00:00:01:movie info: DX50 640x480 29.970fps 267.4 MB|/SubEdit b.3886 (http://alfa.icis.pcz.czest.pl/~subedit)/ 00:01:18:<i>To journey beyond the reaches of</i>|<i>our solar system to the closest star, , ,</i> 00:01:22:<i>would mean travellng the dlstance</i>|<i>of more than flve trllllon mlles,</i> 00:01:29:<i>Yet the dlmenslons of the cosmos</i>|<i>are so unlmaglnably vast, , ,</i> 00:01:34:<i>unlts of measurement become, , ,</i> 00:01:36:<i>l've been klssed three tlmes,</i>|<i>No, four tlmes,</i> 00:01:42:<i>No, three tlmes, All of them</i>|<i>were people l never saw agaln, , ,</i> 00:01:48:<i>whlch l hope</i>|<i>doesn't mean somethlng,</i> 00:01:55:<i>One was thls counselor</i>|<i>at thls YM C A camp,</i> 00:02:02:<i>Except he already had a glrlfrlend,</i> 00:02:18:<i>, , , under all thls pressure, , ,</i> 00:02:21:<i>the lnner core of the star</i>|<i>now lmplodes vlolently, , ,</i> 00:02:24:<i>produclng an exploslon</i>|<i>of unparalleled lntenslty,</i> 00:02:33:<i>One was thls usher at my mother's</i>|<i>cousln's weddlng two years ago,</i> 00:02:41:<i>The weddlng was ln Mllwaukee,</i> 00:02:47:<i>We stayed over at a motor</i>|<i>lodge wlth a heated pool,</i> 00:02:53:<i>lt was a double rlng ceremony,</i> 00:02:59:<i>He was starlng at me</i>|<i>all through the ceremony,</i> 00:03:08:<i>Later, , ,</i> 00:03:10:<i>l found out he only klssed me</i>|<i>because he had lost a bet,</i> 00:03:27:<i>The thlrd klss ls the</i>|<i>hardest to descrlbe,</i> 00:03:32:<i>lt was thls guy l met on</i>|<i>the beach last summer,</i> 00:03:39:<i>lt was Labor Day,</i> 00:03:42:<i>lt was the day l swam out too far,</i> 00:03:54:<i>That was the most excltlng one, , ,</i> 00:04:01:<i>except lt may not count</i>|<i>as an actual klss, , ,</i> 00:04:06:<i>slnce l was klnd of unconsclous,</i> 00:04:19:<i>l've never had an actual boyfrlend,</i>|<i>l don't know lf that's normal or not,</i> 00:04:23:- You know that girl Dana?|- Dana Odinger? 00:04:26:Dana. Hey! 00:04:27:She has hair tails, and|three little studs in each ear. 00:04:30:She used to wear her eyeliner pointy|and now she wears it smudged. 00:04:32:And her feet are perfect,|small with a really high arch. 00:04:36:- So, what about her?|- Nothing, she just annoys me. 00:04:39:Her lips are so puffed out|it's like she siliconed them. 00:04:43:Really?|Do you think she did? 00:04:45:You think|she siliconed her lips, really? 00:04:51:Angela, he's gone. You can|talk like a normal person. 00:04:54:Oh, God. 00:04:56:You have to progress to the next|phase. Think of Rickie and me. 00:04:59:How much more can we take? 00:05:01:l just don't want to look like|l'm throwing myself at him. 00:05:06:Excuse me, people throwing|themselves at people. . . 00:05:09:is like the basis of civilization. 00:05:13:She has a point. 00:05:17:<i>lf Jordan Catalano ls nearby,</i>|<i>my entlre body knows lt,</i> 00:05:22:<i>Llke one of those dogs that polnt,</i>|<i>l'll keep talklng and stuff, , ,</i> 00:05:26:<i>but my mlnd won't even</i>|<i>know what l'm saylng,</i> 00:05:29:<i>l keep wonderlng lf</i>|<i>there's a term for thls,</i> 00:05:31:Okay, now before|we cut our hearts open. . . 00:05:34:People, it's a pig heart. 00:05:40:Students opposed to the practice|of vivisection may do research. . . 00:05:44:at the library instead, but you|must put this belief in writing. 00:05:48:Now, to review, an|experiment must test a what? 00:05:54:A hypothesis. 00:05:57:And a hypothesis consists|of several. . . anybody? 00:06:02:Several assumptions. 00:06:05:And true experimentation|depends upon. . . guys? 00:06:10:Precision, observation, and|clear concise communication. 00:06:16:<i>What?</i> 00:06:17:l said, l'm leaving now, so. . . 00:06:21:- l guess l don't rate a kiss anymore.|- Wait, what? 00:06:26:Nothing. lt's just you don't kiss me|goodbye in the mornings anymore. 00:06:30:Patty, we'll be seeing each|other in forty minutes. 00:06:33:J ust because we're working together|now that's no reason to stop-- 00:06:35:l mean, this isn't the|time to start anything. 00:06:38:Oh, l'm sorry, l forgot, a kiss|must result in intercourse. 00:06:42:Well, it's a law in this state. 00:06:49:There can be no kissing for kissing's|sake a kiss must lead somewhere. 00:06:54:Where did they drill that|into you? Was it shop class? 00:06:59:l can't believe it. 00:07:00:l swore l would never fight with you|again this early in the morning. 00:07:03:This isn't a fight, it's goodbye. 00:07:16:What are the elements|of a true experiment? 00:07:19:And what sort of activity|is an experiment? 00:07:22:lt's a purposeful activity,|designed to solve a what? 00:07:27:A particular problem. 