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INSTRUCTION MANUAL
M ODELING T HE
M ODELING T HE
D ESPATCH N O . 9
D ESPATCH N O . 9
F D IESEL T OWBOAT , 1945 F
F D IESEL T OWBOAT , 1945 F
Technical Characteristics
Scale: 5/32" = 1 ft.
Overall Length: 13-1/2"
Beam: 3-3/4"
Height: 7" (top of mast to bottom of keel)
Instructions prepared by Ben Lankford
©2006, Model Shipways, Inc.
Manufactured by Model Shipways, Inc. • Hollywood, Florida
Sold by Model Expo, a division of Model Shipways, Inc. • www.modelexpo-online.com
Model Shipways Kit No. 2011
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HISTORY
The original model plans and kit of the Despatch No. 9 were developed in 1949 by John Shedd, the original owner of
Model Shipways in Bogota, New Jersey. These early plans and the kit have been updated with more detail and reissued
by Model Shipways, Inc. and sold by Model Expo, a division of Model Shipways. New instructions are provided along
with a more complete set of supplies for building the model. The fittings are now cast from lead-free Britannia metal
and laser-cut wood parts have been added.
The Despatch was constructed from an Army design; 85' Motor Tug designated Army ST (small tug). The original
design plans for the tug are in the Army Transportation Museum in Fort Eustis, VA. The Museum also has a model of
the Army tug on display. There are some differences between the Army tug design and the Despatch, changes required
by the owner no doubt. Primarily, the Despatch has a different towing winch and capstan, and some minor differences
in the deck house compartments. The Army version also has railings on the pilot house top and two machine guns, and
there is a lifeboat carried on the upper deck.
To incorporate the differences between the Army version and Despatch, John Shedd obviously has access to plans and
information specific to Despatch. Unfortunately, none of the original information could be found.
There are two other known tugs built from the Army design. The Messenger was built in 1944 in New Orleans as an
Army tug, but in 1946 was acquired by the Coast Guard. Likewise, the Angels Gate started out as an Army tug, but
soon became a commercial tug in California. What is nice about the Angels Gate is the fact that it is still around. The
tug has been restored and is a floating exhibit at the Los Angeles Maritime Museum. The tug is as built by the Army,
except the machine guns have been removed. There are a number of photos of the tug on the Museums web site.
HISTORY
Construction Stages & Table of Contents
Brief History ................................................................1
Before You Begin ..........................................................3
How To Work With The Plans & Parts ........................3
What You’ll Need to Start Construction .......................3
Painting ........................................................................4
Stage C: Mounting the Hull
1. Mounting Board with Two Pedestals.........................8
2. Launching Ways .......................................................8
Stage D: Adding the Hull Details
1. General Notes...........................................................9
2. Windows, Airports, & Doors....................................9
3. Running Lights, Flagstaff, & Mast............................9
4. Ladders, Upper Deck Railing & Hand Rails.............9
5. Horn, Searchlight, Bell, Ventilator, & Life Ring .......9
6. Deckhouse Name Board & Lettering........................9
7. Stern Grating............................................................9
8. Bow Chock, Cleats, and Manholes .........................10
9. Capstan & Towing Machine ...................................10
10. Air Vents ..............................................................10
11. Log Fenders & Bow Bumper ................................10
12. Anchor .................................................................10
13. Final Touches........................................................10
Stage A: Shaping the Pre-Carved Hull
1. Using the Templates .................................................4
2. Carving the Hull ......................................................4
3. Carving the Bulwarks ...............................................5
4. Deckhouse Carving ...............................................7-8
Stage B: Completing the Basic Hull Structures
1. Installing the Keel & Stem........................................6
2. Installing the Sternpost, Prop Shaft Tube Fairing,
& Propeller...............................................................6
3. Installing the Rudder Skeg & Rudder....................6-7
4. Cutting Out & Detailing the Freeing Ports ..............7
5. Installing Bulwark Brackets, Stiffeners, Cap Rail,
Quarter Bitts, Chocks, & Hawse Pipe Lips...............7
6. Installing the Outboard Pipe Fenders .......................7
7. Constructing the Deckhouse .................................7-8
Bibliography ...............................................................11
2
 
constructed of fairly thin steel plates that
would be too thin for a small scale wooden
model. So, the model construction is modi-
fied on some details. The real ship details
provided are interesting to know and they
allow you to be creative and possibly modify
the model details provided for the kit design
to suit your own approach.
In addition to the plans, a set of sketches
appears throughout the instruction manual
to further illustrate the various stages
of construction.
The Despatch No. 9 kit is manufactured to a
scale of 5/32" = 1'0" and matches the plans.
