Film Genre Reader III - Edited by Barry Keith Grant.pdf
(
13128 KB
)
Pobierz
457267923 UNPDF
FILM GENRE READER III
FILM GENRE
READER III
Edited by Barry Keith Grant
University of Texas Press
•
Austin
Copyright © 1986, 1995, 2003 by the University of Texas Press
All rights reserved
Printed in the United States of America
First edition, 2003
Requests for permission to reproduce material from this work should
be sent to Permissions, University of Texas Press, P.O. Box 7819,
Austin, TX 78713-7819.
The paper used in this book meets the minimum requirements of
ansi/niso z39.48-1992 (r1997) (Permanence of Paper).
Library of Congress Cataloging-in-Publication Data
Film genre reader III / edited by Barry Keith Grant.
p. cm.
Includes bibliographical references and index.
isbn 0-292-70184-5 (hardcover : alk. paper) —
isbn 0-292-70185-3 (pbk. : alk. paper)
1. Motion picture plays—History and criticism. 2. Film genres.
I. Grant, Barry Keith, 1947–
pn1995.f45793 2003
791.43
6—dc21
2003002794
ACKNOWLEDGMENTS
RICK ALTMAN. “A Semantic/Syntactic Approach to Film Genre,” ap-
peared originally in a slightly different form in
Cinema Journal
23, no. 3
(Spring 1984): 6–18. Copyright © 1984 by
Cinema Journal.
Reprinted
by permission.
JEAN-LOUP BOURGET. “Social Implications in the Hollywood Gen-
res,” from
Journal of Modern Literature
3, no. 2 (April 1973): 191–200.
Copyright © 1973 by
Journal of Modern Literature.
Reprinted by per-
mission of
Journal of Modern Literature.
EDWARD BUSCOMBE. “The Idea of Genre in the American Cinema,”
from
Screen
11, no. 2 (March–April 1970): 33–45. Copyright © 1970
by
Screen.
Reprinted by permission.
JOHN G. CAWELTI. “
Chinatown
and Generic Transformation in Recent
American Films,” from
Film Theory and Criticism,
2d ed., edited by
Gerald Mast and Marshall Cohen (New York: Oxford University Press,
1979), 559–579. Copyright © 1979 by John G. Cawelti. Reprinted by
permission of the author.
DAVID DESSER. “Global Noir: Genre Film in the Age of Transnational-
ism.” Copyright © 2002 by David Desser. Used with permission of the
author.
THOMAS ELSAESSER. “Tales of Sound and Fury: Observations on the
Family Melodrama,” from
Monogram,
no. 4 (1973): 2–15. Copyright ©
1985 by the British Film Institute. Reprinted by permission of the author
and the British Film Institute.
JANE FEUER. “The Self-Reflexive Musical and the Myth of Entertain-
ment,” from
Quarterly Review of Film Studies
2, no. 3 (August 1977):
Plik z chomika:
scullytailedsquirrel
Inne pliki z tego folderu:
Historical Dictionary of Film Noir - Spicer, Andrew.mobi
(791 KB)
Dreams and Dead Ends - Shadoian, Jack.mobi
(1316 KB)
The Philosophy of TV Noir - Sanders, Steven M_.mobi
(603 KB)
Cult Movies - Keen, Oliver.mobi
(509 KB)
The Art of Crime - The Plays and Films o - Kane, Leslie.mobi
(668 KB)
Inne foldery tego chomika:
Pliki dostępne do 08.07.2024
Pliki dostępne do 21.01.2024
▼PROGRAMY PORTABLE - bez instalacji(1)
2003 Best Ebooks
2004 Best Ebooks
Zgłoś jeśli
naruszono regulamin