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THE NUCLEAR DECEPTION
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The Nuclear Deception
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SERVANDO GONZALEZ
Also by Servando González
BOOKS
Arte: realismo o realidad
Historia de las artes visuales
(with Armando Ledón)
Historia herética de la revolución fidelista
(published in Mexico as Fidel Castro para
herejes y otros invertebrados)
Observando
The Secret Fidel Castro
MULTIMEDIA
Real History of “The Horse”: A HyperComic
How to Create Your Own Personal Intelligence Agency
The Riddle of the Swastika: A Study in Symbolism
Popol Vuh: An Interactive Educational Game
Hypertext for Beginners
INTERNET SITES
Castromania: The Fidel Watch
Tyrant Aficionado
The Swastika and the Nazis
Memoirs of a Computer Heretic
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THE NUCLEAR DECEPTION
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The Nuclear Deception
Nikita Khrushchev and the
Cuban Missile Crisis
Servando González
Spooks Books
An Imprint of InteliBooks Publishers
Oakland, California
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SERVANDO GONZALEZ
All rights reserved. Copyright © 2002 by Servando González
No part of this book may be reproduced or transmitted in any form or by any means,
graphic, electronic or mechanical, including photocopying, recording, taping or by
any information storage or retrieval system, without permission in writing from the
publisher, except by a reviewer, who may quote short passages in a review.
Cataloging-in-Publication Data
González, Servando, 1935-
The nuclear deception : Nikita Khrushchev and the
Cuban missile crisis / Servando González.
p. cm.
Includes bibliographical references and index.
ISBN 0-9711391-5-6 ( soft cover)
1. Cuban missile crisis. 2. United States—Foreign relations—Cuba. 3. Soviet Union—Foreign
relations—United States. 4. Soviet Union—Foreign relations—Cuba. 5. United States—
Foreign relations—1959-1962. I. Title. II. González, Servando, 1935-
Cover design: Damion Gordon/BTP GRAPHX
Cover illustration: Servando González
This book was printed in the United States of America
To order additional copies of this book, contact:
InteliBooks
www.InteliBooks.com
orders@intelibooks.com
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THE NUCLEAR DECEPTION
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Chapter 10
A Missile is a Missile is a
Missile
This is not a pipe.
—Caption in The Treachery of Images , a 1929
painting by René Magritte depicting a pipe.
The Cuban missile crisis is still a very elusive historical event. For forty years it
has captured the imagination of the media, scholars, and the public alike, produc-
ing a veritable mountain of articles, scholarly essays, and books. Still, after so
much effort by so many privileged minds, some aspects of the Cuban missile
crisis continue to defy any logical explanation and are as puzzling today as they
were at the time of the event. In this chapter, I will study the alleged evidence of
the presence of strategic missiles and their associated nuclear warheads in Cuba
in 1962 from the point of view of semiotics.
Is “Photographic Evidence” Evidence at All?
The official story, offered by the Kennedy administration, and accepted at face
value by most scholars of the Crisis and later popularized by the American main-
stream media, is that, though rumors about the presence of strategic missiles in
Cuba were widespread among Cuban exiles in Florida since mid-1962, 1 the Ameri-
can intelligence community was never fooled by them. To American intelligence
analysts, “only direct evidence, such as aerial photographs, could be convinc-
ing.” 2 It was not until Sunday, 14 October, 1962, that a U-2, authorized at last to
fly over the western part of Cuba, 3 brought the first high-altitude photographs of
what seemed to be Soviet strategic missile sites, in different stages of completion,
deployed on Cuban soil.
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