Quick Jazz Theory.pdf

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77371998 UNPDF
A Reference for Jazz Theory
Michael Morangelli
http://www.thereelscore.com
mmorangelli@thereelscore.com
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2
-Basic Concepts I-..................................................................................................... 11
Tonality ................................................................................................................ 11
Intervals............................................................................................................... 11
-Scale Intervals [Melodic Intervals]-............................................................. 13
-Chord Intervals [Harmonic Intervals]-............................................................14
-Basic Concepts II-....................................................................................................17
Chord Construction ...............................................................................................17
-Diatonic Chord [Chords natural to any given key]-..........................................20
Scales & Key Signatures.......................................................................................20
-Basic Concepts III-.................................................................................................. 22
Chord Notation: "Chord Symbols".......................................................................... 22
Diatonic Scale Chords.......................................................................................... 22
Scales...................................................................................................................23
Chromatic Chords.................................................................................................. 24
-HARMONIC MOVEMENT-...........................................................................................25
Harmonic Movement ................................................................................................25
Harmonic Principles...............................................................................................25
(CHROMATIC PATTERNS: CHORD MOVEMENT BASED ON NON-KEY ROOTS)......28
-GENERAL GUIDE - CHROMATIC MOVEMENT-...................................................28
Modulation............................................................................................................28
-General Guide Lines-......................................................................................29
-Locating Modulation-......................................................................................29
-Deceptive Modulation-.....................................................................................29
-Deceptive Cadence- ..........................................................................................30
-CHORD FUNCTION- .................................................................................................. 31
Function and Chord Quality [7th Chords] .............................................................. 31
-Major-............................................................................................................. 31
-Dominant-........................................................................................................ 31
-Minor-............................................................................................................. 31
-Half Diminished-.............................................................................................. 31
-Diminished- ..................................................................................................... 31
3
-Augmented-......................................................................................................32
Dominant Function .................................................................................................32
-The Dominant 7 Cadence [Vx7 to IM7]-.............................................................32
-Augmented 7 approach to IM [V+7 to IM]-.........................................................33
Subdominant Function............................................................................................33
-The Minor Seventh Chord [ii-7 to Vx7]-...........................................................33
Tonic Function.......................................................................................................34
- CHORD EXTENSIONS-............................................................................................. 35
Unresolved Tensions............................................................................................. 35
-Major Extension- ............................................................................................ 35
-Minor Extensions [i Minor]- ...........................................................................36
-Minor Extension [Subdominant m7]-................................................................36
-Minor 7Ñ5 Extension-.......................................................................................36
-Diminished Extension [o7 chord]-....................................................................37
-Dominant Extensions- .....................................................................................37
Function & Chord Quality.......................................................................................38
--9th Chords-....................................................................................................38
-11th Chords-....................................................................................................38
-Augmented 11th Chords-................................................................................... 39
-13th Chords-.................................................................................................... 39
Parallel Interval Structures............................................................................... 39
Principle of Mixed Positions ..................................................................................40
-CHORD TENSIONS-..................................................................................................41
General Considerations.........................................................................................41
-CHORD PATTERNS-................................................................................................. 44
The Chord Pattern ................................................................................................ 44
-CIRCLE SEQUENTIAL PATTERNS-...........................................................................47
General Guidelines [Circle Sequential Patterns] ................................................47
-Ii V-.................................................................................................................47
-Ii V I-...............................................................................................................48
-Extended Sequential Patterns-.......................................................................48
4
Summary [Circle Sequential Movement]................................................................48
-DIATONIC STEPWISE PATTERNS-...........................................................................49
-I Maj ii min7 iii min7- .......................................................................................49
-Ii min7 iii min7 IV (Maj or min7)- ......................................................................50
Summary................................................................................................................50
-Generally-......................................................................................................50
-Extension Patterns-................................................................................................ 51
Ending delaying arrival at the I chord................................................................... 51
-The Tag Ending- .............................................................................................. 51
Chord Time Extension ............................................................................................ 53
-Retrograde Movement-..................................................................................... 53
- MOVING LINE PATTERNS-......................................................................................54
The Descending Line .............................................................................................54
-The 8/#7/7 pattern- .........................................................................................54
-#7/7 pattern-................................................................................................... 55
-The 9/8/#7/7 or ##7[R]/#7/7/6 pattern-............................................................57
-The x7Ñ5 Passing Tone Line Embellishment-....................................................58
The Ascending Line ............................................................................................... 59
-The Augmented Chord Passing Tone Line Embellishment-................................ 59
The Ascending/Descending Line............................................................................60
-5th Movement [To enrich patterns]-.................................................................60
The Descending/Ascending Line............................................................................61
-Top Voice Movement [To enrich patterns]-........................................................61
-OTHER MOVEMENT-.................................................................................................62
BASS LINE MOVEMENT.........................................................................................62
-Descending on Major or Minor Chords- ...........................................................62
-The Cadential (6/4)- .......................................................................................63
Parallel Movement................................................................................................64
-Parallel Dominant Chords-.............................................................................64
-Parallel Major Chords-..................................................................................64
-Parallel minor Chords-...................................................................................65

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