#--------------------------------------------------------------------------------# # # # P L E A S E N O T E ! ! ! # # # # This file is the author's own work and represents their interpretation of the # # song. You may only use this file for private study, scholarship, or research. # # # #--------------------------------------------------------------------------------# # # # U W A G A ! ! ! # # # # Autorem poni�szego pliku jest Marcin "jUnKiE" Koc�j. Jest to w�asna praca i # # przedstawia w�asn� interpretacj� tego utworu. Ten plik jest przeznaczony tylko # # do u�ytku w�asnego, nauki, itp. # # # #--------------------------------------------------------------------------------# Je�li masz jakie� sugestie, uwagi, z czym� si� nie zgadzasz, albo co� jest przedsawione niejasno skontaktuj si� ze mn� mejlem - JAMES@INTERTELE.PL . Mo�na z�apa� mnie te� na ICQ - 16828656. Zapraszam wszystkich na moj� stron�: http://www.intertele.pl/users/jaymz, gdzie mo�na znale�� wiele ciekawych materia��w na temat Metallicy. Zamie�ci�em tam te� kilka utw�r�w zagranych przeze mnie i moj� kapel� ------------------------------------------------------------------------------------ ...AND JUSTICE FOR ALL -=-=-=-=-=-=-=-=-=-=-=- ...And Justice For All (1988) Metallica Guitar Solo Full Full Full /----\ / / / \ -----/---------------------/|--14------17/|--------17--14--17p1417p14----19p14|20p-- -17-/----14---------------/-|------14-----|--------------------------17-------|----- -16/-----14--------14--16/--|-------------|-----------------------------------|----- ---------------16-----------|-------------|-----------------------------------|----- ----------------------------|-------------|-----------------------------------|----- ----------------------------|-------------|-----------------------------------|----- Full 1/2Full 1/2Full Full /~~~~ // // /\ -p1420p14--19p14|17p1417p14----14--14-/-------------|----//-----//--|----//\\------- ---------17-----|----------17------17/-----------14-|-16//---16//---|-16//--\\-14h-- ----------------|--------------------------------14-|-16/----16/----|-16/------14h-- ----------------|----------------------------16-----|---------------|--------------- ----------------|-----------------------------------|---------------|--------------- ----------------|-----------------------------------|---------------|--------------- w/wah wah Full Full Full /~~~~~~~~ / / ---------------------|------------------/------------|-----/-------------/-------17- -h16--14------16--14-|(14)------14--17-/-------(17)--|-14-/-1417p14-----/-1417p14--- -h16--14------16--14-|(14)------14--16/--------(16)--|-16/-----------16/------------ ----------16---------|------16-----------------------|------------------------------ ---------------------|-------------------------------|------------------------------ ---------------------|-------------------------------|------------------------------ Full Full Full / /\ /\ -p14---------/-|-----------------|--------------------/--\--------------/|-\-------- ----17p14---/14|-17p14-----------|---------14h-17--17/--(17)p14--17--17/-|(17)p14--- ---------16/---|------16--14-----|-14--16--------------------------------|---------- ---------------|--------------16-|---------------------------------------|---------- ---------------|-----------------|---------------------------------------|---------- ---------------|-----------------|---------------------------------------|---------- Full Full Full Full 1/2 /---------------- /\ /\ / /~~~~~~ / ----/--\-----|-----/--\-------17/------17/|-(17)-----------|-----/------------------ -17/--(17)p14|--17/--(17)p14--------------|----------------|----/------------------- -------------|----------------------------|--------16p14h16|-16/----16--16--16--16-- -------------|----------------------------|----------------|------------------------ -------------|----------------------------|----------------|------------------------ -------------|----------------------------|----------------|------------------------ ----------\ Full \ /~~~~~~~~~~ -------|----\------------/-----------|22p19p0021p17p00018p15p00017p17p000|22p19p000- -------|-----\--------17/------------|-----------------------------------|---------- -16--16|-16--(16)p14-----------------|-----------------------------------|---------- -------|-----------------------------|-----------------------------------|---------- -------|-----------------------------|-----------------------------------|---------- -------|-----------------------------|-----------------------------------|---------- -21p17p00018p15p00017p14p000|19p017p015p014p017p015p014p012p0|15p014p012p010p010p8p- ----------------------------|--------------------------------|---------------------- ----------------------------|--------------------------------|---------------------- ----------------------------|--------------------------------|---------------------- ----------------------------|--------------------------------|---------------------- ----------------------------|--------------------------------|---------------------- w/trem. bar------------| Harm. -7 -p7------10p8p7------|-----------------------|-------------------------------------- ---10p8p7------10p8p0|-5---------------------|-------------------------------------- ---------------------|-5---------------------|-------------------------------------- ---------------------|-----------------------|-------------------------------------- ---------------------|-----------------------|-------------------------------------- ---------------------|-----------------------|-------------------------------------- <<<=============================================================================>>> Symbole i oznaczenia u�yte w moich tabulaturach s� w miare realnym odwzorowaniem znaczk�w spotykanych w nutach drukowanych w r�nych magazynach. Jak wiadomo w trybie tekstowym ci�ko jest zrobi� po��dny bending, oznaczenie u�ycia wajchy czy �uk odnosz�cy si� do sekwencji legato, dlatego w niekt�rych miejscach moje taby nie b�d� wygl�da�y tak jak z w gazetce, ale trudno... E|------3-------2---------|- H|------3-------3---------|- G|--------------2---------|- D|--------------0---------|- A|-1----------------------|- E|------------------------|- Drugi pr�g za struie A, struny E i H zagrane razem na progu trzecim, akord D. Z powodu braku mo�liwo�ci umieszczenia warto�ci nutowych, ka�dy sam, s�uchaj�c kawa�ka musi domysli� si� d�ugo�ci granych dzwi�k�w. Troch� u�atwi prac� podpowied�, �e cyferki umieszcza�em na ka�dej tabulaturze w ten sam spos�b, �eby �atwiej by�o odgadn�� d�ugo�� granych dzwi�k�w: szesnastki triole �semkowe �semki itd. -1234-----|-1-2-3-4-5-6----|-1--2--3--4---|------------------ ----------|----------------|--------------|------------------ ----------|----------------|--------------|------------------ ----------|----------------|--------------|------------------ ----------|----------------|--------------|------------------ ----------|----------------|--------------|------------------ Najlepsz� metod� jest jednak �wiczenie z muzyk� z p�yty (kasety). Wtedy s�yszysz co jest grane i jak powinno zabrzmie�. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- HAMMER-ON (legoato w g�r�) -=-=-=-=-=-=-=-=-=-=-=-=- Literka "h" to skr�t nazwy tej techniki. Nale�y zagra� pierwszy dzwi�k, a drugi powstanie wtedy gdy energicznie przy�o�ymy palec na wy�szy pr�g. Cyfry oznaczaj� palce prawej r�ki. 1 3 -----------------------|- -----------------------|- -7h9-------------------|- ------...
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