script10.pdf

TWIN PEAKS

Episode #2.003

Robert Engels

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Revised lines are bold

with new lines enclosed within [brackets] . Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

FIRST DRAFT: July 17, 1990

REVISED: July 20, 1990 - COMPLETE BLUE SCRIPT

REVISED: July 24, 1990 - PINK

REVISED: July 27, 1990 - GREEN

REVISED: July 31, 1990 - YELLOW

REVISED: Agust 1, 1990 - CHERRY

REVISED: August 3, 1990 - GOLDENROD

ACT ONE

FADE IN:

1. EXT. TWIN PEAKS HOSPITAL - DAWN

Establish.

CUT TO:

2. INT. RONETTE PULASKI'S HOSPITAL ROOM - DAY

SHERIFF TRUMAN is turning off the alarm on the INTRAVENOUS feeding monitor,

the pole holding the intravenous bag is lying on the floor, the bag still connected to it. A

screaming RONETTE is being restrained by two NURSES, as DALE COOPER and

ALBERT ROSENFIELD arrive in the doorway.

TRUMAN

Ronette got out of bed a while ago, pulled out her IV -

Cooper moves to her. Albert examines the IV bag. The contents are tinted blue.

ALBERT

Looks like dye.

Cooper takes out a pair of tweezers.

COOPER

Hold her down, Harry. Albert, get your microscope.

Albert opens his case, takes out a FIELD MICROSCOPE. Cooper takes out a pair of

tweezers, lifts Ronette's left hand. Her ring finger is bruised and bloodied under the nail.

COOPER (CONTINUED)

(firmly)

Hold on, Ronette. Hold on.

Cooper goes in with the tweezers. She screams.

CUT TO:

3. ALBERT'S MICROSCOPE: A SMALL LETTER

A piece of paper with the letter "B" on it.

COOPER

He's been here.

(CONTINUED)

3. CONTINUED:

2.003 Revised 8-1-90, CHERRY

TRUMAN

We had a 24 hour guard.

COOPER

Nevertheless, he did this and he tried to taint her IV.

TRUMAN

Maybe her screams scared him away.

ALBERT

Maybe she heard a Sousa March and was looking for her

baton. I'll do a work-up on the IV.

COOPER

It was our man. The letters were never made public.

(turns to face them)

Fellas ... let's stand together for a moment ... it's time I

mentioned something to you I'm not sure ...

but I believe I was visited by a Giant.

(they look at him)

In my room. Twice. He gave me three clues; the first

had to do with Jacques in his body bag and came true

almost immediately. The second was "the owls are not

what they seem," and the third was about a man who

points without chemicals.

They look at him.

ALBERT

Any relation to the dwarf?

TRUMAN

(still processing)

You were visited by a giant?

4. EXT. HAROLD SMITH'S APARTMENT - DAY

CUT TO:

DONNA HAYWARD stands nervously outside the door. From inside we can hear a piano

concerto. Chopin. Before Donna can knock, HAROLD SMITH opens the door. He is

handsome, late 20's, dressed comfortably. Smith seems to be inspecting her in a gentle,

caressing way.

SMITH

You're wearing a different dress than yesterday. A better

color for you.

(extending, a hand)

I've forgotten my manners. I'm Harold Smith.

(CONTINUED)

4. CONTINUED:

DONNA

I guess you know who I am.

Smith nods, swings the door open wider. Donna walks into his apartment.

CUT TO:

5. INT. SMITH'S APARTMENT - DAY

The front room of Smith's apartment. Neurotically neat, but comfortable. An interior

window looks in on an inner room, obscured by curtains.

SMITH

Please, sit down. Would you like some lemonade? I

also have a little apple butter and some saltines.

No thanks.

DONNA

Smith sits. She sits across from him.

SMITH

Don't be nervous, Donna.

DONNA

I'm not nervous. I'm curious.

SMITH

Curious about my relationship with Laura.

DONNA

Why did you send me that letter?

SMITH

Laura wanted me to get in touch with you if anything

ever happened to her.

Why?

DONNA

SMITH

She said you would ask a lot of questions.

A Chesire cat smile. Donna decides to slow down.

(CONTINUED)

5. CONTINUED:

DONNA

You don't seem much like a shut in.

SMITH

You mean, politely, what's the matter with me?

Okay.

DONNA

SMITH

I don't like to go outside. I ... can't. Do you have a

judgement about that you'd like to express?

No.

DONNA

Donna notices a piece of paper sticking out from under what appears to be the solid edge of a

bookshelf

SMITH

Laura said you were very fair-minded.

DONNA

If you knew her so well, why didn't she ever mention you

to me?

SMITH

She liked to think of me ... as a mystery in her life.

DONNA

Then why did you call me?

SMITH

I am ... I used to be a horticulturist. I raise orchids.

That's why it's so warm. in here. Laura always admired

them. I wrote you because I wanted to know if you'd be

kind enough to place one of them on her grave.

Of course.

DONNA

SMITH

Excuse me just a moment.

He goes into an adjoining room. The door is heavy, with a substantial lock. Donna rises

quickly, goes to the bookshelf, tugs on the piece of paper. It won't budge. She notices a gap

between the shelf and the wall, moves closer to take a look, then turns abruptly as the heavy

door opens behind her and Smith re-enters, carrying, a beautiful orchid plant. He conceals

any concern about her movements.

(CONTINUED)

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