Consequently, most of the dimensions can be
lifted directly from the plans using a “tick
strip”. This is simply a piece of paper (a roll of
calculator paper tape works very well). Mark a
dimension from the plan onto the tick strip
and transfer it to the model.
The Despatch No. 9 kit is supplied with
Britannia metal, brass, as well as wooden
fittings to eliminate problems in making such
parts from scratch. Because the Britannia
metals contain no lead, there are no possible
corrosion problems. Many of these fittings
will require final finishing before installing on
the model.
Before painting the cast-meal fittings, clean
them up by removing all the mold-joint flash.
To do this, use a No. 11 hobby blade to cut the
flash, then sand with fine sandpaper. It is also
suggested that you clean the fittings
thoroughly with warm soapy water before
applying primer. Make sure they are rinsed
thoroughly and allowed to dry before painting.
fitting holes
3. Pin vise
G. Miscellaneous
1. Tack hammer
2. Tweezers (a few)
3. Small fine pointed scissors
4. Miniature pliers
a. Small round
b. Flat nose
5. Bench vise (small)
6. Soldering iron
a. Solder
b. Flux
Note: soldering is not essential for this particular model
if the kit fittings are used.
7. 1/2" or 3/4" masking tape
8. Wire cutters (for cutting fine wire
and strip metal)
H. Sandpaper
Fine and medium grit garnet or aluminum
oxide sandpaper (#100 to #220 grit)
I. Finishing:
1. Paint brushes
a. Fine point for details
b. 1/4" to 1/2" flat square for hull
J. Supplies: (will be covered in detail in
the Painting section and throughout instruc-
tions)
1. Paints
2. Primer
3. White or Carpenter’s (yellow)
Wood Glue
4. Five-minute epoxy
5. Cyanoacrylate (Super) Glue
Note about glues: White or Carpenter’s yel-
low wood glue will suffice for most of the
model. Five-minute epoxy provides extra
strength for gluing fittings. Cyanoacrylate
(Super) glue, called CA glue for short, such
as Zap is excellent for quick adhesion. The
best CA glue for most applications is a
medium viscosity gap-filling type. The
watery-thin type is recommended only to
fill a narrow crack by capillary action. For
CA glue, you can also purchase a liquid
accelerator such as Zip Kicker. A spray or
drop of the accelerator will instantly cure
the glue. This is handy to eliminate clamp-
ing parts for long periods of time waiting
for glue to harden.
Use CA glue with caution. You can easily
glue your fingers or eyelids together and the
fumes can burn your eyes. It would be a
good idea to have a bottle of CA debonder
on hand. This product will dissolve the glue
if you do get it on your skin.
Before You Begin
The Despatch No. 9 is an interesting model for
beginner and expert alike. This kit contains a
solid hull, which has been machine-carved
from select, medium-hard, fine-grained bass-
wood. This style hull provides a quick and
easy lesson in the basic shapes and propor-
tions of hull design and helps to develop
woodworking skills. Although the exterior of
the hull has been carved close to the hull lines
as shown on the plans, further carving is nec-
essary for reasons of accuracy. (Carving and
finishing the hull to its final shape are dis-
cussed in the instructions.)
Constructing the Despatch No. 9 model also
will provide you with the opportunity to
develop some scratch-building techniques.
During construction, you may want to sub-
stitute some of the kit fittings with your own
creations. By all means try them, especially if
you think you can improve the model.
If you are a beginner, completing this model
will prepare you for a more complicated
model such as the Dapper Tom, another solid
hull model but a sailing ship with rigging to
contend with, and eventually a model like
Pride of Baltimore II, which is outfitted with
a plank-on-bulkhead hull. In the meantime,
happy modeling!
Working with the Plans & Parts
Before starting model construction, examine
the kit and study the plans carefully. Familiar-
izing yourself with the kit will serve two
purposes. First, it will let you determine that
all parts have been supplied as listed. And
second, you’ll be surprised at how quickly
handling the parts allows you to better under-
stand the kit requirements. Try to visualize
how every part will look on the completed
model. Also, determine ahead of time what
must be done first. The instructions will help
you in this regard, but a thorough knowledge
of the plans at the outset is essential.
It is also suggested that all small fittings and
hardware be sorted into labeled boxes or
compartments to avoid loss during the
building process.
Two Plan Sheets and Two Template Sheets are
provided:
1. Hull Plan (Sheet 1 of 2)
2. Lines Plan and Details (Sheet 2 of 2)
3. Hull Templates (Sheet 1of 2 - Profile) on
heavy paper stock
4. Hull Templates (Sheet 2 of 2 - Stations) on
heavy paper stock
Note: In the process of updating the plans,
several new details were added that reflect the
real boat construction as well as details for the
model construction. The real Despatch was
What You’ll Need To Start
The following tools and supplies are recom-
mended for the construction process.
