is the talpiot tomb really the family tomb of Jesus.pdf

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the tomb, because it was so badly disturbed according to Kloner,
allow for a dating from the late-first century B C E to 70 C E , which
is certainly a much broader time frame than proponents of the
identification would assume. With the crucifixion in about
30 C E , the family of Jesus would have used the tomb until
70 C E , a rather brief span by any calculation for so decent a
family-tomb complex. There were numerous sherds recovered
in the cave, which suggests a longer life to the tomb, one that
would have begun in the pre-Christian era. This fact only
exacerbates the awkwardness of positing that the family of
Jesus would have had a family-tomb in Jerusalem when they
were living in Galilee, and that it was in their family at least a
generation or so before Jesus’s triumphal entry into Jerusalem
at the end of his life.
In light of the sensitivity of the subject, which perforce
raises the issue of whether there was a physical resurrection,
and in light of the questions it raises about the veracity of the
New Testament accounts of the death and burial of Jesus, I
submit that this was not the appropriate way to present such
a hypothesis to the public as well as to the scientific and
archaeological communities. As far as I am concerned, the
story of the tomb of Jesus remains merely a hypothesis that has
raised many important issues, but that remains unsubstantiated,
doubtful, and completely suppositious.
Notes
1. Kloner (1996: 15–22). In press interviews, Kloner has denied that the
tenth ossuary had gone missing and has insisted all along that it was plain,
as he states quite clearly in the report on page 21.
2. Rahmani (1994: 222–23), and see also Rollston in this issue.
3. Kloner (1993: 105; 1996: 22, n. 2). In Rahmani’s comment to the
Mariamne ossuary, no. 701 in Rahmani (1994), he notes that only nine
ossuaries were returned to the IAA.
4. See Rahmani (1994) and Rolleston in this issue.
5. For a fuller discussion of this complicated matter see, Meyers (1971:
85–92). Rahmani has been the scholar who more than any other has
identified the Jerusalem practice of reburial in ossuaries with the Pharisees.
See his four-part article in Biblical Archaeologist (1981, 1982).
Is the Talpiot tomb really the family tomb of Jesus?
the attendants took away the black cloth covering
two stone boxes (ossuaries), which bore inscriptions,
so the assembled journalists were told, of none other than Jesus
son of Joseph and Mary Magdalene. You could have cut the
air with a knife when the announcement was made. The press
conference took place on February 27, 2007, at the New York
Public Library and was organized by Discovery Channel, and
by Simcha Jacobovici and James Cameron, the makers of the
documentary “The Lost Tomb of Jesus.” It was indeed a dramatic
moment, with a panel of experts ready to answer questions on
the stage, and with the endless flashing of cameras recording
the moment for posterity. The two main questions that hung on
every journalist’s tongue, in the stunned silence following the
announcement, was whether there was sufficient scientific proof
that the family tomb of Jesus had indeed been discovered, and,
if so, how would this ultimately affect Christianity?
I too attended the press conference, even though I had
considerable doubts regarding their controversial interpretation
of the Talpiot tomb as the family tomb of Jesus. But I did think
it important for me to be present, first because I happened
to be one of the team members who excavated the tomb
twenty-seven years ago, and second so that I might register my
skepticism on the spot and tell journalists a different side of the
story. I must commend the film makers for inviting me to be
present at this press conference, knowing quite well that I had
serious misgivings on the subject.
The Discovery
The tomb was excavated twenty-seven years ago on
a westward-facing slope of a hill, within the area of East
Talpiot, a new residential suburb that was constructed
about two kilometers due south of ancient Jerusalem. The
area had the appearance of an enormous quarry site, with
bulldozers churning up the sides of hills, large trucks trundling
around the place, piles of rubble, and clouds of yellow dust
billowing in different directions. The general layout of the
streets had already been roughly demarcated and these
were sufficiently flat to allow vehicles access to most areas
under construction. The buildings were only partly built, or
not at all. There was already a petrol station on the corner.
