Shadowrun 4E - On the Run.pdf
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On the Run
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©2006 WizKids, Inc. All rights reserved. Shadowrun is a registered trademark and/or
trademark of WizKids, Inc. in the United States and/or other countries. Used under license.
. . . TABLE OF CONTENTS . . .
Prologue:
Diamond in the Dump 3
Introduction
4
Ari Tarkasian 51
e Shadows 51
Marli Bremerton 52
Carrion Studios 52
Delphia 52
Darius St. George 52
K-Spot 53
JetBlack 53
Cast of Shadows 53
Kerwin Loomis 53
Ari Tarkasian 54
Darius St. George (Mr. Johnson) 54
Delphia
Shout-Outs: Dan, for general coolness;
e Shadowrun Evil Plots™ crew; Shane
Coppage, for dropping a cover in our
lap; GnuB SR GMs and/or every GM
that runs this; everyone loving SR4.
Preparing the Adventure
4
Adventure Structure
4
Main Sections
6
Copyright© 2006 WizKids Inc. All
Rights Reserved. Shadowrun, Matrix,
and WK Games are registered trade-
marks and/or trademarks of WizKids,
Inc. in the United States and/or other
countries. No part of this work may be
reproduced, stored in a retrieval system,
or transmitted in any form or by any
means, without the prior permission in
writing of the Copyright Owner, nor be
otherwise circulated in any form other
than that in which it is published.
Adventure Subsections
6
General Adventure Rules
6
Non-Player Characters
6
Gamemastering
the Adventure 6
Step One: Read the Adventure 6
Step Two: Assess the Adventure 6
Step
ree: Know the Characters 6
Step Four: Take Notes
55
Marli Bremerton
55
JetBlack
56
7
Step Five: Don’t Let the
Dice Run the Game 7
Step Six: Don’t Panic! 7
Adventure Synopsis 7
Mr. Johnson, I Presume 8
Who’s Selling? 13
Zipper 20
Where’s the Disk? 22
What’s on the Disk? 27
Carrion Studios 30
The Shadow Knows 34
Grave Danger 40
Finale
Credits: on the Run
Writing: Robyn King-Nitschke
Character Stats: Malik Toms
Editing: Rob Boyle, Michelle Lyons
Development: Rob Boyle
Art Direction: Rob Boyle
Interior Layout: Jason Vargas
Cover Art: Shane Coppage
Cover Layout: Jason Vargas
Illustration:
Shane Coppage,
John Gravato, Mike Rooth, Klaus
Scherwinski, Chad Sergesketter
Maps: Jason Vargas (based on designs by
Robyn King-Nitschke)
Inspiration:
One Stage Before
by Nigel
Findley (RIP), Year of the Comet
(SURGE stu
), Ancient History
(for the kid BTL gangers), Cruciform
Injection (writing music), Orphx (dev-
editing music)
Version 1.0 (March 2006), based on
First Printing by FanPro LLC, Chicago,
Illinois, USA.
46
Find us online:
info@shadowrunrpg.com
(Shadowrun questions)
http://www.shadowrunrpg.com
(o
cial Shadowrun website)
http://www.fanprogames.com
(FanPro website)
http://www.wizkidsgames.com
(WizKids website)
http://studio2publishing.com
(online FanPro/Shadowrun orders)
http://del.ico.us/shadowrun
(cool links)
Aftermath
48
What’s Next?
48
Awarding Karma
49
Going Forward
49
Legwork
49
Nabo
50
Zipper
51
Shangri-La Productions
51
2
On the Run
Kerwinslumpedback,runningahandbackacrosshissweaty,baldhead.Hestank,heneeded
agoodwhiskey—notthatsynthaholcrap—andhewasseriouslybeginningtodoubtthattherewas
anythinghereworthhiswhile.Atthispoint,itwasprobablyawastetohavespentthecredona
planetickettopawthroughDad’scollectionofcrapbeforeitallgothauledoftothedump.
PROLOGUE:
DIAMOND IN
THE DUMP
Itwasn’tlikethetwoofthemhadgottenalongoranything.Ifithadn’tbeenforthefactthat
KerwinwasK-Spot’sonlyson,hedoubtedhe’dhaveevengottentheformalemailfromthelaw-
yerannouncingDad’sdeathandinforminghimthathe,Kerwin,hadbeenleteverything.his
largestoragelockerwasallthatremainedofdearoldDad,knowntotheentertainmentworldas
Clarence“K-Spot”Loomis,mid-levelpurveyorofmostlytwo-bitactsthateverybodywithany
sensehadforgottenabouttwentyyearsago.Naturally,sinceDadhadbeenaboutasgoodwithcred
asKerwinhimselfwas,“everything”amountedtosomeclothes,afewrandombitsoffurnitureand
householdappliances,tworattyoldguitars,anonfunctionalpre-2055cyberdeck,andthekeyto
thestoragelocker.
