00:00:19:{y:i}Miss Pettigrew, 00:00:21:{y:i}I was warned of your|stubbornness and impertinence, 00:00:23:{y:i}and I should have known|better when you were called the 00:00:26:{y:i}"governess of last resort." 00:00:27:{y:i}But I had no idea|of your utter unsuitability. 00:00:30:{y:i}You are dismissed.|-But, Mrs. Brummegan... 00:00:33:{y:i}Away! 00:00:34:Allow me one last chance... 00:00:35:{y:i}Goodbye, Miss Pettigrew. 00:00:44:I'm owed|a week's wages. 00:01:32:I say! I'm terribly sorry!|I do apologize. 00:01:34:Oh, no! My things! 00:01:35:My things! 00:01:35:Let me help you with that. 00:01:36:They'll have me back|in prison for this. 00:01:39:Oh! 00:01:39:Oh, nothing serious.|Well, when I say serious, I... 00:01:42:No. 00:01:43:Wait! Your... 00:01:46:Your belongings! 00:01:47:Sorry! 00:02:25:Gerry? 00:02:27:Edythe, if you can keep your hands|off him for just two seconds... 00:02:31:We're getting our|own cab, thank you. 00:02:34:That's naughty! 00:02:45:Let's get out|of here, Gerry. 00:03:29:Washburns.|Jane, aged five. 00:03:31:Lovely girl.|-Lost in the park... 00:03:34:Independence.|That's all that girl needs... 00:03:36:For six hours? 00:03:37:The Randle boys,|John and Robin. 00:03:39:{y:i}" Wrestled retired Colonel Johnson to|the floor outside Fortnum and Mason's, 00:03:44:{y:i}" shouting, 'Nazi warmonger'|because..." And I quote, 00:03:48:{y:i}" Miss Pettigrew thought|he was a German spy." 00:03:50:A little joke. 00:03:52:{y:i}" Ambulance called.|Police called." 00:03:55:Yes. And now|the Brummegans. 00:03:57:Miss Pettigrew,|we live in uncertain times. 00:04:01:My goodness, there|could be a war any day. 00:04:04:Do you think that work|is easy to find? 00:04:06:No, no.|Certainly not, Miss Holt. 00:04:09:But Mrs. Brummegan was... 00:04:12:Well, fond of a sherry,|if you take my meaning. 00:04:14:As a vicar's daughter,|I found her rather difficult. 00:04:16:No, she found you rather|difficult, Miss Pettigrew. 00:04:19:And that is, I'm afraid,|a recurring theme. 00:04:22:Miss Holt?|-Yes, Jilly? 00:04:24:The Lafosse household rang|last night. Still looking. 00:04:28:Thank you. Yes, I|won't be a moment. 00:04:30:A person can change. 00:04:31:I haven't seen any sign of that. 00:04:33:She could stop drinking. 00:04:35:Our clients don't adapt to|suit your needs, Miss Pettigrew, 00:04:38:you adapt to them! 00:04:39:I am trying,|Miss Holt. Really. 00:04:41:Give me one last chance.|You won't regret it. 00:04:43:My dear woman, I|already have. Thrice. 00:04:46:I'm afraid we have nothing|suitable for you at the moment. 00:04:49:Good day, Miss Pettigrew.|-Shall I come back tomorrow? 00:04:51:The situation is most|unlikely to have changed. 00:04:53:The day after? 00:04:54:Only if you desire the exercise. 00:04:56:Miss Holt.|Please, I implore you. 00:05:00:JILLY: Yes, Miss Holt? 00:05:01:Miss Darlington is finishing with|Carole Lombard this week, isn't she? 00:05:05:She would be perfect for the|Lafosse residence, don't you think? 00:05:08:I think she would|be an excellent choice. 00:05:10:Can you refer|to her file for me? 00:05:11:Certainly. 00:05:19:Thank you. 00:05:23:I said good day,|Miss Pettigrew. 00:05:25:Good day. 00:05:51:Amazing. 00:06:32:Hi. 00:06:34:I have come|from Miss Holt's Agency. 