AMERICAN BEAUTY scenariusz..txt

(225 KB) Pobierz
*_AMERICAN BEAUTY
_*__by
Alan Ball

FOR EDUCATIONAL PURPOSES ONLY
     
     FADE IN:

     INT. JAIL CELL - DAY

     EXTREME CLOSE-UP on a DROP OF WATER, gathering at the tip OF
     a faucet, a FLASH OF LIGHT refracting through it just before 
     it FALLS.......

     PULLING BACK slowly, we see ANOTHER DROP OF WATER gather and
     FALL... and then ANOTHER... into a METAL SINK BASIN filled 
     with water, rippling in concentric circles with each DROP, 
     which we HEAR in a steady rhythm: DRIP... DRIP... DRIP...

                           RICKY (O.C.)
                   (singing in time to the 
                   water dripping)
               I'M FIXING A HOLE... WHERE THE 
               RAIN GETS IN....

     REVERSE ANGLE on the face OF a YOUNG MAN with his hair cut
     short, military-style, watching the dripping water as if 
     hypnotized. We ZOOM slowly toward him...

     This is RICKY FITTS.  He's twenty, but his eyes are much 
     older. Underneath his Zen-like tranquility lurks something 
     wounded... and dangerous. He SINGS softly  to himself:

                           RICKY (cont'd)
               AND STOPS MY MIND FROM 
               WANDERING...

     Through the bars OF his CELL we see RICKY is seated on the
     edge of a solitary cot in a JAIL CELL, staring intently at the 
     metal sink on the wall across from him..

                           RICKY (cont'd)
               WHERE IT WILL GO...

     ON TELEVISION: INT. COURTROOM - DAY

     A sullen TEENAGE GIRL sits at a table in a COURTROOM, 
     surrounded by lawyers. SUPERIMPOSED across the bottom of     
     screen:  TEENAGE GIRL ACCUSED OF HIRING FATHER'S KILLER.  At 
     the lower right corner is the JUSTICE TV logo. In the   upper 
     right corner: LIVE.

     This girl is JANE BURNHAM. Seventeen-years-old, with dark, 
     intense eyes. She stares blankly at the table in front of her.

                           D.A. (O.C.)
               Would you please tell the court 
               how long you and the defendant have 
               been friends?

                           ANGELA (O.C.)
               Uh, we've known each other since 
               like, fifth grade? But we didn't 
               really become friends until this 
               past year?

     Jane looks up, her eyes hostile, at:

     Seated on the witness stand is seventeen-year-old ANGELA
     HAYES. Strikingly beautiful, with perfect, even features, 
     blonde hair, and a nubile young body, she's the archetypal 
     American dream girl. She is being questioned by a DISTRICT 
     ATTORNEY.

                           D.A.
               During that time, did Jane ever 
               say she disliked her father?

     INT. COURTROOM - CONTINUOUS

     We're now in the courtroom, where the JUSTICE TV CAMERAS 
     focus on Angela as the D.A. questions her.

                           ANGELA 
               Yes.

                           D.A.
               Exactly how did she say it?

                           ANGELA (cont'd)
               Uh, she said she hated his guts, 
               and wished he was dead.

                           D.A.
               Did she tell you why?

     Angela hesitates, hot eager to answer this.  Finally:

                           ANGELA (cont'd)
               She said he was just too 
               embarrassing to live, okay?

     ANGELA looks at JANE, who stares at her with absolute hatred.

                           ANGELA (cont'd)
               She said both of her parents were 
               totally embarrassing, but her dad 
               was like, way beyond? And somebody 
               had to take him out. But she said 
               her mom was just pathetic and 
               probably didn't deserve to like, 
               die.

     Elsewhere IN the COURTROOM, a very well-put-together WOMAN OF
     forty stifles a SOB. This is Jane's mother, CAROLYN BURNHAM.

     BACK on the witness stand, ANGELA looks contrite.

                           ANGELA (cont'd)
               I'm sorry, Mrs. Burnham, but she 
               did.

     At her table, JANE buries her face IN her hands.

                           ANGELA (cont'd)
               You did. You said it.

     INT. POLICE STATION - LOBBY - DAY

     A suburban POLICE station. PHONES RINGING, officers with
     clipboards, lowlifes being booked. The usual.

     The front door opens and COLONEL FRANK FITTS enters, carrying
     a MANILA ENVELOPE. He's fifty, quite handsome, his graying 
     hair cut short, military-style. He still moves like the 
     athlete he once was, but his eyes tell us he's not happy, and 
     hasn't been for some time. As he approaches the front desk, 
     the uniformed clerk behind it looks up at him impassively.