Fromthelookofthings,theplacehadn’tbeenopenedinagoodtenyears.helockercom-
panywasmakingnoisesaboutdumpingeverythinginthestreetifthelastthreemonths’backrent
wasn’tpaid,andsinceKerwindidn’twanttopayit,herehewastograbanygoodstufthatmight
behangingaround.hehellwiththerestofit—letthemdumpit.Itwouldsavehimthetrouble,
anditwouldservehisoldcootofafatherright.
Hedidn’tquitewanttoadmitittohimself,buthehadareasonforpullingopencartonater
cartonofjunk.Itwasprobablyjustanotherib,buthisdadhadmentioneditenoughtimeswhen
Kerwinwasgrowingupthathehadtobelievethatitmightjustpossiblybetrue.hefaintchance
thatitmightbesomewhereinthelockerwaswhatkeptKerwingoinglongaterhe’dnormally
havegivenupthejobinfavorofgettinggoodanddrunk(andmaybeevenlaid,ifhewasreally
lucky).Itsureashellhadn’tbeenintheapartment—Kerwinhadmadesureofthat,goingthrough
everydrawer,everypossiblehidingplace,evenlookingunderthesmellyoldcarpetsbeforehe’d
handedthekeybacktothelandlord.No,ifDadstillhadit(andhadn’tsoldittoinanceanyofhis
sleazyhabits),itwouldbehere.Kerwinwasgoingtokeeplookinguntilheeitherfounditorwas
convincedthatitwasn’there.HehadafeelingthatifDadhadsoldit,he’dhaveheardaboutit.It
wasn’tthekindofthingyoucouldkeepquiet.
“Comeon,youoldbastard,”hemutteredtohimself.“Youbetternothavebeenlying,allthose
timesyouranyourmouthaboutthisthing.Don’tmakemesitthroughallofthiscrapfornoth-
ing!”Hesavagelythrewyetanotherboxfullofjunkintooneofthelocker’swalls,whereitburstand
scattereditscontentsallovertheloor.Hewassullenlyabouttomoveontothenextonewhenhe
spottedabulkycream-coloredenvelopeinthemidstofthespilledjunk.He’dbeensoimpatienthe
nearlymisseditgoingthroughthebox,hiddenasitwasinsideafolderwithsomeotheroldpapers.
Somethingwaswrittenontheenvelope.Hekickedhiswaythroughthetrash-dritsand
snatcheditup,peeringatitinthegrimyoverheadlightfromthesinglenakedbulb.“ToK-Spot,”it
saidinalowing,somewhatold-fashionedhand.“Enjoythesewithmygratitude.”Itwassigned,“JB.”
Kerwinheldtheenvelopeinfrontofhim,justlookingatitwithwideeyesandopenmouth
forseveralseconds.hen,hisbodyseizedwithakindofjerkingurgency,hefellbackintohischair,
rippedopentheenvelope,andallowedthecontentstodropintohislap.
Hestaredattheold-styleopticaldiskinitspaperslipcover,entrancedasthequiveringlight
madedancingrainbowsonitssilverysurface.Writtenonitinthesamehandwritingastheoutside
oftheenvelopewas:“CarrionSessions,’48,JB.Forenlightenment,seekoutabsentfriends.”
“Holyshit,”Kerwinbreathed,hardlydaringtobelievehissuddenchangeinluck.“hisisit!”
Lettinghisbreathoutslowly,heslumpedback,clutchingthepreciousdisk.Hiseyeswere
alreadybeginningtogleamwiththelightofavarice,butheknewhehadtobecareful.Hesat
abruptlyupright,realizinghewasaloneinthestoragebuildinganditwasgettinglate.Hisplane
backtoSeattlewasduetoleavetomorrowmorning ;thesoonerhewaspackedupandonit,the
better.Heslippedthediskinsidehisjacket,kickedtheboxesbackinside,andclosedandlockedthe
door.hedevilratscouldhavetherest,asfarashewasconcerned.
Hehadwhathe’dcomefor—oldDadhadcomethroughforhimindeathasheneverhadin
life.Buthe’dhavetobecareful…verycareful.Ifhedidn’thandlethisjustright,hewaslikelyto
losehisprize.
Hedidn’tevenconsiderthatitmightalsocosthimhislife.
On the Run
PROLOGUE:
Jamminghisingerintohismouth,KerwinLoomistastedthemetallictangofbloodmixed
withsweatandgrime.Hewonderedifthiswholethingwasworthit.
DIAMOND IN
THE DUMP
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