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Shimon Gibson
T here was a hushed air of expectancy in the hall when
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The cave was in the side of a rocky scarp just above the street
(later known as Dov Gruner Street) and the gaping hole of
the entrance was visible even from a distance. Although the
rock-cut façade of the tomb was in the shade, I found it quite
striking as I approached it. It was hewn from gleaming white
limestone and there were chisel marks cut diagonally across the
entrance that were set off by the orange staining derived from
the soil fills removed by bulldozers. Above the doorway were
two simple raised carvings of a circle and a pointed triangle.
The facts of the discovery are quite straightforward. A blast
at the East Talpiot construction site brought to light the tomb
and resulted in the destruction of its large external rock-cut
courtyard and part of the roofed vestibule. The discovery of the
cave was reported separately by two individuals on Thursday,
March 27, 1980—Kerner Mandil, in charge of the supervisory
office of the Armon Hanatziv/East Talpiot Project, and the
engineer Ephraim Shohat of the construction company Solel
Boneh. An archaeologist, Eliot Braun, was dispatched on that
same day by the Israel Department of Antiquities and Museums
to check on the nature of the discovery and he reported back to
Amos Kloner, the Jerusalem District Archaeologist.
Clearly the cave needed to be excavated. The blocking stone
to the cave was missing and the interior of the burial chamber
had become blocked with approximately half a meter of soil
that had been washed in from outside. The tops of the ossuaries
were, however, visible. A few fragments of ossuaries were also
noticed outside the cave entrance. It was too late to do any
digging so the work was postponed to the following day.
Shimon Gibson (left) and James Charlesworth (right) stand over the
cement shaft and lid situated above the Talpiot Tomb.
The next day, Yoseph (“Yoske”) Gath, an archaeologist
working for Kloner in the Department, began excavating,
and by noon managed to extract ten ossuaries from the cave,
which were then transported on a special truck back to the
safekeeping of the Rockefeller Museum. These ossuaries
were handed over to the curator, anthropologist Joe Zias,
and placed into temporary storage where they were later
examined by the chief curator L. Y. Rahmani. The work
had to be undertaken in a hurry, since excavations were not
permitted on the Saturday, and any ossuaries left in the cave
might be pilfered by greedy antiquity thieves. Alternatively,
members of Jerusalem’s ultra-Orthodox Jewish community
might demonstrate and create disturbances and this could
lead to a cessation of the excavations altogether. Indeed, this
is exactly what happened to another Second Temple-period
tomb. Situated only twenty meters to the northeast of the
excavated tomb, it was full of ossuaries (some inscribed).
However, because of ultra-Orthodox Jewish objections, it was
later sealed and still remains unexcavated.
Not long after the archaeologists left the site that Friday, an
eleven-year-old boy named Ouriel, as he was returning from
school, entered the building site and saw the cave entrance.
This was after he had heard additional blasting at the site. At
that time he says there was only one Arab guard and all the
construction workers had gone home. He peered into the cave,
identified it as a tomb, and then went home to tell his mother,
Rivka Maoz. The Maoz family was living in an apartment block
they had moved into in 1976 in the older part of the East Talpiot
neighborhood, about one hundred meters or so to the south of
the area of the tomb. His mother tried to contact archaeologists
at the Rockefeller Museum, but without much success since
they had already gone home.
Yoseph Gath, the excavator of the Talpiot Tomb.
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There were no excavations that Saturday and the guard
at the construction site was not very diligent. As a result the
tomb was visited by local children who had heard about the
tomb and were drawn to investigate it. This resulted in some
human bones being taken out of the tomb and removed from
the site. Conscientiously, Rivka Maoz, with the help of her son,
collected the pilfered bones from the kids and placed them in
a plastic bag. When the excavations were resumed on Sunday,
Ouriel handed over the bones to the archaeologists.
My own personal involvement with the Talpiot tomb began
with a telephone call from Kloner: “Could you go tomorrow
morning to Talpiot where Yoske is digging?” he wanted to
know. At that time I was working as a part-time archaeological
assistant and surveyor in the Department of Antiquities. He
wanted me to take measurements, make a drawn plan, and
record elevations of the tomb. I contacted the excavator, Gath,
and made arrangements to meet with him the following day
on the edge of the new neighborhood. He possessed a rather
morose demeanour, quite the opposite of myself. “Anything
special about this tomb?” I asked him. “Not really,” he replied,
“anyhow you will get a good look at it tomorrow.”