Modelers who have built before may have
their own favorites. Almost all are available
at www.modelexpo-online.com.
A. Knives and Saws
1. Hobby knife with No.11 blades
2. Fine tooth razor saw
B. Files
Set of needle files
C. Sharpening Stone
Necessary to keep the tools razor sharp
D. Clamps
1. A few small C-clamps
2. Several wooden clothespins
3. Rubber bands
E. Tool Set
A small carving tool set or individual
hand chisels for shaping the hull.
F. Boring Tools
1. Set of miniature drills: #60 to #80
(you won’t use all the sizes in the set)
2. 1/16", 3/32", & 3/16" bits for various
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Ventilator - Aluminum with inside of
cowl Red
Smoke Stack - Black with White “S”
Airport frames, Window frames. and
pilot house doors - Dark Brown
Running lights - Light boxes, outside and
top of the light fixture - Red, Aluminum
inside. Port light glass - Red, Starboard
light glass - Green
Paint:
Use a flat-finish paint. Model Shipways line
of acrylic paints are available in the recom-
mended colors. You may also purchase an
already assembled Despatch paint kit from
Model Expo at www.modelexpo-online.com.
Primer:
Use a grey primer (one is provided with the
Model Expo Despatch paint kit. The grey
color will highlight sanding scratches and
other defects better than white primer. Prime
all woodwork to be painted, and prime all
metal fittings. Lightly sand the primed
items. Use a spackling compound such as
Pic-n-Patch brand to fill any scratches and
defects, then re-prime.
artist’s brushes. A small pointed brush is
good for details. For the main hull areas, use
a 1/4" to 1/2" flat brush.
Before painting, clean the model with a tack
rag. Apply your paint in smooth and even
strokes, overlapping them as you go. Thin
the paint enough to eliminate brush strokes,
but not run. You will need three or four
coats of the light colors to cover the grey
primer and maybe only two coats of the
dark. Check your finish between coats and
sand and add spackle as necessary to get rid
of any blemishes.
You will be told how to mark the waterline
location in Stage A. At this line, and any-
where else two colors meet, use masking
tape. Electrician’s black plastic tape or any of
the hobby tapes made of plastic film are
ideal. They leave a nice edge and are not
overly sticky. Do not use drafting tape unless
it is Chart-pak brand. The edges are some-
what wrinkled and paint may run under
them. A good trick; seal the edge of masking
tape with a clear flat finish and let dry thor-
oughly. This will really prevent paint from
running under the tape.
Painting
It may seem strange to begin an instruction
manual with direction on applying the
finishes to the model. Not so! Much time
and effort can be saved and a more profes-
sional result can be obtained if the finishing
process is carried out during construction.
Proper timing in application of finishes and
the use of masking tape to define painted
edges should eliminate unsightly glue marks
and splotchy stained surfaces. In the end,
following these general suggestions will be
to your advantage.
Paint Colors:
The color scheme for Despatch No. 9 is as
follows:
Hull Above the Waterline - Medium Gray
Hull Bottom Below Waterline - Dark Green
Decks - Light Brown
Deck House, watertight doors, skylight,
masts, life ring and air vents - Aluminum
House Border Trimmings (top moulding
on house, engine room skylight), search
light, horn, grating at stern, inside bulwarks,
and ladders) - Red
Bitts, chocks, cleats, capstan, and towing
engine - Black
Brushes & Procedures:
Use good quality soft sable or synthetic hair
STAGE A: SHAPING THE PRE-CARVED HULL
Sanding alone will not shape the hull
enough to precisely match the hull lines.
Some carving is required, especially at the
rail, keel, bow, & stern areas.
1. Using the Templates
For exact carving to hull lines, a template is
required for the hull profile and each of the
12 stations. You will find a template set
printed on heavy stock paper in the kit. Cut
the templates out carefully with a No. 11
hobby knife. Do not use scissors! You will
want a nice smooth edge.
Option-The profile template can be cut at
Station 6 to make fitting easier. Just make
sure you have the keel straight and don’t
build in a knuckle. Likewise, the station
templates can be cut at the bulwark. If you
do this, mark the width of the hull at each
station on top of the bulwark beforehand
and carve to these marks.
Note: The profile template shows a notch
forward and one aft at the keel and stem.
These notches are where the heavy stem pipe
and the rudder skeg are glued. The notches
can be added as you carve the profile shape,
but probably better if you wait and file these
notches in when you are ready to install the
stem pipe and rudder skeg.
2. Carving the Hull
Cut a wooden block from scrap to about 3"
x 1" x 3/4" thick. Screw the block to the
deck so the model can be held in a bench
vise for carving. First, check the accuracy of
the profile and correct it as necessary, using a
long sanding block.
