script14.pdf

TWIN PEAKS

Episode 2.007

Mark Frost

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

Dept. Head's FIRST DRAFT: September 5, 1990

SECOND DRAFT: September 12, 1990 - BLUE

REVISED: September 13, 1990 - PINK

Lynch/Frost Productions

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

ACT ONE

#2.007 Revised 9-13-90, PINK

A1. INT. SHERIFF'S STATION - DAY

Cooper, Hawk, Gerard, and Gordon Cole are gathered near the front, waiting for Truman

who joins them from down the corridor.

TRUMAN

They're waiting for us up at the Great Northern.

COOPER

All the guests will be in the lobby?

TRUMAN

Full cooperation. Hawk you've got the warrant for

Harold Smith's apartment?

HAWK

(shows it)

On my way there.

COOPER

Stay in touch, let us know what you dig up. Gordon, I

understand you're hitting the road for Bend, Oregon.

COLE

I'M ON MY WAY TO BEND, OREGON.

OFFICIAL BUSINESS. REAL HUSH-HUSH.

GOOD LUCK TO ALL OF YOU.

COOPER

BEST OF LUCK TO YOU, TOO, GORDON.

They all shake hands and exit the station, Truman escorting Gerard.

CUT TO:

#2.007 1.

ACT ONE

FADE IN:

1. EXT. HAROLD SMITH'S APARTMENT - DAY

Police vehicles. Crime scene in progress.

2. INT. HAROLD SMITH'S APARTMENT - DAY

CUT TO:

Knocks on the door.

TRUMAN'S VOICE

Mr. Smith? Mr. Smith, it's the police, open the door ...

Mr. Smith, we have a warrant to search your apartment ...

The doorknob turns. The door swings open; a beat, then TRUMAN, COOPER and HAWK

pour into the room, weapons drawn. The room has been ravaged. Smith's diaries, torn and

tattered lie in a pile of paper in the middle of the room. CAMERA follows Truman and

Cooper across the room and up to the window looking in the greenhouse ... where we see

Smith's legs suspended swinging He's hung himself. Cooper and Truman look at each other.

There's a note taped to the window. Cooper reads it:

COOPER

"Je suis une ame solitaire."

(translating)

I am a lonely soul.

CUT TO:

3. INT. SMITH'S APARTMENT DAY

FORENSIC field men at work , sifting through the pile of torn and savaged papers in the

center of the room. One examines the window looking into the second room. Truman

supervises. TWO PARAMEDICS wheel out a gurney; Harold Smith's remains, bagged.

Cooper enters leading a haggard looking PHIL GERARD, the one-armed man, still in his

"Mike" stare. Cooper raises a hand, stops the gurney, gestures to Gerard. Gerard puts his

hand on the bag, closes his eyes. The working cops stop and stare.

COOPER

Was he here?

GERARD

(pause, opens his eyes)

Bob never lingers after death.

Was he here?

COOPER

GERARD

(sahakes his head)

Bob has not visited here.

(CONTINUED)

#2.007

3. CONTINUED:

Truman rolls his eyes. Cooper nods to the Paramedics; they wheel Smith out. Gerard,

unsteady on his feet, seeks refuge in a chair. Truman takes Cooper quietly aside.

TRUMAN

Think this is a good idea, in front of the men and all?

COOPER

Harry, we're at the chicken-soup stage of this crime.

How's that?

TRUMAN

COOPER

"It couldn't hurt."

(a blank look)

That's something people say back in Philadelphia.

Truman produces Smith's wallet.

TRUMAN

We're trying to get ahold of Jacoby in Hawaii; Smith

was a patient.

COOPER

Was the agoraphobia for real. Did he ever go outside.

TRUMAN

He was a class "A" nutball, that much seems clear.

Blood type?

COOPER

TRUMAN

We'll have it soon.

(a glance back at Gerard)

Wouldn't hurt for Jacoby to get a gander at this guy

either.

COOPER

It's not easy being "Mike."

(nods, moves to him)

Would you like some coffee, "Mike"?

Gerard shakes his head. Hawk unearths something from the large paper scrap pile, moves

with it to Cooper.

HAWK

Take a look at this.

(CONTINUED)

(a second glance)

Looks a little green around the gills.

#2.007

3. CONTINUED:(2)

Cooper accepts the damaged object, opens it: ... this is the diary of Laura Palmer ...

Yes.

COOPER

4. EXT. PALMER HOUSE - DAY

CUT TO:

Establish.

5. INT. PALMER HOUSE - DAY

CUT TO:

Bright sunlight. Opera. LELAND and SARAH sit in the sunroom, sipping coffee, reading

the paper. Leland hums with the music. He reaches out, easily takes her hand. MADDY

enters, watches them for a moment before they notice her.

SARAH

Morning, dear.

LELAND

Morning, Maddy.

MADDY

Uncle Leland, Aunt Sarah ...

SARAH

What is it, dear?

LELAND

Would you like some coffee?

Maddy shakes her head, sits beside them.

SARAH

Did you sleep well?

MADDY

Very well, thanks.

Sarah pats her hand. Leland and Sarah go back to their paper.

MADDY (CONTINUED)

I've been thinking. I've really enjoyed my stay and

everything, but I really feel like it's time to go home.

Sarah and Leland lower their papers.

(CONTINUED)

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