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The Best of Adobe Photoshop: Techniques and Images from Professional Photographers (Masters (Amherst Media))
The Best of
Adobe
®
Photoshop
®
The Best of
Adobe
®
Photoshop
®
TECHNIQUES AND IMAGES
FROM PROFESSIONAL PHOTOGRAPHERS
BILL HURTER
Amherst Media
®
PUBLISHER OF PHOTOGRAPHY BOOKS
Copyright © 2006 by Bill Hurter.
All rights reserved.
Front cover photograph by Craig Kienast.
Back cover photograph by Jerry D.
Published by:
Amherst Media, Inc.
P.O. Box 586
Buffalo, N.Y. 14226
Fax: 716-874-4508
www.AmherstMedia.com
Publisher: Craig Alesse
Senior Editor/Production Manager: Michelle Perkins
Assistant Editor: Barbara A. Lynch-Johnt
ISBN: 1-58428-181-2
Library of Congress Card Catalog Number: 2005937362
Printed in Korea.
10 9 8 7 6 5 4 3 2 1
No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic,
mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.
Notice of Disclaimer: The information contained in this book is based on the author’s experience and opinions.
The author and publisher will not be held liable for the use or misuse of the information in this book.
table of contents
1. Introduction
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Photoshop Has Replaced the Conventional Darkroom . . . . . . . . . .13
2. Good Digital Working Techniques
. . . . . . . . . . . .17
Profile—John Lund and his Animal Antics
. . . . . . . . . . . . . . . . . . . . . .18
Determining Your Camera’s E.I. (Exposure Index) . . . . . . . . . . . . .22
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Profile—Jim DiVitale: Conceptual and Commercial Artist
. . . . . . . . . . .26
White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Evaluating Exposure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
table of contents
3
File Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
RAW Format
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Prepping RAW Files for Processing
. . . . . . . . . . . . . . . . . . . . . . . .34
Adobe Camera RAW
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
How JPEG Differs from RAW
. . . . . . . . . . . . . . . . . . . . . . . . . . .36
Color Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Metadata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Printing Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Profile—Glen Honiball: Master Photoshop Retoucher
. . . . . . . . . . . . . .42
3. color management and device profiling
. . . . .48
Profile—Rich Nortnik, Jr.: Illustrator Extraordinaire
. . . . . . . . . . . . . .50
It’s an RGB World Now . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Monitor Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
Gamma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
4
The Best of Adobe Photoshop
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