Complete Illustrated Guide To Turning.pdf

Photographs

ll rights reserved.

Illustrations

The Ta unton Press, Inc., 63 South Main Street, PO Box 5506, Newtown, CT 06470-5506

e-mail: tp@taunton.com

EDI TOR: Paul Anthony

DESIGN: Lori We ndin

LAYOUT: Cathy Cassidy

ILLUSTRATOR: Mario Ferro

PHOTOGRAPHER: Richard Raffa n

LIBRARY OF CONGRESS CATALOGING-IN-uBICATION DATA:

Raffan, ichard.

Taunton's complete illustrated guide to turning

/ Richard Raffan.

ISBN 978-1-56158-672-1

1. Turning. 2. Lathes.

p.cm.

I. Title.

TT201.R33 2004

684'.08--dc22

2004012690

Printed in Italy

10 9 8 7 6 5 4 3

The fo llowing manufacturers/names appearing in

Tauntons Com plete Ilustated Guide to Turnin g are trademarks: Dremel®,

To rmek®, U-Beaut Enterprises®, WD-40®

About Your Safety: Work ing with wood is inherently dangerous. Using ha nd or power tools

improperly or ignoring safety practices can lead to permanent injury or even death. Don't try to

perform operations you learn about here (or elsewhe re) unless you 're certa in they are safe for

you. If somethi ng about an operation doesn't feel right. don't do it. Look for another way. We

want you to enjoy the craft, so please keep safety foremost in your mind whe never you're in

the shop.

Text

B RINGING TO GETHER A BOO K LIKE THIS IS NEVER A SOLO EF FORT,

and I'm most grateul for the help and comments offered by

many fellow turners.

Thanks to Mike Scott, Robin Wood, and David Woodward in England

and Wales for alowing me to photograph them in action in their workshops.

Nearer home, thanks to my brother Simon and his slabbing skills, and

to Gordon Smith, Peter Filmer, and Peter Bloomield for access to their

woodpiles and tools.

Thanks to both Graeme Bensley at Carbatec Tools, Fyshwick, my local

woodturning store, and Terry Golbeck of Black Forest Wood Co.,

Calgary, where I teach occasionally, for all manner of bits and pieces of

information as well as photos.

To Les Fortescue, who has more tools than he needs and kindly lent

me a few for the deep hollowing photos.

To Paul Anthony-who asked the right questions and made editing

most enjoyable.

And thanks finally to my wife Liz, who coped stoically (mostly) with

the long and anti-social hours writing and editing seemed to demand.

Acknowled gments

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