00:07:42:How much money did you lose? 00:07:45:None. 00:07:47:So, Catalano. So, Tino says you|can get my girlfriend a fake l D. 00:07:53:So? So could Tino. 00:07:56:Oh yeah, see, he does me|so many favors l feel like. . . 00:07:59:l'm wearing him thin. 00:08:02:Kind of with that out of state look?|Like from Georgia or something? 00:08:06:My girlfriend really|needs one. Angela? 00:08:09:- lt's like an emergency.|- Why doesn't she ask for herself? 00:08:15:That's a long story.|She's. . . French ! 00:08:22:She's from France. 00:08:27:Get out of here. 00:08:28:Seriously. And with|certain words she'll like. . . 00:08:32:forget how to pronounce|them, or something. 00:08:36:lt's like a mental|block type of thing. 00:08:39:- That girl l see you with. . .|- Angela. Chase. 00:08:44:ls French? 00:08:46:She was born there, l mean she|hasn't lived there in quite a while. 00:08:50:She's a U S citizen and all. 00:08:59:What kind of l D? 00:09:03:Okay, important. l need to see|the hands of those handing in. . . 00:09:06:their extra credit|experiments on Friday. 00:09:10:Okay, J ustin, Sonya. 00:09:15:Angela! Angela! 00:09:17:M ichael are you and|Sonya working together? 00:09:19:Come here! 00:09:22:Okay, so that's Jeremy. . . 00:09:25:Charlotte, Tiffany. . . 00:09:30:Sean, Yvette. . . 00:09:35:Leander. . . 00:09:38:Sharon. . . 00:09:42:Shane and. . . Brian? 00:09:47:- What happened to your lab partner?|- She almost fainted. So. . . 00:09:54:And your extra credit project is? 00:09:58:Controlled release of energy.|Construction and use of a volumeter. 00:10:03:ls that something you worked|on alone or with Angela? 00:10:06:With Angela. 00:10:09:Okay, people? Your hearts|must be clearly labeled. . . 00:10:12:before returning them to the cart. 00:10:15:Please do not drip. 00:10:22:What? 00:10:23:Like Angela really helped|you with your volumeter? 00:10:26:She's planning to. 00:10:28:Look l mean, why would|l say it if it wasn't true? 00:10:31:Why would you say she was|fainting? Okay, what was that? 00:10:35:l mean, some of us|actually work, you know? 00:10:38:We don't just expect extra credit|because our lab partner is smart. 00:10:44:She takes advantage of you,|and you totally let her. 00:10:49:l pity you. 00:10:58:Oh, my God. . . 00:10:60:Hey, l did it for you.|lt's a good thing. 00:11:03:- lt's a definite good thing.|- Wait, you were there, too? 00:11:06:No, but she told me|the whole thing. 00:11:10:l bet people can actually|die of embarrassment. . . 00:11:12:l bet it's been medically proven. 00:11:15:Worst case, you get an out of|state l D, which you need anyway. 00:11:18:J ust wait. 00:11:21:- Tell me everything he said.|- You will definitely thank me. 00:11:24:lt's true. . . l mean from what she|told me, which was everything. 00:11:29:- You should be thanking me right now.|- God, let's stop talking about this. 00:11:35:So, how did he act?|Did he act bored, or. . . 00:11:41:He flopped on the floor,|uncontrollably, okay? 00:11:45:- Rickie had to hold down his tongue. . .|- And l wasn't even there. 00:11:54:Hey, Chase! 00:11:57:<i>What l dread, ls when</i>|<i>people who know you, , ,</i> 00:11:60:<i>ln completely dlfferent ways</i>|<i>end up ln the same area,</i> 00:12:04:Thanks for leaving me a|whole heart to clean up. 00:12:06:<i>And you have to develop thls</i>|<i>comblnatlon you, on the spot,</i> 00:12:10:So Chavatal, she thinks we're|both working on my volumeter. 00:12:14:H is what? 00:12:16:lt's this experiment.|There's like a mouse involved. 00:12:18:What's your name again? 00:12:20:So you think that's fair? l mean|l do all the work and you just. . . 00:12:23:- l never said l was doing it.|- She's giving you credit, so. . . 00:12:27:Look, l already executed|the entire apparatus. . . 00:12:30:The apparatus. . . 00:12:34:So, l think the least you can do,|is just help me work on it. 00:12:38:Tomorrow night. Because. . . 00:12:40:He wants you|to work on his apparatus. 00:12:43:J ust shut up, okay? 00:12:44:- What would your parents say?|- They are out of town, which is. . . 00:12:49:- Which has nothing to do. . .|- She'll be there. 00:12:51:- Rayanne!|- What? 00:12:57:- Rayanne!|- What? This is perfect. 00:12:59:- As what?|- Excuse me, what is a volumeter? 00:13:02:As a place to bring Jordan Catalano. 00:13:05:Are you crazy? Were you|raised in a satanic cult? 00:13:09:She wishes. 00:13:11:Jordan Catalano?|At Brian Krakow's house? 00:13:16:lt's like against|nature or something. 00:13:18:So? 00:13:19:Chase! Are you goin...
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