                           COLONEL
               I need to speak to Detective 
               Fleishman.

     INT. POLICE STATION - DETECTIVE'S OFFICE - MOMENTS LATER

     DETECTIVE FLEISHMAN, paunchy and constantly exhausted, opens
     the door to his office and motions Colonel Fitts inside.

                           FLEISHMAN
               Colonel Pitts.  How goes it?
                   (off his look)
               Forgive me.  That was a stupid 
               question, after everything you've 
               been through.

     He shows the COLONEL to a chair, then sits behind his desk.

                           FLEISHMAN (cont'd)
               So what can I do for you?

     The COLONEL sighs, looking at the MANILA ENVELOPE He holds.

                           COLONEL
               I found something. I think you 
               should take a look at it.

                           FLEISHMAN
               Okay.

     But the COLONEL just sits there, holding the envelope.

                           COLONEL
               I don't want to do this.
                   (fighting back tears)
               But I was taught a little thing 
               called duty. Something I wasn't 
               able to teach my own son...

     He breaks down. FLEISHMAN crosses to him and places his hand
     on his shoulder. The Colonel shrugs it off, violently.

                           COLONEL (cont'd)
               No.

     Respectfully, FLEISHMAN steps back. the COLONEL pulls himself
     together and hands over the envelope, without looking up. 
     Fleishman studies the envelope as he walks back to his desk, 
     then opens it and takes out an unmarked HI-8 VIDEOCASSETTE. He 
     looks at the Colonel quizzically.

     INT. JAIL CELL - DAY

     RICKY sits motionless, still focused on the DRIPPING water.

                           RICKY
                   (singing softly)
               I'M FILLING THE CRACKS THAT RAN 
               THROUGH THE DOOR...

     ON TELEVISION:

     A rapid-fire MONTAGE OF VIDEO IMAGERY taken from recent news
     footage,      intercut with CELEBRITIES and scantily-clad 
     MODELS of both sexes, accompanied by HEADBANGER MUSIC. THE 
     REAL DIRT logo spins quickly into place, with exaggerated 
     SOUND EFFECTS.

     ON TELEVISION: INT. TABLOID news SHOW SET

     A telegenic ANCHORPERSON addresses us. SUPERIMPOSED at lower
     left is THE REAL DIRT logo.  Behind the Anchorperson is an 
     INSET GRAPHIC of Jane and Ricky. 

                           ANCHORPERSON
                   (Australian accent)
               Lester Burnham.  Brutally murdered 
               in cold blood, allegedly the victim 
               of a teenage psychopath hired by 
               his own daughter, Jane.  The case 
               that has outraged America, has now 
               become even more shocking. Tonight 
               on The Real Dirt, we'll show you - 
               for the first time anywhere - an 
               astonishing videotape in which Jane 
               and alleged killer Richard Fitts 
               actually make their unholy pact.

     ON VIDEO: INT. FITTS HOUSE - RICKY'S BEDROOM - DAY

     JANE is leaning BACK IN bed, naked, smoking a joint. still
     SUPERIMPOSED at lower left is THE REAL DIRT logo, and Jane's 
     breasts have been digitally BLURRED.

                           JANE
               I need a father who's a role 
               model, not some horny geek-boy 
               who's gonna spray his shorts 
               whenever I bring a girlfriend home 
               from school.
                   (snorts)
               Like he'd ever have a chance with 
               her. What a lame-o. Somebody really 
               should put him out of his misery.

     A beat. JANE plays with her hair, lost IN thought.

                           RICKY (O.C.)
               Want me to kill him for you?

     JANE stares at the camera incredulously, then LAUGHS.

                           JANE
               Yeah, would you?

     INT. COURT - DAY

     We're TRACKING slowly across the mesmerized faces of the jury 
     as they watch the videotape.

                           RICKY (O.C.)
               It'll cost you.

                           JANE (O.C.)
               I've been baby-sitting since I was 
               ten, I've got almost three thousand 
               dollars. 

     We see the tape as it plays on the VIDEO MONITOR SET UP IN
     the front of the courtroom.  This time there is no THE REAL 
     DIRT logo nor any digital blurring of Jane's nudity. 

     ON THE MONITOR: JANE sits UP IN bed, smiling.

                           JANE (cont'd)
               I was saving it for a boob job. 

     ON THE MONITOR: JANE stands and shakes her breasts.

     In the courtroom, Jane's mother C...
Zgłoś jeśli naruszono regulamin