A Wizard's Bestiary - A Menagerie of Myth Magic and Mystery by Oberon Zell Ravenheart & Ash 'LeopardDancer' DeKirk (2007).pdf

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Acclaim for the work
A W IZARD S B ESTIARY is an ambitious and comprehen-
sive compilation of imaginary-animal lore. The color-
ful text and abundance of both traditional and con-
temporary illustrations capture the rich variety of an-
imal forms that the human imagination has reshaped
over millennia. A valuable encyclopedic addition to
the ever-growing shelf of books on fantastic creatures.
Joseph Nigg
author of The Book of Fabulous Beasts
the ghostly, black devil dogs of old England; the blood-
sucking, vampire-like Chupacabras of Puerto Rico;
or the many and mysterious long-necked serpents of
the world’s lakes, lochs and oceans, Zell-Ravenheart’s
title is one that I heartily recommend.
With entries on a dizzying array of beasts, such
as the terrifying, cave-dwelling Aatxe of Spain; and
the Boroka of the Philippines—which has the unfor-
tunate habit of dining upon human flesh; as well as
much welcome data on monsters of the movies; and a
rich array of drawings, photographs, maps, and more,
A W IZARD S B ESTIARY is a book that is destined to be-
come a true monster-hunting classic.
Nick Redfern
author of Memoirs of a Monster Hunter
and Three Men Seeking Monsters
This gorgeous, sumptuously-illustrated book is truly
a stunning contribution to the cryptozoological and
zoomythological literature, one that is destined to re-
main a standard reference work on these subjects for
many years to come. — Karl P.N. Shuker, PhD
author of The Beasts That Hide From Man
As we stand at the edge of the vast unknown, we all
look in to see and for some, to investigate cryptic ani-
mate enigmas. Those of us who have been doing this for
decades, as Zell-Ravenheart has, view the fantastic world
of animal mysteries, ancient living wonders, and accom-
modating new species in different ways. Cultural insights,
ethnic folklore, native traditions, and magical tales mix
in and have their place in this phantasmagoria involved
in the study of hidden animals. This book shares over-
looked insights and incredible clues for the casual read-
er or the dedicated student of cryptozoology. A valu-
able resource. Highly recommended.
Loren Coleman , co-author,
Creatures of the Outer Edge , Cryptozoology A to Z
Oberon Zell-Ravenheart’s stunning new work lifts the
curtain allowing the reader backstage to examine the
elusive creatures of myths and legends. Bigfoot, Mer-
maids, Dragons and more, the Unicorn information
alone is worth the price of admission. Not only a fas-
cinating read but a comprehensive reference that you
will find yourself going back to time and again. “Don’t
wait, don’t hesitate, get a copy now!”
Rick West, Dr. West’s
Traveling Sideshows and Animal Menagerie
Acclaim for Dragonlore by Ash DeKirk:
I just received the book today, and I’ve had a hard
time putting it down. I have never seen a more com-
plete discussion of dragons, from around the world,
and through the ages. If you have any interest in the
legends and lore of dragons, this book is for you.
Mark Mercier , Mobile, AL
Lively, entertaining and informative, this is the book I
wish I had when I first began researching the lore of
the world’s magical creatures. No monster hunter can
afford to be without it. — John Michael Greer
author of Monsters:
An Investigator’s Guide to Magical Beings
Anyone with an interest in dragons will enjoy this
book. I can think of at least two DMs who will be
receiving this book as a Christmas/Yule gift from me.
Please keep more of these books coming.
FrogsDancing , Quakertown, PA
Oberon Zell! Who better to write such a book than
this living legend from the magickal world. Here is
the man who recreated living Unicorns, who traveled
to the remote South Seas in search of genuine Mer-
maids.
Amber K, author of True Magick
There are legends of dragons all around us—and they
appear in fantasy novels and games as well as movies.
Any fan of dragons will be thus delighted with D RAG -
ONLORE , which examines the details of every species
of dragon, gathers myths under one cover, and con-
siders the impact and presence of dragons in popular
culture. Black and white illustrations pepper an ex-
cellent overview that is a pick for any dragon fan, and
any collection strong in fantasy.
Midwest Book Review , Oregon, WI
Oberon Zell-Ravenheart’s mighty tome is undoubt-
edly the one book that, more than any other, I was
hoping someone, someday was finally going to write:
namely, a definitive, encyclopedic study of the many
and varied weird beasts, fabulous monsters, and dia-
bolical creatures that are said to lurk in the darkened
corners of our mysterious world.
Whether your interest focuses upon those elu-
sive, hairy man-beasts such as Bigfoot and the Yeti;
Copyright © 2007 by Oberon Zell-Ravenheart and
Ash “LeopardDancer” Dekirk
All rights reserved under the Pan-American and International Copyright Conventions. This
book may not be reproduced, in whole or in part, in any form or by any means electronic or
mechanical, including photocopying, recording, or by any information storage and retrieval system
now known or hereafter invented, without written permission from the publisher, The Career
Press.
A Wizard’s Bestiary
Edited by Kirsten Dalley
Typeset by Oberon Zell-Ravenheart
Cover design by Lucia Rossman/Digi Dog Design NYC
and Ian Daniels
Printed in the U.S.A. by Book-mart Press
To order this title, please call toll-free 1-800-CAREER-1 (NJ and Canada: 201-848-0310)
to order using VISA or MasterCard, or for further information on books from Career Press.