00:06:37:What time is it? 00:06:39:It's five minutes|past 10:00. 00:06:42:10:00?|-Five minutes past. 00:06:45:In the morning?|-I believe so. 00:06:48:Oh, God! 00:07:14:Oh, my God,|look at the place. 00:07:16:I was given to believe|you were expecting me. 00:07:18:Miss Holt's|Employment Agency? 00:07:20:Darn right, honey.|And not a moment too soon. 00:07:26:Allow me. 00:07:31:Neat! 00:07:32:Time? 00:07:33:Six minutes|past 10:00. 00:07:35:Can I be of any|further assistance? 00:07:37:Not unless you can get Phil out of|bed in the next two minutes, you can't. 00:07:39:I've known my share of|naughty boys who oversleep. 00:07:42:You too, huh? 00:07:44:Phil! It's time|to wake up, darling! 00:07:46:Damn it!|-Allow me. 00:07:48:I can get your boy up|and dressed in no time. 00:07:50:You could? Really? 00:07:51:Certainly.|-Angel. 00:07:53:One must not stand for|any nonsense, that's all. 00:07:55:They just need to know|who's in charge. 00:07:56:First door at the top|of the stairs. 00:08:04:Philip? 00:08:08:Rise and shine, Philip! 00:08:12:As I said to your mother, I|won't stand for any nonsense. 00:08:16:You naughty boy, get up! 00:08:23:I kind of am up,|as you can see. 00:08:27:Oh, golly! 00:08:36:Excuse me, Mrs. Lafosse,|may I speak to you? 00:08:39:Mrs. Lafosse... 00:08:41:Oh, heavens! 00:08:42:Answer that, will you? If it's|Nick, tell him... Tell him I'm dead. 00:08:55:Good morning, this is Miss Holt|here, of Holt's Employment Agency. 00:09:00:I've just rung to say that one of our|best women is on her way over to you now. 00:09:07:Hello? 00:09:07:No, no,|no! That won't be necessary. 00:09:12:I'm afraid that|Mrs. Lafosse is dead. 00:09:17:Goodbye. 00:09:32:Don't really do kitchens.|Hmm. 00:09:37:Any luck with Phil? 00:09:39:I'm so sorry, Mrs.|Lafosse... Delysia. 00:09:41:Delysia, I'm afraid I walked in|on your guest in a state of nature. 00:09:46:I fear that I have outraged|his sense of propriety. 00:09:50:Oh, no, Phil doesn't|have one of those. 00:09:52:He's a much bigger boy|than I had expected. 00:09:56:Oh, you noticed.|He is, isn't he? 00:09:59:Uh... 00:10:08:Hello? 00:10:10:Darling! 00:10:26:Really? 00:10:27:Mmm-hmm. 00:10:29:You, too. 00:10:41:He's at the club. 00:10:42:Be here in 10 minutes.|Oh, God. 00:10:43:Who?|-Nick! 00:10:45:Another man? 00:10:47:Well, of course|another man! 00:10:49:Jeepers. 00:10:50:I'm afraid there has been|a misunderstanding. 00:10:53:I can see the problem clearly|now and I really must be going. 00:10:57:You do? 00:10:58:Pardon?|See the problem. Really? 00:11:01:Well, yes.|-I knew it. 00:11:04:From the moment I set eyes on you, I just|knew I could trust you. I can, can't I? 00:11:07:Yes, you can.|-Thank you. 00:11:10:Thank you.|You've saved my life. 00:11:11:Have I?|-Hmm. 00:11:13:A two-pronged attack|should do it. Let's go. 00:11:17:Though I don't think you|should mention about Nick. 00:11:22:Or Michael.|-Michael? 00:11:24:Is he your son?|-My son? Lord, no. 00:11:27:Michael wants|to marry me. 00:11:29:Another man? 00:11:31:You don't have to wake|the neighbors about it. 00:11:32:Besides, that's only three. 00:11:36:Phil's rather free|about where he undresses. 00:11:38:He's a theater producer.