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The Possibility Wars
created by Greg Gorden and Bill Slavicsek
They have come from other cosms,
other realities, raiders joined together to
accomplish one goal — to steal the
awesome energy of Earth’s possibilities!
This spectacular epic of adventure,
magic, and high technology is set on a
reality-torn Earth — an Earth warped
into someplace else . Don’t miss any of
the volumes in the Possibility Wars saga!
Book One
Storm Knights
by Bill Slavicsek and C.J. Tramontana
Book Two
The Dark Realm
by Douglas Kaufman
Book Three
The Nightmare Dream
by Jonatha Ariadne Caspian
Book One
Storm Knights
by Bill Slavicsek and C.J. Tramontana
Note to Our Readers
This PDF version of the Storm Knights novel was created from the original electronic files. The interior
illustrations were left out and the book was reformatted to reduce file size, page count, and production time (the
images do not have electronic counterparts). Typographical errors have not been fixed. This electronic document
is provided as an relatively inexpensive means for people to get the original content from a popular book now
long out of print.
If you received a copy of this file from a friend and would like to support the publishing efforts of West End
Games, please send US$2.50 via PayPal (https://www.paypal.com/) to d6lweg@yahoo.com.
For more information about Torg and other West End Games products, please visit our Web site at
www.westendgames.com
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Cover Art by Daniel Horne
Graphic Design by Bernadette J. Cahill
and Stephen Crane
PDF Layout by Nikola Vrtis
Series Edited by Bill Slavicsek
To Scott, Denise, and Rich for giving us
the chance to create a new world.
And to the rest of the Torg design team —
Greg Gorden, Doug Kaufman, Chris Kubasik,
Ray Winninger, Jonatha Caspian, Mike Stern
and Paul Murphy — because they made
it all come together.
STORM KNIGHTS
Book One of the Possibility Wars
A West End Book/May 1990
All Rights Reserved.
Copyright © 1990 by West End Games.
This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material
herein is prohibited without the express written permission of West End Games.
TORG, THE POSSIBILITY WARS, STORM KNIGHTS, and WEST END GAMES are trademarks owned by Humanoids, Inc.
First Printing: May, 1990
PDF Version: November, 2002
Printed in the United States of America
0 9 8 7 6 5 4 3 2 1
Library of Congress Catalog Card Number: 90-70244
ISBN: 0-87431-301-5
All characters in this book are fictitious. Any resemblance to actual persons, living or dead, is purely coincidental.
West End Games
www.westendgames.com
Prologue:
The Near
Now
When they chased you, you ran. And if you were a
step too slow, or if you twisted an ankle and went
sprawling in the hot sand, then you were dead.
Correction. If they chased you, you were dead al-
ready. It was only a matter of time before your heart
stopped pumping and your blood ran red to stain the
ground where you fell.
The young man with the light brown skin knew none
of this. He simply ran. Faster and faster beneath the
gathering clouds until his side hurt and his chest
pounded. He had no thought as to where he was
running to, just as long as it was away. Away from the
horror behind him, away from the atrocity that his
mind wished it had never seen.
He ran until each stride sent waves of pain through
his body. And still he kept moving, although now the
run became a trot. Then a fast walk. Then a shuffle. And
then the young man had to stop. Only for a moment, he
told himself as he collapsed in the sand. Just to catch his
breath.
His eyes closed as exhaustion overtook him. After
running most of the night and through the early morn-
ing, even fear could not keep it at bay. So, in the hot
sand, under the hot sun, mere yards from the lapping
waves, the young man slept. He didn’t notice the pass-
ing minutes, didn’t stir as the dark clouds moved in and
blocked out the sun. He never heard the terrible wings
that flapped closer, never felt the foul breeze of their
approach.
But he felt the weight that pressed down on his back,
and that jarred him back to consciousness. The young
man opened his eyes and tried to rise, but the weight
held him fast. He could hear heavy breathing above
him, could smell a foul stench that burned its way up
his nose and into his lungs. He coughed and his eyes
watered. As the young man blinked away his tears, he
saw a figure approaching from out of the jungle.
The figure was tall, gaunt, skeleton thin. From the
young man’s angle, looking up from the sand and
through watering eyes, the figure appeared exagger-
ated, as though seen in a fun house mirror. The figure
wore a long black coat and a tall black hat, but seemed
unaffected by the humid heat. A shoulder cape bil-
lowed as he strode forward, casually swinging an or-
nate walking cane. His crisp steps stopped a few feet
from the young man’s face, a face which was reflected
in the figure's shiny black boots.
The tall figure knelt down, resting his cane across his
knees. He smiled at the young man, and his gaunt
features stretched even thinner, revealing a skeletal
visage beneath the broad rim of his hat.
