THE TRUMAN SHOW scenariusz.txt

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  THE TRUMAN SHOW



      BY

      by Andrew Niccol

      Shooting Script



------------------------------------------------------------------------


A FOGGED MIRROR

Behind the fog we hear the sounds of a bathroom.  After a 
long moment, a hand wipes the condensation from the glass to 
reveal the face of TRUMAN BURBANK.  He wears a sleeveless 
Hanes undershirt and blue-stripes pajama bottoms, behind him 
a white glazed tiled bathroom wall.  It is immediately 
apparent that we are viewing him through a two-way mirror.

Truman, expressionless, studies his reflection in the mirror.  
For a long moment, he does nothing.  He continues to look 
impassively into the mirror for what becomes an uncomfortably 
long time.  Still nothing.  Finally he speaks, talking to 
himself in the mirror as if participating in a TV interview.

			TRUMAN
	... personally I think the 
	unconquered south face is the only 
	one worth scaling... of course it's 
	a 20,000 foot sheer wall of ice but 
	then when did that ever stop me 
	before?  Naturally, I intend to make 
	the ascent without the benefit of 
	oxygen but also without crampons or 
	even an ice pick... risks?
		(smug, TV smiles)
	... sure I'm aware of the risks -- 
	why else do you think I would spend 
	seven years as an adjuster in a life 
	insurance company?

			MERYL (O.S.)
	Truman, you're gonna be late!

Truman resignedly opens the door of the 
cabinet and replaces his shaving tackle.  It 
partially obscures the lens of the hidden 
camera.  He closes the door and exits.

INT.  KITCHEN - MORNING

MERYL, wearing a stylish robe, sits at the kitchen table 
sipping coffee.  On the table in front of her lies a parcel.  
TRUMAN enters and glances at the gift.

			TRUMAN
	What's that?

			MERYL
	It's a surprise.

TRUMAN unwraps the parcel -- an expensive-looking set of 
exercise sweats.

			MERYL
		(eager for his response)
	Well, what do you think?

			TRUMAN
	They're...
		(the merest hesitation)
	perfect.  Thank you.

Truman returns Meryl's kiss.

			MERYL
		(handing him the sweat top)
	Try it on.

Truman pulls the top over his head.  As he does so, a closer 
shot focuses on the manufacturer's name.

			MERYL
	I thought you could wear them when 
	you do your exercises.
		(afterthought)
	Pre-shrunk.  And they breathe.

EXT.  TRUMAN'S HOUSE - DAY

Wearing a business suit, briefcase in hand, TRUMAN emerges 
from his pleasant, Victorian-inspired, picket-fenced house 
into an idyllic suburban street of similarly picturesque 
homes.  A neighbor, SPENCER, is taking in trashcans, 
whistling a tune.  Spencer breaks off abruptly as Truman 
approaches his car.  His license plate reads, "Seahaven -- 
A Nice Place To Live."

			SPENCER
	Morning, Truman.

			TRUMAN
	Morning, Spencer.  And in case I 
	don't see you, good afternoon, good 
	evening and good night.

Spencer's dog, PLUTO, bounds happily over to Truman.

			TRUMAN
		(petting the dog)
	Hey, Pluto.

Truman exchanges a polite nod with the WASHINGTON's, an 
African-American family across the street.  MR. WASHINGTON is 
farewelled by his WIFE and CHILD.

Truman is about to climb into his car when he is distracted 
by a high-pitched whistling sound.  Suddenly, a large 
spherical glass object falls from the sky and lands with a 
deafening crash on the street, several yards from his car.

The startled Truman looks to Spencer but he has abruptly 
disappeared inside his house with Pluto.  Mrs. Washington and 
Washington Junior has also made themselves scarce.

Truman investigates.  Amidst a sea of shattered glass are the 
remains of a light mechanism.

He looks around him but the street is deserted.  He checks 
that all the surrounding street lights are accounted for, 
even though the fallen fixture is far larger.  He looks up 
into the sky but there is no plane in sight.  With some 
effort, Truman picks up what's left of the crumpled light 
and loads it into the trunk.  A label on the light fixture reads, 
"SIRIUS (9 Canis Major)."  As he drives away, we hear the 
sound of his car radio.

			RADIO ANNOUNCER
	Another glorious morning in Seahaven, 
	folks.

INT/ EXT.  TRUMAN'S CAR - SEAHAVEN - DAY

TRUMAN makes his way along the streets of Seahaven past a 
series of quaint, pastel-shaded cottages.

EXT.  SEAHAVEN ISLAND TOWNSHIP - DAY

A high-angle reveals an anonymous mid-sized town built around 
a small, pretty bay.  A cluster of high-rise buildings stand 
at the water's edge overlooking a marina.  Surrounding the 
commercial center lie neatly arranged suburbs.

EXT.  OCEANSIDE STREET - DAY

Pausing at a traffic light along a seaside road, TRUMAN looks 
through a curious wooden arch to the beach and ocean beyond.  
The sight triggers a memory in his head.

PLAYBACK - EXT.  LONG, WIDE BEACH - DAY

Unlike a conventional flashback, the scene in his memory 
appears to be playing on a television screen.

FOUR-YEAR-OLD TRUMAN runs towards a bluff on the beach.