The excavation within the cave (IAA Permit No. 938) was
conducted in stages with breaks between March 30 to April
11, 1980, and it was supervised by Gath, with the help of three
to four workers provided by the Solel Boneh construction
company. Having completed the excavation, Gath returned to
his office (April 15) and wrote up a preliminary report on the
excavations and prepared a File Card for the site, both of which
he deposited in the Department’s archives. Tragically, Gath
died before he was able to publish the results of his excavations,
and it was left to Kloner to publish a final report on the tomb in
the pages of the journal ‘Atiqot in 1996.
Kloner faced a challenge in writing this report owing to
the fact that Gath left behind only sparse and incomplete
notes about the results of his excavation. My examination
of Gath’s notes in the archives at the Rockefeller Museum
(IAA administrative archives/peh/J-M/bet/8/X), confirms
that his notes are minimalist in content and that a lot of vital
information about the tomb has been lost.
The second problem Kloner faced was that the human bones
from the cave had not been written up; anthropologists Joe Zias
and Patricia Smith, who studied material from tombs at that
time, both confirm that neither of them examined the human
bones from this specific cave. Moreover, the bones were no longer
available to Kloner for study since they had been transferred to
the religious authorities for reburial, in accordance with an
agreement that was made between the Israeli government
and the religious authorities who objected to the storage of
human bones within the Antiquities Authority’s storerooms.
The Results
The original courtyard in front of the tomb entrance had
been badly destroyed by the blasting operations. Enough of the
vestibule was preserved, however, for me to ascertain its size at
the time I was preparing the plan of the tomb.
Above the doorway are raised decorative carvings. Gath
suggested that these represented an attempt to depict a rosette
with a gable above, and that it was left unfinished, perhaps
because the local chalky rock ( nari ) was too soft to make
carvings in any greater detail. Notwithstanding the claims
made by the filmmakers, I should point out that these carvings
are not at all mysterious, but are known from the rock-cut
facades and interior doorways of a number of tombs around
Jerusalem. Representations of gabled doors with acroteria are
known from several tombs within the Akeldama (“Field of
Blood”) cemetery south of Mount Zion. The circle, however,
most likely represents a wreath, and examples are known from
the decoration of tombs around Jerusalem, notably from the
ceiling of the inner chamber of the so-called “Tomb of Absalom”
in the Kidron Valley, and from the lintel of the “Tomb of the
Apostles” in Akeldama.
Clambering into the cave, I could see that its interior chamber
was intact. Toolmarks left by the hewer’s chisels were evident
The original plan of the tomb made by Shimon Gibson.
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on the walls and ceiling. A step led down into the square
(2.9 « 2.9 m) chamber whose ceiling was sufficiently high (2 m)
to allow for standing room, so that family members could arrange
with ease the burial of their kin on the two shelves positioned
within arched burial spaces ( arcosolia ) in the upper northern
and eastern walls of the cave. This was where the shrouded
bodies were placed as primary burials and left to decompose
(a process that took about one year), with the bones later
gathered and placed within ossuaries. Cut into the lower walls
of the chamber were tunnel-like burial recesses (averaging 1.8
meters in depth and half a meter in width), known as kokhim ,
and there were two in each of the three walls. Except for one,
they were all used as storage spaces for ten soft limestone boxes
(ossuaries) containing human bones in secondary burial.
The cave had evidently been forced open, entered, and
ransacked at some point before the modern era by tomb
robbers. At the time of the excavation, it was clear to Gath
that intruders had disturbed the tomb because the blocking
stone for the door was missing and quantities of soil had later
accumulated within the cave having been washed in from
outside. The intruders were probably also responsible for the
removal of the stones blocking the kokhim (if indeed they
originally had them), for the sweeping of the intact primary
inhumations from the arcosolia shelves, and for the smashing of
some of the ossuaries (seven were broken and six of these were
eventually restored), and with the chucking of two ossuary lids
onto the floor of the main chamber.