“You led us on a merry chase, young man,” the
Gaunt Man said, speaking clearly in the young man’s
language. At least, the young man heard it as his
language. “But like all stormers, you became tired,
careless. Never any real challenge at all, you must
admit.”
Later today,
early tomorrow,
sometime next week,
the world began to end …
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The Possibility Wars
“Let me up and I’ll show you a challenge, thin man!”
the young man said, forgetting his fear for a moment.
The weight on the young man’s back pressed down,
and something sharp and pointed cut through his shirt
and pierced the surface of his skin. He bit back a scream
of pain, trying to ignore the hot stickiness spreading
across his back.
“No, my pet, not yet,” cautioned the Gaunt Man as
he rose to his full height.
He turned in place with his arms outstretched, tak-
ing in great gulps of air. “Smell the possibilities in the
air!” the Gaunt Man exclaimed. “Oh, this world is rich!
I have chosen well this time, my pet, very well indeed.”
Then he spun again, and his visage changed. Anger
filled his cold eyes, and for a moment the young man
saw that his finery was ragged and moth eaten. But then
the head of his cane was shoved toward the young
man’s face.
“What should I do with you, stormer?” the Gaunt
Man asked. The cane twirled dangerously close, and
the young man could see the carved dragon head
spinning before his eyes. The dragon held something
firmly in its toothy maw, a strange and beautiful gem of
some sort, filled with swirls of blue and red. Then the
Gaunt Man pulled it away, and his finery was perfect
again. “Perhaps the machine would suit you, stormer.
Yes, the machine.”
“What are you afraid of, thin man?” asked the young
man. “Do I scare you?”
The Gaunt Man did not answer. He simply stepped
back and smashed his cane into the sand.
Then the weight on the young man’s back shifted
and he felt the claws. Sharp, tearing, eager claws. His
eyes snapped wide when the ripping began, full of fear
and pain and light. He noticed, rather detachedly, that
a bright splash of red stained the Gaunt Man’s polished
black boots.
The light in the stormer’s eyes faded slowly as the
rain began to fall. But the ripping continued for a long,
long time.
4
1
In his third-floor, walk-up apartment on Flatbush
Avenue, Mario Docelli cursed loudly. He looked out
the window at the darkening sky. There was a storm
coming, no doubt about it. But maybe it would have the
common courtesy to wait until the ball game was over.
No way, he decided. The storm clouds were so black
that it was like night outside. Great! On Opening Day,
too!
He flipped on his radio and hunted for the all-news
station, hoping for a weather report. He twisted the dial
this way and that, fighting to hear through the static.
Damn, the static was bad today!
“… around the world … with Indonesia …”
That’s it, Docelli thought, tuning in the reporter’s
voice as best he could.
“Repeating our lead story, all communications with
Indonesia have ceased,” said the calm news voice com-
ing out of Docelli’s radio. “An American satellite track-
ing station noted the occurrence quietly, expecting
communications to resume after IndoCon Sat Three
was realigned. But now other countries are reporting
that the satellite is working perfectly, or it would be if
there were any signals for it to relay. As far as radio
waves, phone lines, microwaves, and all forms of elec-
tronic communication are concerned, Bali has ceased to
exist. As have Sumatra, Java, Borneo, Celebes, the
Moluccas and all of the islands of the Malay Archi-
pelago. We switch now to Arthur Cross in Australia.
Arthur …”
A new voice spoke from the radio. “No messages
blurted from fax machines this morning. No radio or
television signals bounced off orbiting satellites. Noth-
ing was transmitted from the part of the world we call
Indonesia except ominous silence …”
“Who cares,” Docelli said angrily as he switched off
the radio. “You can’t even get a decent weather report
in this town anymore. Ah, maybe they’ll get in a couple
of innings at least.”
Docelli opened a can of beer, cradled a bowl of
popcorn in his left arm, and sat in his favorite chair. He
hunted momentarily for the remote, found it on the
chair cushion beneath him, and aimed it at the silent
television.
“Let’s play ball,” he whispered as he pointed and
clicked the remote, bringing the television to life.
2
Police Officer Rick Alder would remember Opening
Day for the rest of his life. The moment was caught in
his mind like some foul taste that couldn’t be rinsed
away. He was assigned to crowd control duty outside
Shea Stadium, on his horse direct from the police stables
in New York’s Flushing Meadows Park.
Overhead, the sky was growing increasingly darker
as it filled with bloated black clouds. Alder was certain
that he would be drenched before the day was out, and
Gather
the
Clouds
I watched the dark clouds
gather
I saw them fill the sky
I felt the waves of thunder
The lightning didn't lie ...
— Eddie Paragon
There isn’t always a silver
lining hiding behind a dark
cloud. Sometimes what’s
back there is much, much
worse.
— Quin Sebastian
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