0415452511.Routledge.Young.People.New.Theatre.A.Practical.Guide.to.an.Intercultural.Process.Aug.2008.pdf
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Young People, New Theatre: A practical guide to an intercultural process
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Young People, New Theatre
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Young People, New Theatre
is a ‘how-to’ book, exploring and explaining the
process of collaborating creatively with groups of young people across cultural
divides.
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Organised into exercises, case studies and specific topics, this book plots a
route for those wishing to put this kind of theatre into practice. Born out of
the hugely successful
Contacting the World
festival, it is the first practical
handbook in this field.
Topics include:
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• debating the shared world
• what is collaboration?
• different ways of working
• adapting to specific age-groups and abilities
• post-project evaluations.
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Noël Greig
has been a theatre practitioner since 1967, working as actor,
director and playwright. More than fifty of his plays have been produced and
performed both in the UK and overseas, and he teaches in a range of contexts,
including schools, colleges and universities, running courses in playwriting,
acting and theatre history. He is currently involved in making theatre with
and for young people, working with youth groups around the world, and
encouraging new writing.
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Walking into
Contacting the World
2006, the atmosphere was electric.
Over a hundred young people, from all corners of the world were whooping,
dancing and singing together – and that was just in the first moments of
meeting each other. The twinning process had allowed the participants to go
on an amazing journey: befriending, being inspired by and understanding
‘strangers’. And in doing so, learning more about themselves. This book is
essential for every individual who works with young people, and for anyone
who works in theatre.
Keith Saha, Co-Artistic Director, 20 Stories High, Liverpool
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This is a practical, necessary, passionate book. Noel Greig understands how
theatre is a collaborative and collective process based on the powerful
experiences of individual voices and desires. For over three decades, he has
forged work through creative partnerships in specific contexts, producing
theatre that has brought urgent, liberating and poetic experiences to diverse
audiences. That is what has made his understanding of international projects
so full of meaning, relevance and beauty. This book connects us with our
abilities to create new ways of understanding our worlds.
Paul Heritage, Professor of Drama, Queen Mary, University
of London, International Associate, Young Vic Theatre
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As a ‘founding father’ of
Contacting the World
, Noel Greig has guided this
international creative exchange through many phases of growth, experiment
and achievement. No-one could be better placed to explore the key ideas
behind the project, and to suggest how others can use the techniques
developed through
Contacting the World
to inform and inspire their own new
theatre collaborations.
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John McGrath, Artistic Director, Contact
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