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Technical Guide

Technical Guide

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Introduction

This “Technical Guide” details the principal techniques used

to create two of the more technically advanced photographs

in the D800/D800E catalog. Enjoy this opportunity to admire

the skills of professional photographers who have mastered

the D800/D800E.

While its high pixel count of 36 megapixels gives the D800/

D800E resolution unrivalled by previous digital SLR cameras,

a side e ect is that bokeh and blur are made that much more

obvious. Realizing the full potential of a camera with over

30 million pixels involves a thorough appreciation of bokeh

and blur, careful selection of settings and of tools (such as

lenses and tripods), and working with the best possible sub-

jects.

Table of Contents

Introduction

Introduction

i

ii

Shooting Techniques

Shooting Techniques 1

Static Subjects ...........................................................................1

Lesson 1: Use a Tripod.................................................................. 2

Lesson 2: Use Live View ............................................................... 3

Lesson 3: Don’t Stop Aperture Down Too Far...................... 5

Same Shot, No Live View............................................................. 6

Portrait Subjects........................................................................7

Lesson 1: Choose the Right Focus Settings.......................... 8

Lesson 2: Choose the Right Exposure Settings................... 9

Learning from Failure: Same Shot, Di erent Focus ......... 10

Quick Tips

•

•

•

•

•

•

•

Quick Tips 11

1. High ISO Sensitivity ........................................................... 11

2. Auto ISO Sensitivity Control ............................................ 12

3. Improving Optical Performance ..................................... 13

4. Backlit Portraits .................................................................. 14

The D800E

1

The D800E 1 15

1. High Resolution Images with the D800E....................... 15

2. Adjusting Aperture for Visually Complex Subjects ..... 16

3. Color Artifacts and Moiré ................................................. 17

ii

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Shooting Techniques

Static Subjects

—Keeping Blur to a Minimum—

1

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Shooting Techniques

Static Subjects

Lesson 1: Use a Tripod

Use a tripod to reduce blur when

photographing static subjects. It

should be as sturdy as possible;

avoid extending the legs or center

column farther than necessary. A

large head helps keep the camera

steady.

At the high resolutions o ered by the D800/D800E, even the

slightest camera motion can result in blur. The technique re-

vealed in this section minimizes blur through a combination

of live view photography and a tripod.

Technical Data

■

Exposure mode :

Manual ■ Shutter speed : 1 s ■ Aperture : f/8 ■ White balance :

Choose color temp. (5000 K)

Lens : AF-S NIKKOR 14–24mm f/2.8G ED

■

■

ISO sensitivity : 100

■

Picture con-

trol : Standard

Note : This photo was shot in 14-bit NEF (RAW) and processed

using Capture NX 2.

Photo © Benjamin Anthony Monn

Tripod Mode

Some lenses, such as the AF-S

NIKKOR 200–400mm f/4G ED

VR II, o er vibration reduction

with a TRIPOD option that is par-

ticularly e ective in reducing blur

at shutter speeds of 1⁄15–1 s and is

generally recommended when

the camera is mounted on a tri-

pod. NORMAL is however preferred

if the tripod head is not xed or

you are using a monopod.

2

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Shooting Techniques

Static Subjects

Lesson 2: Use Live View

Live view can be used to improve focus and prevent blur.

Why Use Live View?

1. The mirror is raised prior to shooting, reducing blur.

At the high resolutions o ered by the D800/D800E, even the

slap of the mirror can sometimes be enough to blur photo-

graphs. In live view, the mirror is raised well before the shutter

is released, helping keep blur to a minimum.

Live View Photography

Rotate the live view selector to C and press a to raise the

mirror and display the view through the lens in the monitor.

Reducing Blur During View nder Photography

If you have trouble seeing the display in the monitor out-

doors or in bright ambient light, you can use mirror-up

mode to reduce blur while framing photographs in the

view nder. Press the release mode dial lock release and ro-

tate the release mode dial to M UP .

Live view selector

a button

After focusing, press the shutter-release button all the way

down once to raise the mirror and again to release the shut-

ter. An optional remote cord can be used to prevent the

camera moving when you press the shutter-release button,

or you can select an option other than O for Custom Set-

ting d4 ( Exposure delay mode ) to delay shutter release un-

til about 1–3 s after the button is pressed. Use of a tripod is

recommended.

3

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