The boy's father, KIRK, late-thirties, beer bottle in hand, 
flirts with TWO TEENAGE GIRLS at the shoreline.  Suddenly, 
the father remembers his son.  He looks anxiously around.  
The sight of the boy at the far end of the beach causes him 
to drop his bottle in the sand and run to Truman.

The boy is near the top of the cliff before his agitated 
father comes within earshot.

			FATHER
		(out of breath, 
		 clutching his side)
	Truman!  Truman!  Stop!

Truman turns from his perch and waves happily down to his 
father.  But the smile quickly vanishes when he registers the 
anger and distress on his father's face.

			FATHER
	Come down now!

His father's unnatural anxiety makes the next bay even more 
tantalizing.  The boy considers defying his father.  He puts 
his hand on the rock above him to stretch up and sneak a peek 
at the other side.  One good stretch would do it.

			FATHER
		(reading Truman's 
		 mind, enraged)
	No!

			TRUMAN
	Why?  What's there?

			FATHER
		(unconvincing)
	Nothing.  It's... it's dangerous.
		(trace of desperation)
	Come down, now!  Please!

Truman is suddenly aware that the hundreds of other 
BEACHGOERS have stopped their activities to stare at him.  
Reluctantly, he starts to retrace his steps down the rocks.  
When he finally jumps to the sand, his father embraces him 
and leads him away.

			FATHER
	I told you to stay close.  Don't ever 
	leave my sight again.
		(pause)
	You've got to know your limitations.  
	You could've fallen.

INT.  TRUMAN'S CAR - DOWNTOWN SEAHAVEN - MORNING - PRESENT

Through his car window, TRUMAN buys a cup of coffee from a 
streetside VENDOR.

			VENDOR
	How are ya, Truman?

			TRUMAN
		(placing his fingers 
		 to his pulse)
	Vital signs are good.

He pulls into a parking space and sips on the coffee.  And he 
drinks, he becomes aware of a school bell summoning children 
to class in the adjacent Elementary School.  The image 
prompts another childhood memory.

PLAYBACK - INT.  SEAHAVEN ELEMENTARY SCHOOL - CLASSROOM - DAY

Once again, the flashback appears to be playing on a 
television screen.

SEVEN-YEAR-OLD TRUMAN sits in the middle rrow of an Elementary 
School classroom surrounded by twenty-or-so othegr well-
scrubbed, uniformed YOUNGSTERS.  MARLON, the boy next to Truman, 
is on his feet under the scrutiny of a kindly Norman Rockwell-
style SCHOOL MISTRESS.

			MISTRESS
	What do you want to do when you 
	grow up, Marlon?

			MARLON
	I want to be an entrepreneur like 
	my dad.

			SCHOOL MISTRESS
		(impressed)
	Tell the class what an "entrepreneur" 
	does, Marlon.

			MARLON
	He makes a lot of money, Ma'am.

			SCHOOL MISTRESS
	A good one does, Marlon.
		(looking in her purse, 
		 hamming it up)
	Perhaps I'll be coming to you for 
	a loan one of these days.

The Class titters.  Marlon sits down and winks to Truman.

			SCHOOL MISTRESS
	What about you, Truman?

Truman rises to his feet, gathering his nerve.

			TRUMAN
	I want to be an explorer...
		(with reverence)
	... like Magellan.

The School Mistress smiles benevolently.

			SCHOOL MISTRESS
		(slightly condescending)
	I'm afraid no one's going to pay you 
	to do that, Truman.  You might have 
	to find something a little more 
	practical.
		(glancing to a pulldown 
		 wall map behind her 
		 head)
	Besides, you're too late.  There's 
	really nothing left to explore.

The class roars with laughter as the crestfallen Truman takes 
his seat.

EXT.  PARKING LOT - DAY - PRESENT

TRUMAN, briefcase in hand, crosses from the parking lot to the 
town square, surrounded by similarly suited, briefcase-toting 
OFFICE WORKERS.

EXT.  DOWNTOWN SEAHAVEN - DAY

TRUMAN walks briskly down the bustling city street.  A snarl of 
taxis, buses and COMMUTER traffic.  A STREET VENDOR thrusts a 
pretzel under Truman's nose, a CAREER WOMAN tries to catch his 
eye.

Truman stops at a kiosk and buys a newspaper -- "THE ISLAND 
TIMES."

			VENDOR
	Is that all for you, Truman?

			TRUMAN
	That's all.  Thanks, Errol.

Other CUSTOMERS also purchase the morning paper.  Tucking his 
copy under his arm, Truman selects a glossy magazine from a 
rack, quickly flicking through the pages.

Glancing in the direction of the NEWSPAPER VENDOR and finding 
him busy with another CUSTOMER, Truman deftly tears a portion 
of the open page and pockets the cutting.  He hastily replaces 
the magazine and departs.

As Truman hurries away, the vendor exits the kiosk and picks 
up the magazine, instantly turning to the torn page.  It is a 
cosmetics advertisement with the MODEL'S NOSE missing.  
However, the vendor makes no effort to confront Truman, 
almost as if he were expecting it.

EXT.  SEAHAVEN LIFE AND ACCIDENT.  INC - DAY

Truman passes along a row of shops and...
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