Next, mark the centerline, rabbet lines
(where hull meets keel) and station lines on
the model (Figure A-1). Place the station
marks on the center of the hull bottom and
on top of the rails so the marks won’t be
carved off as you work. Also, add the
breadth marks on the rail if you elected the
option noted above.
Note: The width from the port to starboard
keel and stem rabbet is 3/32" wide from the
rail at the bow and all the way back to the
end of the keel. You will be fitting a 3/32"
wide keel strip to this flat area back to Station
10. From Station 10 to the end of the keel is
where the rudder skeg will be fitted. At the
sternpost, carve this area down also to 3/32"
wide where the stern post will be fitted.
Start carving approximately at Station 6
(maximum beam) and progress forward,
then aft, using chisels and gouges to cut
away excess wood. Avoid carving against the
grain by shifting forward or aft of Station 6
until you find a spot where you are going
with the grain. Basswood carves easily, so
you probably won’t have much problem with
the grain.
Carve very slowly and take off a little wood
at a time. Fit the templates as you go. Carve
until the template fits reasonably well, then
use sandpaper to obtain the final shape. At
first the templates will not fit very well. You
must compare the template to the hull and
visually decide where to remove wood. Cut a
little off, then re-check the template.
Finally, draw a few horizontal pencil lines
(like waterlines) and the vertical station lines
on the hull. Use these to visually check the
shape of the hull. Hold the hull at various
angles, and look to see if the pencil lines are
fair (even). If you have any unfairness, dips
or bump, they can usually be found with this
visual check. You can also use a stiff stick of
wood, about 3/32" square, and lay it on the
hull at various locations. Dips in the hull
will show up under the stick.
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3. Carving the Bulwarks
Make yourself a temporary cradle to secure
the hull while carving. This cradle also will
serve to hold the model for most of the
remaining work. Make the cradle so the
model sits in it with its waterline parallel
to the baseboard and table. The tops of the
cradle should be below the waterline.
Later, when you are ready to paint, attach
a pencil on top of a wooden block and
slide it along the table to mark the loca-
tion of the waterline.
The machine-carved hull has bulwarks
thicker than scale so they won’t break while
inside the kit box. The upper surface is cut
to the underside of the cap rail. After you
carve the outside of the hull, the bulwarks
will be thinner. If more than 1/16" thick it
will be necessary to carve the inside of the
bulwarks. This is the most difficult part so
work slowly as you carve (Figure A-2). After
carving, sand the surfaces smooth. If you
happen to have or want to buy a powered
rotary tool like a Dremel, there are many
cutters available to quickly reduce the bul-
wark thickness.
Note that bulwark brackets go onto the
inboard side of the bulwarks. The brackets
should be 1/32" wide at the top and 5/32"
at the bottom. Together with the bulwark,
the brackets must fit under the cap rail
which is only 3/32" wide. If the brackets
will not fit, sand the inside of the bulwark a
little more at the top. You can then taper
the inside down to the deck without reduc-
ing the thickness at the deck. You won’t
really see that the bottom is thicker than
the top. Of course, you could use a wider
cap rail but don’t get it too wide or the scale
will not look proper. Figure A-3 is a cross
section thru the bulwark.
Note: As noted earlier, the bulwarks for the
model have been modified from the real
boat design somewhat. On the real boat the
cap rail and bulwark are constructed from
1/4" to 3/8" thick steel plate. At our model
scale these would be paper thin and too
fragile for a wooden model. The real boat
details and the model modifications are
shown on the plans.
Carving the Bulwark Around the Stern -
The bulwark around the stern slopes for-
ward at a rather large angle. However, on
the real boat, the inboard side is plated in
way of the grating platform which covers a
rudder control quadrant. Carve the inside
of the bulwark in this area so the bulwark is
vertical (Figure A-4).
4. Deckhouse Carving
The deckhouse construction will be dis-
cussed in Stage B.
FIG. A-1 MARKING THE HULL
MARK RABBET LINES
3/32"
RABBET
MARK CENTERLINE
WOOD TO BE
CUT AWAY
3/32"
RAIL
WIDTH
AT RAIL
3/32"
MARK
STATION
LINES
FIT
TEMPLATES
MARK STATIONS
ON TOP OF RAIL
FIG. A-2 CARVING BULWARKS
SUGGEST USING
THIN METAL SHEET
TO PROTECT DECK
WHILE CARVING
SMOOTH
WITH
CHISEL
USE GOUGE
FIRST
FIG. A-3 BULWARK
CROSS-SECTION
FIG. A-4 STERN CARVING INBOARD
CAP RAIL
CARVED
BULWARK
BRACKET
CUT VERTICAL
THIN BULWARK
CL
DECK
CL
FRONT GRATING
SUPPORT BEAM
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