American Cinematographer Wrzesień 2013.pdf

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SEPTEMBER 2013

$5.95

Canada $6.95

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The smallest camera makes the biggest images.

This still frame was pulled from 5k RED EPIC® motion footage from Elysium © 2013 CTMG. All rights reserved.

www.red.com

© 2012 Red.com, Inc. All rights reserved.

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“ The Red One was like getting our hands on the future for

District 9 . The Epic is a fantastic evolutionary leap forward. Its

compact form, image quality and resolution were a perfect

t for both the grittiness of future Los Angeles and the

pristine offworld landscapes of Elysium .

” – Trent Opaloch

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“

It was love at first sight, when my assistant Dean Friss introduced me to the Hollywood Black

Magic ™ filters. They made 22 episodes of ‘Secret Circle’ look magical.

They were the first things I packed for ‘Game of Thrones’. I knew they would be the perfect

companions to the fabulous ARRI Alexa. These filters work great at softening and ‘romanticizing’

without the image ever looking un-sharp in day/night and interior/exterior shots.

At one point, I had a huge banquet scene in ‘Game’ that was lit almost entirely with candles.

Hollywood Black Magic filters helped to spread and soften that candlelight beautifully

in a very natural way. In exteriors, they perfectly take the HD edge off the

signal and look just great on human skin. It’s almost ineffable –

they soften but never look soft. I just love them.

Thanks Schneider!

”

McLachlan Sees Thru Hollywood Black Magic ™

Robert McLachlan ASC, CSC has shot over

350 television episodes, 24 TV movies,

a dozen features and over 300 commercials.

He has earned four ASC nominations and

won nine CSC Awards.

He used the Hollywood Black Magic filters on

Secret Circle , Game Of Thrones , and for his current

work on the TNT series, King and Maxwell .

www.schneideroptics.com •

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SEPTEMBER

2

0

1

3

VOL.

9

4

NO.

9

The International Journal of Motion Imaging

On Our Cover: Max De Costa (Matt Damon) spearheads a revolt against Earth’s off-world

overlords in the sci-fi drama Elysium , shot by Trent Opaloch. (Photo by Stephanie

Blomkamp, courtesy of Sony Pictures.)

FEATURES

34 Worlds Apart

Trent Opaloch tells a futuristic tale of class warfare

for Elysium

50 Bangkok Dangerous

Larry Smith, BSC travels to Thailand on Only God Forgives

64 Pounding More Than Pints

Bill Pope, ASC shoots a wild booze-up for The World ’s End

80 American Mythology

Bradford Young illuminates Ain’t Them Bodies Saints

50

64

DEPARTMENTS

10 Editor’s Note

12 President’s Desk

14 Short Takes: Exitmusic, “White Noise”

20 Production Slate: The Patience Stone LACMA Salutes Figueroa

94 Post Focus: Una Noche

98 New Products & Services

110 International Marketplace

111 Classified Ads

112 Ad Index

114 In Memoriam: Geoffrey Erb, ASC

116 ASC Membership Roster

118 Clubhouse News

120 ASC Close-Up: Ron Fortunato

80

— VISIT WWW.THEASC.COM —

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