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Layered Flowers
Layered Flowers
By Pam Goodwin
This group of cards were based on a drawing
I did of an Iris I saw carved in marble inside the
Taj Mahal while on a trip to India. However, a
flower from the garden will work equally well!
The initial technique is similar to ‘Hand
Painted Paper’ in issue 24 of the Craft Creations
magazine.
Materials Required:
Gold or Silver acrylic paint.
Paint roller.
Piece of hardboard approx. A4.
White paper 11.5cm x 16.5cm.
Cartridge paper A5.
Water soluble ink, various colours.
Pencil with a rubber on the end.
Lightweight, see through fabric.
Fine and coarse netting.
Machine embroidery threads.
Card mount: AP01G-GO-30, White/Gold.
To Make The Card:
For this type of design it is most useful to
make an aperture template, it can be used to
check everything fits inside the aperture and it
doesn’t matter if it gets marked with paint or ink.
Above: Gold paint has been used as a base and the
flower drawn onto it whilst still wet. This is covered
with green, blue and purple ink. I placed a piece of fine
purple coloured fabric over the centre of the design
then covered the whole design with a fine gold fabric
and machined over with purple sparkly thread.
Take a spare AP01G card, cut away
and discard the two side flaps. Use a
sharp pair of scissors to enlarge the aper-
ture by cutting along the gold foiled
line. You can hold this over the design to
see how everything fits or in cases where
the paint or ink is dry, place it onto the
work and draw round the inside to use
as a guide.
Using the paint roller, roll out a small
amount of gold or silver paint onto the
smooth side of the hardboard. With the
rubber on the end of a pencil, draw a
flower shape in the wet paint bearing in
mind the size and shape of the aperture
it is going to fit into.
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Place the
white paper
over the design
and gently press
the surface.
Carefully
remove the
print, don’t be
disappointed, it
won’t look very
inspiring at this
stage. Make a
few prints in
the same way,
re-roll the paint
and re-draw the
design as neces-
sary between
prints.
Dilute some ink and brush over the surface of
the design – try a variety of colour combinations,
if you don’t like some of your results don’t worry
Above: Gold paint used as a base, covered with pink
and purple ink. This design has been cut away to
show the magenta organdie fabric at the back. Gold
transparent fabric placed over the front and machine
embroidered in gold thread.
you can usually improve them by cutting and
adding fabrics and netting.
Above: Silver paint used as a base, covered with mauve
and blue ink. Small pieces of fabrics, nets and dazzle
dots have been put under silver transparent fabric then
machined in silver thread.
From this
point you can
experiment
even more, all
the results will
be different
and some may
appeal to you
more than oth-
ers. Allow the
ink and paint
to dry thor-
oughly before
proceeding.
Option 1.
Add layer of
very fine fabric
in front of the
design, pin the
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layers together outside the aperture area. Set
your sewing machine up for free embroidery
and just have fun stitching over your design.
Use a sparkly gold, silver or coloured thread in
the machine to get the best effect. You can also
add smaller pieces of fine fabric in other colours
or with different weaves to give added interest
and texture.
Option 2. Sprinkle a few iridescent dazzle
dots or tiny heart sequins onto the design, not
too many or it will spoil the effect. Add a layer
of very fine fabric in front of the design. This will
trap the sequins between the fabric and paper,
pin the layers together outside the aperture area
before stitching as above.
If you like the cut away designs shown, go for
options three, four or five. These are also a good
way of improving on any designs which you are
less than happy with so far. Place your aperture
template over the painted area and draw round
the aperture to use as a guide before cutting.
Option 3. Use a scalpel to cut out some shapes
from the painted card, ignore the rubber drawn
design underneath and just make any shape you
like, it does not have to be symmetrical. Use a
Above: Silver paint used as a base, covered with pink
and purple ink. This design has also been cut away. A
beautiful sparkly net is placed behind the design to
show through the cut out areas. Purple transparent fab-
ric is placed over the front then machine embroidered
in silver thread. I have also cut the folded flap of card
behind the design so the light shines through giving a
leaded window effect.
piece of fine glittery netting behind the design
to show through the cut holes and a very fine
almost see through fabric in front to give the
whole design a pretty sheen.
Option 4. Cut the shapes from the painted
card as above and use a strong sparkly net
behind the design to accentuate the cut away
areas with an ultra fine mesh or fabric in front
to add the sheen.
Option 5. As above but cut away the flap
behind the design as well. Combined with a
coarse mesh the light will shine through making
it look like a leaded window. If you use a dark
coloured card, place a white insert inside to
reflect the light.
I am sure you will be able to think of other
ideas to vary the designs, have fun.
28
Hello,
We hope you enjoy this article, it was taken from a back issue of the Craft
Creations Magazine.
All the articles on our web site are at least one year old. If you want the latest
projects, designer profiles, gallery pages and more, then you need to subscribe
to the quarterly Craft Creations Magazine.
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The details above are correct as of 1st January 2004, but are subject to change without prior notice.
Craft Creations Limited, Ingersoll House, Delamare Road, Cheshunt, Hertfordshire, EN8 9HD, England.
Tel: 01992 781900 Fax: 01992 634339
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