Gath noticed skulls and large limb bones at two points on the
floor, and it is feasible that these came from the primary burials,
which were swept off the arcosolia shelves by the intruders.
The original sections of the tomb made by Shimon Gibson.
Carved doorways from tombs in the area of Akeldama south of
Mount Zion with decoration similar to that on the facade of the
Talpiot tomb.
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At the time of the excavation, only a thin compacted fill (five
centimeters thick) of crushed bones was found on the shelves.
A third skull was found in the corner of the main chamber,
and it may have been taken out of one of the ossuaries in the
adjacent kokh . In addition to this, fragmentary human bones
and a few first-century C E potsherds were found scattered
throughout the main chamber. The number of interments in
the cave is unknown, but, basing himself on data obtained from
other tombs that have been studied, Kloner believes that it
might have been about thirty-five individuals. Unfortunately,
this is mere guesswork since the anthropological remains from
the Talpiot tomb were never examined or quantified.
Ten ossuaries were discovered in the Talpiot tomb. In making
a measured plan of the cave, I recorded the position of the
ossuaries according to information provided by Gath. Since
Gath did not match up the Rockefeller IDAM accession
numbers given to the ossuaries with the attribution numbers
as they appear on my plan of the cave, we will never know
for certain which ossuary came from which kokh , and this is
unfortunate as it represents a major loss of information. In
addition, we have no information about the ossuary fragments
Gath picked up outside the tomb entrance. In total, only three
of the ossuaries were found intact; the rest were broken and had
to be restored. Six or seven lids were discovered, one gabled
and the rest flat in appearance. Five of the ossuaries were plain
and five were decorated with double-rosette motifs in panels,
surrounded by bands with chip-carved zig-zag designs, except
for one, which also has a decoration of vertical rows of small
circular disks. Maker’s marks were detected scratched on three
of the ossuaries.
Only nine of the ten ossuaries from the tomb are at present
in the Israel Antiquities Authority storerooms in Beth Shemesh
(Nos. 501–508/1980). Where is the tenth missing ossuary?
Rahmani in his 1994 catalogue described it as “a plain, broken
specimen.” The filmmakers, Jacobovici and Cameron, got a
lot of mileage out of this missing ossuary, suggesting that it
might be the same as the “James son of Joseph, brother of Jesus”
ossuary, implying that the ossuary was stolen and eventually
ended up in the hands of the collector Oded Golan. This is
highly unlikely since we know that the tenth ossuary was plain,
undecorated, and uninscribed, and, on top of everything else,
it was broken. This description does not fit the “James” ossuary,
which is complete and decorated on one side with rosettes
and on the other with a deeply carved inscription. Rahmani,
however, recently provided me with an explanation as to how
the tenth ossuary might have become mislaid. All decorated or
inscribed ossuaries, when received at the Rockefeller Museum
in the 1980s, he tells me, were placed on shelves, whereas
broken plain ossuaries, of which there were large quantities,
were stored in the external courtyard of the museum. When
the ossuaries were transferred to Beth Shemesh, the tenth
broken example was most likely thrown away, owing to a lack
of storage space.
Six of the ossuaries were inscribed (five in Hebrew script and
one in Greek). The inscriptions were scratched in different
hands with a nail or stylus. The location of the inscriptions vary:
three were on the front of the ossuary and another on the back,
with two on the short end of the ossuary and one on the inside.
The inscriptions were originally read by Rahmani (assisted by L.
Di Segni) and published in his Catalogue of Jewish Ossuaries in
1994 (nos. 701–706), and similar readings appeared in Kloner’s
‘Atiqot report on the tomb (nos. 1–6).
The carved lintel above the so-called “Tomb of the Apostles” in the
area of Akeldama. Wreaths like the ones on this lintel are probably
what the carver of the facade of the Talpiot tomb intended to depict.
This drawing reconstructs what was probably in the mind of the
person who carved the facade of the Talpiot Tomb.
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