The Career Press, Inc., 3 Tice Road, PO Box 687,
Franklin Lakes, NJ 07417
Library of Congress Cataloging-in-Publication Data
Zell-Ravenheart, Oberon, 1942-
A wizard’s bestiary / by Oberon Zell-Ravenheart and Ash “LeopardDancer”
DeKirk
p. cm.
Includes bibliographical references and index.
ISBN-13: 978-1-56414-956-5
ISBN-10: 1-56414-956-0
1. Animals, Mythical. I. DeKirk, Ash, 1978- II. Title.
GR820.Z45 2007
398.24’54--dc22
2007042608
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A Wizard s Bestiary
A Menagerie of Myth , Magic , and Mystery
Oberon Zell-Ravenheart
and Ash Leoparddancer DeKirk
New Page Books
A division of The Career Press, Inc.
Franklin Lakes, NJ
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Foreword : Creatures of the Night
by Jacques Vallee
Creatures of the Night—is it wise to force them
out of the gloom where they linger, like the ancient
Chimaera that was part goat, part lion, and part Drag-
on, and presided over the passage of the evening sun
into the darkness? At dusk, like the Salamander, they
emerge at the intersection of magical biology and hu-
man imagination. Gubernatis, in his erudite Mytho-
logical Zoology , believes the Salamander represents
the moon which lights itself, lives by its own fire, has
no ray of its own, and makes the rays (and hairs) of
the sun fall off.
Before our friends Oberon and Ash, many schol-
ars and sorcerers of every age, in their wisdom—or
their temerity?—have attempted to catalogue and to
elucidate the strange beings described by their con-
temporaries. The monsters did not always hide in the
secret convenience of the dark. Some even dared to
expose themselves in full daylight, the better to scare
honest medieval folks out of their wits.
Thus we find in Schedel’s
Chronicles of Nuremberg (1493)
the stupefying representation of a
being with six arms, seen by as-
tonished townspeople. A creature
observed in Rome in 1530 had
feet like a duck’s, an enormous
forked tail like a fish, the breasts
of a woman, and a human face
with straight ears, like those of a
deer. Gesner published an engrav-
ing of it in Zurich in 1558.
Aldrovandi of Bologna relates the adventures of
a horned hybrid in a book he published in 1642. As
for Sebastian Munster, an illustration in his 1544 book
titled Cosmographie clearly shows a woman kneel-
ing (in adoration or begging for her life—or her vir-
tue) before a tall biped with three heads: one belong-
ing to a serpent, one to an eagle, and one to a lion. He
grabs his genitalia while staring at her, in a manner
suggesting that, monster or not monster, he is not im-
mune to desire.
Gesner also shows us an engraving of a Diable
de Mer (Sea Devil), which must have been actually
captured by brave fishermen, because he states it was
“painted from nature.” The great Boaistuau himself
regales us with true accounts of “a mon-
ster born alive on Earth, which was of
human figure from the navel up, and the
rest a dog” (Chapter xxxvii). In an-
other part of his book (Chapter vii),
he illustrates a report with an en-
graving of “a Monster of our own
time, about which the question is settled of whether de-
mons can procreate and exercise the work of the flesh.”
In the present volume, focused on creatures close-
ly related to animals, rather than meta-humans like
elves and Cyclops, we meet beings from myth and
legend all over the globe. Under Oberon’s gifted pen,
they are brought to life again and become, in more
ways than one, “familiar” to us.
We live in an age that claims rationality as its stan-
dard. It relegates any deviation from the academic
norm to the realm of the impossible, alongside the
Mermaid and the Unicorn—phantasms of a bygone
era when folks were insecure and uneducated. So the
reader should be prepared for a shock when opening
this book: You will learn that there is a perfectly ra-
tional explanation for Mermaids, and that Unicorns
do exist. Several of them appeared in this century and
followed Oberon and his jolly friends in their adven-
tures. I have touched a live Unicorn and can report how
wonderful it felt to experience some-
thing that every academic knew as an
absolute fact to be impossible.
We shouldn’t sell scientists short,
however. Contemporary biotech must
have learned some of the lessons from
old grimoires , because it is busy rein-
venting the Chimaera in the lab
through genetic manipulations that
hope to save lives and throw new light
on the mysteries of biology, birth, dis-
ease, and the evolution of species.
They could also spell danger: As scary as the
Gryphon may be, the chimaeras that contemporary
labs are patenting with such entrepreneurial frenzy will
be a thousand times more powerful. If cryptozoology
gives any warning, it is that we only unleash such
beasts at our peril. All the more reason to learn about
them before it is too late. If Unicorns roam the land,
what wonders will the Gargoyles belch out next, from
the lofty spires of our ivy towers? If the Kraken is
real, can Dragons be far behind?
Fortunately, as ancient tradition teaches, there are
convenient medicines to cure the ravages of nightly
monsters. Thus, against the poisonous venom of Sala-
manders, Pliny advises the seeds of the hairy and sting-
ing nettle, mixed with the
broth of a tortoise. We can
only wish that all human
nightmares could be healed
with such simple remedies.
—Jacques Vallée
San Francisco, 21 May 2007
Gessner’s duckfooted
mermaid
1558
Gessner’s
Sea Devil
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