|Well, his father is. 00:11:41:Phil's got his first show on at|the Ambassador. I've got the lead. 00:11:44:Well... 00:11:46:I'm pretty sure|I have now. 00:11:56:Hello again. 00:11:57:Awfully sorry about earlier. I|thought you were someone else. 00:12:00:That is some relief,|I suppose. 00:12:02:Jolly nice to meet you, dear|lady, but who the devil are you? 00:12:05:Who is she, gorgeous? 00:12:07:She's, um... 00:12:09:You know, I'm not|altogether sure. 00:12:12:Pettigrew.|Guinevere Pettigrew. 00:12:16:Guinevere. 00:12:17:Guinevere. Wow. 00:12:19:Yes, but who is she? 00:12:21:What in the world is she doing|in this particular bedroom 00:12:23:when you are|so obviously starkers 00:12:25:beneath that delightful|gown, don't you know? 00:12:27:We have... 00:12:29:An engagement.|-A meeting. 00:12:31:Meeting. Important meeting.|-Indeed we do. In 20. 00:12:32:Two...|-Twenty-two. 00:12:33:Not 22, Guinevere,|dearest. Two minutes. 00:12:38:What the dickens|can be as important 00:12:39:as another hour in bed|with young Philip-me-lad? 00:12:42:You don't mind,|do you, Guinevere? 00:12:43:It's all a bit new to me,|and it's devilish good fun. 00:12:45:Besides, I have|nothing till lunch. 00:12:48:Come back to bed,|beautiful. 00:12:56:Baby, baby, I'd|love to, but I can't. 00:12:58:Come on, it's an awfully good|cure for a hangover, I'm told. 00:13:02:Edythe's lingerie|show is at 11:00. 00:13:04:Anyway, haven't you|got to get ready? 00:13:06:Who are you lunching?|-Nobody, really. 00:13:09:Charlotte Warren.|The Rabbit? 00:13:11:Why? She run out of carrots?|-Sweetie-pops... 00:13:14:But you said the lead was mine.|Phil, honey, you promised! 00:13:16:It is. It is. I'm sure it|is. You're the one, baby. 00:13:19:I just have to|clear it with Daddy, 00:13:21:being the bounder with|the checkbook and all. 00:13:22:You know, he wants me to meet|her. Amazing voice, apparently. 00:13:26:If you like|air-raid sirens. 00:13:28:It's just lunch, darling.|Come on, Delysia. 00:13:31:Remind your producer why you're|right for such a passionate part. 00:13:38:Charlotte Warren|the actress? 00:13:40:Know her, what? 00:13:41:I did happen to see her last|night on Shaftesbury Avenue. 00:13:44:With who?|-Who with? 00:13:45:A man.|-Producer? 00:13:48:Mmm.|-Spivvy fellow? 00:13:49:Mmm.|-Nasty side-parting? 00:13:51:Mmm. 00:13:52:I knew it! 00:13:53:Danny ruddy Greenwood,|dash it all. On the poach. 00:13:57:Well, we'll see|about that. 00:13:58:Oh, Phil, you can't think that|Charlotte Warren is right for Hortensia? 00:14:03:Not with that|damp little nose. 00:14:21:Jacket?|-Behind you. 00:14:26:A quick egg|and I'm off. 00:14:28:I regret|we're out of eggs. 00:14:30:You know this?|-I'm afraid I do. 00:14:32:Bacon?|-So sorry, no. 00:14:33:Sausage?|-If only. 00:14:35:Smoked haddock fillets?|-Definitely not. 00:14:36:Toast. 00:14:38:I saw the baker's girl|deliver a loaf yesterday. 00:14:41:Allow me. 00:14:49:Guinevere, you've got to get him|out of here. We're on a deadline. 00:14:52:Toast is only|two minutes. 00:14:55:I realize it is not|my place, but 00:14:57:isn't it possible simply not to|answer the door to this Nick fellow? 00:15:01:Oh, I can't do that.|-Why? 00:15:03:It's his flat.|-Oh. 00:15:05:Jeepers, he'...
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