EOS-compatible electronics, such as an old M42 screwmount lens
with an EOS adapter)
Pushing the button all the way will take the photo. (unless the subject isn t in focus and the
lens is set to AF, in which case the camera will refuse) The best way to do this is to hold the
camera firmly, put your forefinger lightly on the button and then squeeze down. Don t jab
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