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Twin Peaks
TWIN PEAKS #23
(Episode 2.016)
by
Tricia Brock
Scanned by runningdog.
Original formatting duplicated as closely as possible. For
clarification all duplicate pages removed. Special note: this is a
faithful duplication that includes the original spelling, formatting and
series related errors.
FIRST DRAFT DATE: December 5, 1990
SECOND DRAFT: December 11, 1990
General Distribution: December 13, 1990
Revised: December 19, 1990 - Blue
Revised: January 2, 1991 - Pink
Revised: January 2, 1991 - Green
Revised: January 3, 1991 - Yellow
Lynch/Frost Productions, Inc.
7700 Balboa Boulevard
Van Nuys, CA 91406
(818) 909-7900
#2.016 1.
ACT ONE
1. INT. SHERIFF TRUMAN'S OFFICE - MORNING
CLOSE ON the DEATH MASK laying on the desk. Next to it, the TAPE PLAYER is
broadcasting the VOICE of Windom Earle. PULL BACK to reveal COOPER sitting
opposite TRUMAN - both listening.
EARLE'S VOICE
Now, Dale. Listen carefully. It's your move. And please, put your heart
into it, will you? I've noticed a certain tentative quality in your thinking, as
if your mind were occupied with issues other than those on the board
before you. Such preoccupation not only weakens one's resolve, but one's
foresight as well. A deadly failing in any match, you must agree. But in
this particular contest, quite disasterous, as we play for
grave
stakes, the
likes of which you have no doubt surmised.
(stern and cold)
Print your move in tomorrow's paper. Or I will make it for you.
TRUMAN (the tape runs out)
Cooper, I'm not letting you out of my sight.
COOPER
If Windom wanted to kill me, I'd already be dead. Get
Pete on the phone.
TRUMAN (into intercom)
Lucy, call Pete Martel, tell him to get over here, then call
the paper, find out the latest possible deadline for
tomorrow's personal column.
Truman turns off the intercom looking up at Cooper. But Cooper's staring at the mask...
TRUMAN
She was beautiful.
COOPER
(a beat, memory consumes)
She was the love of my life.
CUT TO:
2. INT. BLUE PINE LODGE - MORNING
ANDREW PACKARD and CATHERINE MARTELL sit at the kitchen table, sipping
coffee. In the background, Pete's in the kitchen on the phone.
PETE
(into phone)
Okay, Lucy, tell Harry I'm on my way.
He hangs up, and picks UP TWO PLATES of food, eagerly scurries in from the kitchen,
serving Catherine her breakfast first, then Andrew, who looks down and bursts out laughing.
(CONTINUED)
#2.016
2.
2. CONTINUED:
On his plate are scrambled eggs with a smiley face made out of crumbled bacon. Toast
points make the ears.
CATHERINE
(irritated)
Pete, salt and pepper?
PETE
Nobody knows, the trouble I've seen...
Eyes twinkling, slave to Catherine's every whim, Pete softly sings. Andrew laughs all over
again.
CATHERINE
Please, God help me,
please
, confine your singing to the
shower. Salt and pepper...?
PETE
Okay, Poodle, comin' right up.
Pete goes into the kitchen, still laughing.
CATHERINE
You two bring out the worst in each other.
ANDREW
Pete's a prince of a man.
CATHERINE
A court jester, more likely.
Pete returns with the salt and pepper shakers, wearing his hat and coat.
PETE
I gotta mosey.
He and Andrew try to slap the other on the head, each ducking out of the way - their age-proof
goodbye, then Pete, in a burst of familial enthusiasm, kisses Catherine on the cheek.
PETE
Goodbye, sweet Packards!
He leaves. Catherine looks at Andrew, unable to hide her distaste.
ANDREW
Catherine, Catherine... I'd always halfway hoped that age
and time would mellow the tempest raging inside you.
(CONTINUED)
#2.016 3.
2. CONTINUED:(2)
CATHERINE
(pushes her breakfast away, takes a lemon out of
the fruit bowl, slices it)
Watching you two act like the Hardy Boys always brings
on stormy weather. What's happening with Ghostwood?
ANDREW
I spoke with our investors, the meeting's set. I fly to Paris
tomorrow.
CATHERINE
Andrew... I've been thinking... about a shopping mall.
ANDREW
Near the industrial park?
CATHERINE (with relish)
No, right next to the Great Northern. Adjacent to the
new hotel I want to build.
ANDREW
I'm sure Ben will... appreciate the competition.
CATHERINE
(she bites into the lemon)
I think it's the least I can do, don't you?
(pausing to peer out window)
Oh, good. Company.
The back door opens and JOSIE walks in carrying a bundle of kindling. She stops cold,
staring at Andrew - it can't be. She drops the wood, and moves closer, eyes wide with horror.
ANDREW
Dear Josie. I'm home. Did you miss me?
Josie PASSES OUT cold. Neither Andrew or Catherine move. Pause.
ANDREW
She seems surprised.
CATHERINE
Poor thing. Couldn't even pull off a simple murder.
ANDREW
She has her charms, though.
CATHERINE
True. But not for long.
CUT TO:
#2.016 4.
3. INT. SHERIFF'S TRUMAN'S OFFICE - DAY
Harry looks down at a SEATTLE NEWSPAPER featuring JONATHAN'S PHOTO and
the HEADLINE: "NO CLUES TO KILLER." Truman loathes his own suspicions. There's a
KNOCK on the door. HAWK opens the door wide, making enough room for himself and
HANK, who hobbles in, handcuffed to his crutches. Truman tenses, in no mood for this.
HANK
(friendly)
Hello, Harry.
Hank makes a mock attempt to shake hands - making a point. Truman gives him a long look.
TRUMAN
Save it, Hank.
HANK
Jeez, did you get up on the wrong side of the bed this
morning? I broke parole! Cry me a river.
TRUMAN
You crossed the border into Canada, we have photographs
of you consorting with felons at Dead Dog Farm and I'm
charging you with the attempted murder of Leo Johnson.
HANK
Ouch. Okay. Well. I think it's safe to assume that I was
at the diner the night Leo was plugged, but you're
welcome to -
TRUMAN
I've got a witness puts you at the scene with a gun in your
hand. You are one cat that just used up his ninth life.
HANK
(pause, playing his trump card)
Harry, you obviously seem serious about this, so I'm
going to modestly propose a trade. How about
information leading to the arrest and conviction of
Andrew Packard's murderer. Hank Jennings, witness for
the prosecution.
No deals.
TRUMAN
HANK
You're going to tell me you care more about the
attempted
murder of Leo Johnson, felon, than you do
about Andrew Packard? How's that gonna go over with
your constituents -
(CONTINUED)
Plik z chomika:
HEPPENS
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